New York Times bestselling author Erik Larson is known for expertly transporting readers to past worlds; even stories we think we know come to life in a different way in his hands. With his remarkable new work of nonfiction, The Splendid and the Vile, Larson once again turns history into a thriller, taking us into the heart of war-torn England for the period of May 10, 1940, through May 10, 1941 — Winston Churchill's first year as prime minister.
The inspiration for The Splendid and the Vile came when Larson moved to Manhattan a few years ago. "It was only then that I came to understand, with sudden clarity, how different the experience of September 11, 2001, was for New Yorkers, since it was their city that was under attack," says Larson. Almost immediately, he wondered how Londoners could have endured Germany's aerial assault of 1940-41: fifty-seven consecutive nights of bombing, followed by an intensifying series of night time raids over the next six months. "In particular, I thought about Winston Churchill, who had to lead his country through such horror while aware that it was likely only a preamble to worse," Larson says. "I decided to look into how he, his family and advisors withstood it," Larson says.
The Splendid and the Vile is not meant to be a definitive account of Churchill, as that has been done. What it is instead is an intimate account of how Churchill and his inner circle went about surviving on a daily basis during the year when Churchill became Churchill, the cigar-smoking bulldog we all think we know. Drawing on diaries, original archival documents, and once-secret intelligence reports—some released only recently—Larson provides a new lens on London's darkest year through the day-to-day experiences of Churchill; his wife, Clementine; their youngest daughter, Mary, who chafes against her parents' wartime protectiveness; their son, Randolph, and his beautiful, unhappy wife, Pamela; her illicit lover, a dashing American emissary; and the cadre of close advisors who comprised Churchill's "Secret Circle," including his love-struck private secretary, John Colville; newspaper baron Lord Beaverbrook; and the Rasputin-like Frederick Lindemann.
Like his monumental In the Garden of Beasts and Dead Wake, the result is a captivating book that is rich in atmosphere and personal stories. Thrillingly told and full of vivid character portraits, The Splendid and the Vile takes readers out of today's political dysfunction and back to a time when words mattered, courage prevailed, and everything was at stake.
About the Author
ERIK LARSON is the author of five national bestsellers; Dead Wake, In the Garden of Beasts, Thunderstruck, The Devil in the White City, and Isaac's Storm, which have collectively sold more than nine million copies. His books have been published in nearly twenty countries.
THE SPLENDID AND THE VILE:
A Saga of Churchill, Family, and Defiance During the Blitz by Erik Larson Crown
ISBN: 978-0-385-34871-3
eriklarsonbooks.com
A conversation with Erik Larson, author of THE SPLENDID AND THE VILE
Q: You often write about fascinating events in history that most of us have never before heard of, but much is already known about Winston Churchill. What made you decide to write about his first year—May 10,1940-May 10,1941—as prime minister?
A: It wasn't so much the first year that drew me, but rather that the year coincided with Germany's bombing campaign against London. The city experienced in effect a succession of 9/11's—fifty-seven consecutive nights of bombing, followed by an intensifying series of nighttime raids over the next six months. I wanted to know how anyone could have endured that kind of ordeal, and decided the best way to tell it was through the daily experience of Churchill, his family, and his inner circle. By looking at the period through this window, I found all kinds of things that scholars writing more traditional histories and biographies tend to ignore.
Q: What was the inspiration for the book's title?
A: It was inspired by a diary entry made by one of my key characters, John Colville, a member of Churchill's cadre of private secretaries. Against all national-security regulations, Colville kept a detailed—and accurate—daily record of his time with Churchill, in which he proved himself to be both an astute observer of events and a writer of grace and wit. In one passage he described an intense air raid, which he watched from a bedroom window. It conjured in him a sense of awe. "Never." he wrote, "was there such a contrast of natural splendor and human vileness."
Q: Reading the book, it's difficult not to compare the political climate of that time with our current political moment. What do you see as the primary differences?
A: Well, the primary difference is that Churchill was a brilliant man who understood the necessity of bringing his country together in the face of an existential threat. He used his incredible oratorical skills not to divide, but rather to teach the British public the art of being fearless. Needless to say, we see something rather different at play now in Britain and in America.
Q: Did spending so much time with Churchill—reading his words, examining his actions— make you think differently about leadership? What were Churchill's strengths and flaws as a leader?
A: What struck me about Churchill was his gift for making Britons feel stronger and better about themselves. His best speeches combined sober assessment with an unshakeable confidence that Britain would not merely endure, but prevail. He had a rich knowledge of history, and this gave him perspective. He never underestimated the danger Britain faced, but likewise never lost sight of its strength. He also led by example—climbing to the rooftops to watch air-raids unfold; visiting bombed districts, despite the likelihood of fresh attacks; and ordering acts of defiance that persuaded allies, especially the United States, that Britain intended to fight to the end. He was not, however, a particularly good military strategist or tactician. And he was, apparently, a pain to work for: Impulsive, demanding, and inconsiderate—but his staff and ministers loved him all the same.
Q: You bring key members of Churchill's inner circle to life, among them his seventeen-year old daughter, Mary Churchill, and his private secretary, John Colville. What resources did you call on to do that, and why did you see them as important to the story?
A: To me, context is everything. Among the most powerful tools for capturing it are diaries, like those left by Mary Churchill and Colville and many others, which help place Churchill in a living landscape. I love, for example, that both Mary and her mother, Clementine, felt great anxiety about Churchill repeatedly flying to France in the spring of 1940 to meet with French leaders. Such anxiety about flying is something you don't find expressed very often in historical sources and yet it's something a lot of us routinely experience, me included. You would not have caught me flying to France in a twin-engine Flamingo aircraft, with the skies full of German fighters and cities along the French coast visibly burning, but Churchill did it—and, what's more, loved it.
Q: This is your eighth book. Has your research and writing process changed over the years?
A: As always I relied heavily on archival materials. That's the fun of it. I traveled to various far-flung locales, including archives in London, Cambridge and Oxford, where I spent many happy hours looking through old letters and records. This may sound odd, but I never really know what I'm looking for—until I find it. For example, I spent a good deal of time looking into the records on Churchill's prime ministerial country home. Chequers, which became for him a kind of secret weapon, and for me, almost a living character. I was delighted to find that a particular section of the estate, the "Long Walk Wood," was chronically overrun with rabbits — not exactly a world-shaking fact, but, nonetheless it's in the book. More often, however, my archival spelunking turned up tragic details and episodes, like the three-month investigation by Scotland Yard into the disappearance of an employee of a London architectural firm who, as it turned out, had been "blown to bits" by a German bomb. This, alas, did not make it into the book, but it was important to know it all the same.
Q: What did you learn about Churchill that most surprised you?
A: What most surprised me was Churchill's sense of fun. He would dance, solo, to martial tunes played on the gramophone at Chequers, and at least once engaged in a series of bayonet drills as he marched, while his dinner guests looked on. He loved listening to his favorite songs, among them "Run Rabbit Run" and tunes by Gilbert and Sullivan, and he adored movies, which he watched nightly in the home cinema at Ditchley, another country estate, where he stayed on weekends when the moon was full and air-raids thus more likely to occur. No matter how grave the events of the war, he was always able to compartmentalize his gloom and make room for laughter.
Q: The Splendid and the Vile is full of fascinating characters. Do you have a favorite among them?
A: My favorite, hands down, is Mary Churchill, who when the action in the book begins is 17 years old. I was delighted to receive permission from her daughter, Emma Soames, to read and excerpt her diary, which is held by the Churchill Archives Center in Cambridge, England. Mary was a smart, charming raconteur, and her observations about her friends, her joyous life, and her frustration at not being able to take a more direct part in defending England, provide a rich and humane thread throughout the narrative—right down to episodes of "snogging" in haylofts and moments when young RAF pilots would buzz her and her friends at treetop altitude, thrilling them no end.
Q: You sometimes included the German perspective in the book, most often Goring's, who was commander of the German air force (Luftwaffe), Why?
A: I felt it was very important to convey how Germany's bombing campaign got started, and how it evolved in response to Churchill's open defiance. Also, Goring and Goebbels, like most Nazis, are spine-chilling characters. It was horrifying and illuminating to read Goebbels' diary entry that expressed his delight in his family and Christmas, while also reveling in the latest Nazi offenses against Jews. The Gennan narrative also helps ramp up the overall sense of foreboding and suspense as Goring plans each new aerial atrocity. I include the German fighter ace Adolf Galland mainly as a vehicle to describe the creation and evolution of the Luftwaffe and to present a nuanced, human element to the German side of the action. Galland loved the test of combat, but proved in the end to be a decent guy who won the respect of his opponents in the RAF. He also played an interesting role in one of the final events in the book, which I won't reveal here.
Q: With so much written about Churchill, how did you manage to avoid drowning in so vast a sea of books and articles? And did you find it at all discouraging?
A: My interest was very focused: How did Churchill and his circle endure Hitler's bombing campaign—how really? That was my lens, and it let me search in a more targeted way for anything that would help me tell the story. And, as I've found before, when you look at history through a new lens, you see things in a new way. Above all I wanted to present as rich a sense as possible of that awful time, so that readers could sink into the story and live it alongside the various characters. I did of course have to do a lot of advance reading to make sure I knew the fundamental history, but I resolved early on that I would not try to read everything. That's a fool's errand. As soon as I could, I began my archival research in hopes that my own personal Churchill would rise from the dust. I also made it a point to avoid watching all TV and movie portrayals of him, no matter how good they were said to be. I did not want someone else's vision clouding my own.
Q: Suppose you had a time machine: In the course of your research, did you come across any particular moment that you would love to visit in real time?
A: Many! I'd love to have been present for Hitler's July 19, 1940, "peace offering" speech in Berlin, just to see what it was like to be in that audience, and to sense the mad enthusiasm of those around me. I'd like to experience one of the major air-raids on London—provided my safe escape was part of the arrangement. But above all I'd love to be able to Join Churchill and company for one of those amazing dinners at Chequers or Ditchley, and savor the dazzling conversation, and maybe get a glimpse of Churchill in his gold-dragon dressing gown or his pale blue siren suit, as he danced to the strains of a Gilbert & Sullivan opera or to the score of the Wizard of Oz, another favorite.
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