The Grift: The Downward Spiral of Black Republicans from the Party of Lincoln to the Cult of Trump - REVIEW

by Clay Cane

Part history and part cultural analysis, The Grift chronicles the nuanced history of Black Republicans. Clay Cane lays out how Black Republicanism has been mangled by opportunists who are apologists for racism.

After the Civil War, the pillars of Black Republicanism were a balanced critique of both political parties, civil rights for all Americans, reinventing an economy based on exploitation, and, most importantly, building thriving Black communities. How did Black Republicanism devolve from revolutionaries like Frederick Douglass to the puppets in the Trump era?

Whether it's radical conservatives like South Carolina Senator Tim Scott or Supreme Court Justice Clarence Thomas, they are consistently viral news and continuously upholding egregious laws at the expense of their Black brethren. Black faces in high places providing cover for explicit bigotry is one of the greatest threats to the liberation of Black and brown people. By studying these figures and their tactics, Cane exposes the grift and lays out a plan to emancipate our future.

Clay Cane is an award-winning journalist, writer, radio host, and political commentator. A graduate of Rutgers University with a degree in African-American Studies, his work on race, culture, and politics have appeared in national publications, including the Washington Post, CNN, and The Grio. He is the director of the original BET documentary Holler If You Hear Me: Black and Gay in the Church, which was screened at the Obama White House. In 2017, The Clay Cane Show launched on SiriusXM Urban View channel 126. Clay is a regular political commentator on MSNBC. The Grift is his second book, his first being Live Through This: Surviving the Intersections of Sexuality, God, and Race. ClayCane.net, @claycane

Sourcebooks
ISBN-13 978-1728290225

Abolition Geography: Essays Towards Liberation - REVIEW

by Ruth Wilson Gilmore

The first collection of writings from one of the foremost contemporary critical thinkers on racism, geography and incarceration

Gathering together Ruth Wilson Gilmore’s work from over three decades, Abolition Geography presents her singular contribution to the politics of abolition as theorist, researcher, and organizer, offering scholars and activists ways of seeing and doing to help navigate our turbulent present.

Abolition Geography moves us away from explanations of mass incarceration and racist violence focused on uninterrupted histories of prejudice or the dull compulsion of neoliberal economics. Instead, Gilmore offers a geographical grasp of how contemporary racial capitalism operates through an “anti-state state” that answers crises with the organized abandonment of people and environments deemed surplus to requirement. Gilmore escapes one-dimensional conceptions of what liberation demands, who demands liberation, or what indeed is to be abolished. Drawing on the lessons of grassroots organizing and internationalist imaginaries, Abolition Geography undoes the identification of abolition with mere decarceration, and reminds us that freedom is not a mere principle but a place.

Edited with an introduction by Brenna Bhandar and Alberto Toscano.

Ruth Wilson Gilmore is Professor of Earth & Environmental Sciences, and American Studies at the Graduate Center of the City University of New York, where she is also Director of the Center for Place, Culture, and Politics. She is the author of Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California. Honors include the American Studies Association Angela Y. Davis Award for Public Scholarship (2012); the Association of American Geographers' Harold Rose Award for Anti-Racist Research and Practice (2014); the SUNY-Purchase College Eugene V. Grant Distinguished Scholar Prize for Social and Environmental Justice (2015-16); and the American Studies Association Richard A Yarborough Mentorship Award (2017).

Verso
ISBN-13 978-1839761706

The State of Black Progress: Confronting Government and Judicial Obstacles - REVIEW

Edited by Star Parker

Black Americans have arguably arrived at the height of their cultural prominence. In politics, entertainment, academia, and nearly every sphere of influence, “black issues” dominate the national discussion. Yet many black Americans are suffering more than ever from the blight of poverty, physical and mental health struggles, lack of opportunity, and failing schools.

This edited volume, sponsored by the Center for Urban Renewal and Education and featuring contributions from W.B. Allen, Judge Janice Rogers Brown (ret.), Ian Rowe, Sally Pipes, Stephen Moore, and others, addresses this question in light of American values and the history of constitutional jurisprudence. In the 1860s, black America was promised emancipation but continued to experience subjugation. In the 1960s, black America was promised equality but was frequently exploited. Racial discrimination played a role, but in the intervening decades misguided progressive policies and the normalization of victimhood rhetoric has proven even more disastrous. By failing to live up to American ideals, our nation denied many black Americans their chance at the American Dream.

The scholars and luminaries who contributed to this volume believe that what has been lost can be recovered. If our nation recognizes the history of our current predicament, embraces the founding principles that made America an economic powerhouse, and commits to an agenda of empowering fiscal, educational, and faith and family-affirming policies, then black Americans can overcome the obstacles that most hamper progress in their communities.

Star Parker is President of the Center for Urban Renewal and Education (CURE), which she founded in 1995. She serves on the US Commission on Civil Rights California Advisory Committee and previously served on the US Frederick Douglass Bicentennial Commission. In 2017, Parker joined the White House Opportunity Initiative advisory team and has served on the board of directors of the National Religious Broadcasters and the Leadership Institute.

Parker is a nationally syndicated columnist and the author of several books, including Uncle Sam's Plantation: How Big Government Enslaves America's Poor and What We Can Do About It; White Ghetto: How Middle-Class America Reflects Inner City Decay; and Pimps, Whores and Welfare Brats: From Welfare Cheat to Conservative Messenger.

Encounter Books
ISBN-13 978-1641773416

The Cambridge Companion to Contemporary African American Literature - REVIEW

Edited by Yogita Goyal

African American literature has changed in startling ways since the end of the Black Arts Era. The last five decades have generated new paradigms of racial formation and novel patterns of cultural production, circulation, and reception. This volume takes up the challenge of mapping the varied and changing field of contemporary African American writing. Balancing the demands of historical and political context with attention to aesthetic innovation, it considers the history, practice, and future directions of the field. Examining various historical forces shaping the creation of innovative genres, the turn to the afterlife of slavery, the pull toward protest, and the impact of new and expanded geographies and methods, this Companion provides an invaluable point of reference for readers seeking rigorous and cutting-edge analyses of contemporary African American literature.

Yogita Goyal is Professor of African American Studies and English at UCLA and author of Romance, Diaspora, and Black Atlantic Literature (2010) and Runaway Genres: The Global Afterlives of Slavery (2019; winner of ACLA's René Wellek Prize). She edited The Cambridge Companion to Transnational American Literature (2017) and has published widely on African diaspora, postcolonial, and US literature.

Cambridge University Press
ISBN-13 978-1009159715

Circulating Jim Crow: The Saturday Evening Post and the War Against Black Modernity - REVIEW

by Adam McKible

In the early twentieth century, the Saturday Evening Post was perhaps the most popular and influential magazine in the United States, establishing literary reputations and shaping American culture. In the popular imagination, it is best remembered for Norman Rockwell’s covers, which nostalgically depicted a wholesome and idyllic American way of life. But beneath those covers lurked a more troubling reality. Under the direction of its longtime editor, George Horace Lorimer, the magazine helped justify racism and white supremacy. It published works by white authors that made heavy use of paternalistic tropes and demeaning humor, portraying Jim Crow segregation and violence as simple common sense.

Circulating Jim Crow demonstrates how the Post used stereotypical dialect fiction to promulgate white supremacist ideology and dismiss Black achievements, citizenship, and humanity. Adam McKible tells the story of Lorimer’s rise to prominence and examines the white authors who provided the editor and his readers with the caricatures they craved. He also explores how Black writers of the Harlem Renaissance pushed back against the Post and its commodified racism. McKible places the erstwhile household names who wrote for the magazine in conversation with figures such as Paul Laurence Dunbar, F. Scott Fitzgerald, Ann Petry, W. E. B. Du Bois, and William Faulkner. Revealing the role of the Saturday Evening Post in normalizing racism for millions of readers, this book also offers a new understanding of how Black writers challenged Jim Crow ideology.

Columbia University Press
ISBN-13 978-0231212649

The Little Liar: A Novel - REVIEW

by Mitch Albom 

Eleven-year-old Nico Krispis has never told a lie. His schoolmate, Fannie, loves him because of it. Nico’s older brother Sebastian resents him for both these facts. When their young lives are torn apart during the war, it will take them decades to find each other again.

Nico’s innocence and goodness is used against his tightly knit community when a German officer barters Nico’s reputation for honesty into a promise to save his loved ones. When Nico realizes the consequences of the betrayal, he can never tell the truth again. He will spend the rest of this life changing names, changing locations and identities, desperate to find a way to forgiveness—for himself and from the people he loves most.

Albom’s extraordinary storytelling is at its powerful best in his first novel to confront the destruction that lying can wreak both on the world stage as well as on the individual lives that get caught up in it. As The Stranger in the Lifeboat spoke to belief, The Little Liar speaks to hope, in a breathless work that will break your heart open and fill it with the power of the human spirit and the goodness that lies within us all.

Mitch Albom is the author of numerous books of fiction and nonfiction, which have collectively sold more than forty million copies in forty-seven languages worldwide. He has written seven number-one New York Times bestsellers – including Tuesdays with Morrie, the bestselling memoir of all time, which topped the list for four straight years – award-winning TV films, stage plays, screenplays, a nationally syndicated newspaper column, and a musical. Through his work at the Detroit Free Press, he was inducted into both the National Sports Media Association and Michigan Sports halls of fame and is the recipient of the 2010 Red Smith Award for lifetime achievement. After bestselling memoir Finding Chika and “Human Touch,” the weekly serial written and published online in real-time to raise funds for pandemic relief, his latest work is a return to fiction with The Stranger in the Lifeboat (Harper, November 2021). He founded and oversees SAY Detroit, a consortium of nine different charitable operations in his hometown, including a nonprofit dessert shop and food product line to fund programs for Detroit’s most underserved citizens. He also operates an orphanage in Port-Au-Prince, Haiti, which he visits monthly. He lives with his wife, Janine, in Michigan. Learn more at www.mitchalbom.com, www.saydetroit.org, and www.havefaithaiti.org.

Harper
ISBN-13 978-0062406651

The Violin Conspiracy: A Novel - REVIEW

by Brendan Slocumb

Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world.

Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music. 

When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.

Vintage
ISBN-13 978-0593315422

Devil Is Fine: A Novel - REVIEW

by John Vercher

From acclaimed novelist John Vercher, a profoundly moving novel of what it means to be a father, a son, a writer, and a biracial American fighting to reconcile the past.

Reeling from the sudden death of his teenage son, our narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged grandfather. He travels to a beach town several hours south of his home with the intention of immediately selling the land. But upon inspection, what lies beneath the dirt is much more than he can process in the throes of grief. As a biracial Black man struggling with the many facets of his identity, he’s now the owner of a former plantation passed down by the men on his white mother’s side of the family.

Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovery-and a fight for reclamation-of a painful past. With the wit of Paul Beatty’s The Sellout and the nuance of Zadie Smith’s On Beauty, Devil Is Fine is a darkly funny and brilliantly crafted dissection of the legacies we leave behind and those we inherit.

John Vercher lives in the Philadelphia region with his wife and two sons. He has a Bachelor’s in English from the University of Pittsburgh and an MFA in Creative Writing from the Mountainview Master of Fine Arts program. John serves as an Assistant Teaching Professor in the Department of English & Philosophy at Drexel University and was the inaugural Wilma Dykeman writer-in-residence at the University of North Carolina, Asheville. His debut novel, Three-Fifths, was named one of the best books of the year by the Chicago Tribune and Booklist. It was nominated for the Edgar and Strand Magazine Critics’ Awards for Best First Novel. His second novel, After the Lights Go Out, called “shrewd and explosive” by The New York Times, was named a Best Book of Summer 2022 by BookRiot and Publishers Weekly, and named a Booklist Editor’s Choice Best Book of 2022.

Celadon Books
ISBN-13 978-1250894489

The Double V Campaign: African Americans Fighting for Freedom at Home and Abroad - REVIEW

by Lea Lyon

The rousing story of the Double V Campaign, started during World War II to encourage Black Americans to fight for freedom overseas and at home.

When the United States entered World War II, young African Americans across the country faced a difficult dilemma. Why should they risk their lives fighting for freedoms in other nations that they did not have at home? The solution: fight two wars at once—for freedom abroad and freedom for Black people in America. A Double Victory!

In The Double V Campaign, Lea Lyon details this fascinating, little-known part of American history. A young journalist, civil service employee, and aircraft plant cafeteria worker named James G. Thompson came up with the simple yet powerful Double V slogan to represent the fight for victory against the enemy abroad and the fight for victory against racial discrimination at home. Lyon shows how the popular Black-owned newspaper the Pittsburgh Courier, along with other Black newspapers, activists, the NAACP, and others, used the Double V Campaign to push for changes in the segregation and discriminatory practices in the military and defense industry, and how the campaign influenced and enhanced the Civil Rights Movement to come.

The Double V Campaign gave voice to African American communities throughout the war and inspired hundreds of thousands to continue speaking up against discrimination in the years that followed. It is a powerful story of fighting for what is right, of fighting for change and equality even when those in positions of power are telling you to stop, and the strength of a united voice to effect change.

Lea Lyon is an award-winning author and illustrator and a former Illustrator Coordinator for the Society of Children’s Book Writers and Illustrators (SCBWI) San Francisco chapter. Her most recent books include It Rained Warm Bread—a middle grade novella by Hope Anita Smith with Gloria Moskowitz-Sweet and developed and illustrated by Lyon, which garnered a starred review from Kirkus, a 2019 Best Nonfiction Book in Verse for Young Readers from Kirkus, and an ALA Notable book for 2020—and Ready to Fly: How Sylvia Townsend Became the Bookmobile Ballerina by Lyon and A. LaFaye which was picked up by Scholastic Book Club, a 2021 Bank Street Best Children's Book, and included in the Independent Bookstore Kids Next list.

Rowman & Littlefield Publishers
ISBN-13 978-1538184653

A Home Away from Home: Mutual Aid, Political Activism, and Caribbean American Identity - REVIEW

by Tyesha Maddox

A Home Away from Home examines the significance of Caribbean American mutual aid societies and benevolent associations to the immigrant experience, particularly their implications for the formation of a Pan-Caribbean American identity and Black diasporic politics.

At the turn of the twentieth century, New York City exploded with the establishment of mutual aid societies and benevolent associations. Caribbean immigrants, especially women, eager to find their place in a bustling new world, created these organizations, including the West Indian Benevolent Association of New York City, founded in 1884. They served as forums for discussions on Caribbean American affairs, hosted cultural activities, and provided newly arrived immigrants with various forms of support, including job and housing assistance, rotating lines of credit, help in the naturalization process, and its most popular function-sickness and burial assistance. In examining the number of these organizations, their membership, and the functions they served, Tyesha Maddox argues that mutual aid societies not only fostered a collective West Indian ethnic identity among immigrants from specific islands, but also strengthened kinship networks with those back home in the Caribbean. Especially important to these processes were Caribbean women such as Elizabeth Hendrickson, co-founder of the American West Indian Ladies’ Aid Society in 1915 and the Harlem Tenants’ League in 1928.

Immigrant involvement in mutual aid societies also strengthened the belief that their own fate was closely intertwined with the social, economic, and political welfare of the Black international community. A Home Away from Home demonstrates how Caribbean American mutual aid societies and benevolent associations in many ways became proto-Pan-Africanist organizations.

Tyesha Maddox is Assistant Professor of African & African American Studies at Fordham University.

University of Pennsylvania Press
ISBN-13 978-1512824544

Hitler in Los Angeles: How Jews Foiled Nazi Plots Against Hollywood and America - REVIEW

by Steven J. Ross

No American city was more important to the Nazis than Los Angeles, home to Hollywood, the greatest propaganda machine in the world. The Nazis plotted to kill the city's Jews and to sabotage the nation's military installations: Plans existed for murdering twenty-four prominent Hollywood figures, such as Al Jolson, Charlie Chaplin, and Louis B. Mayer; for driving through Boyle Heights and machine-gunning as many Jews as possible; and for blowing up defense installations and seizing munitions from National Guard armories along the Pacific Coast.

U.S. law enforcement agencies were not paying close attention--preferring to monitor Reds rather than Nazis--and only attorney Leon Lewis and his daring ring of spies stood in the way. From 1933 until the end of World War II, Lewis, the man Nazis would come to call “the most dangerous Jew in Los Angeles,” ran a spy operation comprised of military veterans and their wives who infiltrated every Nazi and fascist group in Los Angeles. Often rising to leadership positions, they uncovered and foiled the Nazi's disturbing plans for death and destruction.

Featuring a large cast of Nazis, undercover agents, and colorful supporting players, the Los Angeles Times­ bestselling Hitler in Los Angeles, by acclaimed historian Steven J. Ross, tells the story of Lewis's daring spy network in a time when hate groups had moved from the margins to the mainstream.

Steven J. Ross is professor of history at the University of Southern California and director of the Casden Institute for the Study of the Jewish Role in American Life. He is the author of Hollywood Left and Right, recipient of the Academy of Motion Picture Arts and Sciences’ Film Scholars Award and nominated for a Pulitzer; Working-Class Hollywood, nominated for a Pulitzer and the National Book Award; Movies and American Society; and Workers on the Edge. He lives in Southern California. http://scalar.usc.edu/works/hitler-in-los-angeles/index

Bloomsbury
ISBN-13 978-1620405628

See Justice Done: The Problem of Law in the African American Literary Tradition - REVIEW

by Christopher Michael Brown

In See Justice Done: The Problem of Law in the African American Literary Tradition, author Christopher Michael Brown argues that African American literature has profound and deliberate legal roots. Tracing this throughline from the eighteenth century to the present, Brown demonstrates that engaging with legal culture in its many forms—including its conventions, paradoxes, and contradictions—is paramount to understanding Black writing.

Brown begins by examining petitions submitted by free and enslaved Blacks to colonial and early republic legislatures. A virtually unexplored archive, these petitions aimed to demonstrate the autonomy and competence of their authors. Brown also examines early slave autobiographies such as Olaudah Equiano’s Interesting Narrative and Mary Prince’s History, which were both written in the form of legal petitions. These works invoke scenes of Black competence and of Black madness, repeatedly and simultaneously.

Early Black writings reflect how a Black Atlantic world, organized by slavery, refused to acknowledge Black competence. By including scenes of Black madness, these narratives critique the violence of the law and predict the failure of future legal counterparts, such as Plessy v. Ferguson, to remedy injustice. Later chapters examine the works of more contemporary writers, such as Sutton E. Griggs, George Schuyler, Toni Morrison, and Edward P. Jones, and explore varied topics from American exceptionalism to the legal trope of "colorblindness." In chronicling these interactions with jurisprudential logics, See Justice Done reveals the tensions between US law and Black experiences of both its possibilities and its perils.

Christopher Michael Brown is assistant professor of English at Wake Forest University, where he teaches courses on African American literature and legal culture. His research has been supported by fellowships from the American Council of Learned Societies and the Ford Foundation.

University Press of Mississippi
ISBN-13 978-1496848192

Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song - REVIEW

by Judith Tick

A landmark biography that reclaims Ella Fitzgerald as a major American artist and modernist innovator.

Ella Fitzgerald (1917–1996) possessed one of the twentieth century’s most astonishing voices. In this first major biography since Fitzgerald’s death, historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist.

Becoming Ella Fitzgerald clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer’s difficult childhood in Yonkers, New York, the tragic death of her mother, and the year she spent in a girls’ reformatory school-where she sang in its renowned choir and dreamed of being a dancer. Rarely seen profiles from the Black press offer precious glimpses of Fitzgerald’s tense experiences of racial discrimination and her struggles with constricting models of Black and white femininity at midcentury.

Tick’s compelling narrative depicts Fitzgerald’s complicated career in fresh and original detail, upending the traditional view that segregates vocal jazz from the genre’s mainstream. As she navigated the shifting tides between jazz and pop, she used her originality to pioneer modernist vocal jazz. Interpreting long-lost setlists, reviews from both white and Black newspapers, and newly released footage and recordings, the book explores how Ella’s transcendence as an improvisor produced onstage performances every bit as significant as her historic recorded oeuvre.

From the singer’s first performance at the Apollo Theatre’s famous “Amateur Night” to the Savoy Ballroom, where Fitzgerald broke through with Chick Webb’s big band in the 1930s, Tick evokes the jazz world in riveting detail. She describes how Ella helped shape the bebop movement in the 1940s, as she joined Dizzy Gillespie and her then-husband, Ray Brown, in the world-touring Jazz at the Philharmonic, one of the first moments of high-culture acceptance for the disreputable art form.

Breaking ground as a female bandleader, Fitzgerald refuted expectations of musical Blackness, deftly balancing artistic ambition and market expectations. Her legendary exploration of the Great American Songbook in the 1950s fused a Black vocal aesthetic and jazz improvisation to revolutionize the popular repertoire. This hybridity often confounded critics, yet throughout the 1970s and 1980s, Ella reached audiences around the world, electrifying concert halls, and sold millions of records.

A masterful biography, Becoming Ella Fitzgerald describes a powerful woman who set a standard for American excellence nearly unmatched in the twentieth century.

W. W. Norton & Company
ISBN-13 978-0393241051

Images in the River: The Life and Work of Waring Cuney - REVIEW

by Cynthia Davis and Verner D. Mitchell

The poet William Waring Cuney (1906–1976) hails from an illustrious Afro-Texan family whose members include the charismatic politician Norris Wright Cuney (1846–1898) and his daughter, Maud Cuney Hare (1874–1936), the concert pianist and writer. Waring Cuney’s maternal line, after whom he was named, was equally eminent.

Cuney was born and raised in Washington, DC, just a few blocks from Howard University where three generations of his family studied. Despite his privileged upbringing among the city’s Black elite, Cuney embraced his family’s passionate commitment to racial uplift and civil rights; in exploring the relationship between African Americans and their environment, he was thus able to transmute into two books of poetry a broad cross section of African American life; his poems and songs explore the lives of jazz musicians, athletes, domestic and railway workers, women and children, blues singers, prisoners, sharecroppers, and soldiers. In addition, Cuney published in all the major Harlem Renaissance journals and anthologies alongside the luminaries of the period, many of whom were good friends.

Through 100 of his best poems, many never before collected or published, and a detailed biographical monograph, Images in the River: The Life and Work of Waring Cuney introduces readers to a newly recovered Harlem Renaissance poet, and to the history of a remarkable American family.

Texas Tech University Press
ISBN-13 978-1682831977

Jazz with a Beat: Small Group Swing, 1940-1960 - REVIEW

by Tad Richards

Jazz with a Beat is the first book on the often overlooked but vitally important genre of small group swing jazz. Coming into being in the early 1940s, small group swing answered the need in the Black community for a form of jazz that was more accessible (and more danceable) than the new bebop. An adaptation of the big band Black swing (Erskine Hawkins, Jimmie Lunceford, Chick Webb) of the 1930s to small combos, and with a more vigorous beat for the new generation, this music developed and was beloved through the 1940s, continued to be enjoyed through the rock and roll years of the 1950s, and was a major influence on the soul jazz of the 1960s. Among the many hit artists portrayed in these pages are Illinois Jacquet, Louis Jordan, Big Jay McNeely, Joe Liggins, Nat "King" Cole, Red Prysock, Ruth Brown, Nellie Lutcher, Camille Howard, T-Bone Walker, and Ray Charles. Dismissed as "rhythm and blues," this music has been ignored by jazz historians. Jazz with a Beat honors this music as a legitimate genre of jazz and is a stirring evocation of an era. It should be of interest to lovers of jazz and Americana.

Tad Richards is a prolific visual artist, poet, novelist, and nonfiction writer who has been active for over four decades. He is the author (with Melvin B. Shestack) of The New Country Music Encyclopedia, among many books. He lives in Kingston, New York.

Excelsior Editions/State University of New York Press
ISBN-13 978-1438496016

Ghosts of Segregation: American Racism, Hidden in Plain Sight - REVIEW

by Richard Frishman and B. Brian Foster

From award-winning photojournalist Richard Frishman comes a collection of photographs documenting America’s history of segregation, slavery, and institutional racism hidden in plain sight, accompanied by hard-hitting personal essays from University of Virginia professor of sociology and Black culture B. Brian Foster and with a foreword by National Book Award winner Imani Perry.

Beginning in 2018, Richard Frishman embarked on a 35,000-mile journey, crossing the United States several times, traveling from his home state of Washington to Maine, from Mississippi to Michigan, and everywhere in between. Frishman was driven by a deep concern for capturing traces of the nation’s history of segregation, slavery, and institutional racism embedded in everyday American architecture. Frishman spent the next five years capturing photographs of structures like the New Orleans Slave Exchange, old “colored entrances” at movie theaters in Seattle and Texas, formerly segregated beaches in Los Angeles, and the former site of New York City’s slave market.

As Frishman was traveling the country, his collaborator, noted sociologist Dr. B. Brian Foster, was writing about economic development, Black community life, and the blues in his home state of Mississippi. Foster adds to this collection seven essays of stirring prose and intimate storytelling. Whether reflecting on his relationship to his grandmother and her archive of family photos or chronicling his experiences working as a professor at the University of Mississippi and the University of Virginia, Foster adds layers of emotional resonance and sharp insight to the photographic collection with his essays, speaking to the shared memories, living histories, rippling beauty, and ongoing struggles of Black life in the United States.

Within this immersive collection, readers will witness and learn of histories startling, stirring, and thought-provoking: Histories of white supremacist violence and systemic racism. Histories of segregated bathrooms, beaches, churches, dining areas, doors, hospitals, hotels, waiting rooms, and water. Histories of Black aliveness and aspiration. Histories of Black migration, Black entrepreneurship, Black protest and organizing, Black singing and dancing, and Black placemaking.

This remarkable book brings home a powerful truth: these ghosts of segregation haunt us because they are very much alive. It also reveals how our surroundings bear witness to history, reminding us where we have been, where we are now, and crucially asking, Where do we go from here?

Celadon Books
ISBN-13 978-1250831682

The Wingmen: The Unlikely, Unusual, Unbreakable Friendship Between John Glenn and Ted Williams - REVIEW

by Adam Lazarus

The untold story of the unique fifty-year friendship between two American icons: John Glenn, the unassailable pioneer of space exploration and Ted Williams, indisputably the greatest hitter in baseball history.  

The friendship how, throughout various stages in their remarkable lives, a most unusual friendship formed, flourished, withered, then reinvigorated.

In 1952, celebrity outfielder Ted Williams was called up to active duty in the Korean War. Baseball's biggest name was already an ace pilot, as skilled in the cockpit as he was on the field. John Glenn, already an experienced fighter pilot during World War II, was commissioned with The Marine Corps and had gone through months of training when he petitioned for active duty in Korea. He was a superstar among the officers and pilots who knew him as a superior instructor and great guy.

While stationed in Korea for combat, Glenn requested Williams to fly on his wing. The reluctant, fatalistic, pugnacious Reservist and the eager, optimistic, unflappable active-duty regular Marine would go on to serve together, forging a friendship in battle that would last a lifetime and take them up into the stratosphere, literally and figuratively - from Earth orbit and a long political career for Glenn to world records and global fame as one of baseball's greatest hitters for Williams.

Author Adam Lazarus, who has written narrative nonfiction books on great American icons and the very essence of team successes on the field and off, has written a sweeping epic that pulls from an encyclopedic array of sources, from interviews, papers, military diaries, letters, archives, videos, and papers released through FOIA.

The connection forged between the great hitter and the great aviator would radiate out from their mutual respect. They also shared a keen understanding of their respective gifts, a fierce dedication to the success of the team (whether The Red Sox, the Mercury program, or a military unit), and their rabid pursuit of excellence. They wanted to contribute without any special treatment or fanfare. They also understood their gifts and drive came with a price - fame - and each would handle it differently. Each of them would earn a permanent place in the pantheon of American heroes and become titans in their own right.

They stayed friends right to the end, decades after they had flown together in Korea.

Adam Lazarus is the author of nonfiction books featuring iconic and compelling figures in American history. His previous titles include Chasing Greatness: Johnny Miller, Arnold Palmer, and the Miracle at Oakmont; Super Bowl Monday: The New York Giants, The Buffalo Bills, and Super Bowl XXV; Best of Rivals: Joe Montana, Steve Young, and the Inside Story Behind The NFL's Greatest Quarterback Controversy; and Hail to the Redskins: Gibbs, the Diesel, the Hogs, and the Glory Days of D.C.'s Football Dynasty. He received a bachelor's degree in English from Kenyon College in 2004 and a master's degree in Professional Writing from Carnegie Mellon University in 2006, specializing in journalism.

Kensington Publishing
ISBN: 978-0-8065-4250-8

The Life and Times of Hannah Crafts: The True Story of The Bondwoman's Narrative Hardcover – REVIEW

by Gregg Hecimovich

A groundbreaking study of the first Black female novelist and her life as an enslaved woman, from the biographer who solved the mystery of her identity, with a forward by Henry Louis Gates Jr.

In 1857, a woman escaped enslavement on a North Carolina plantation and fled to a farm in New York. In hiding, she worked on a manuscript that would make her famous long after her death. The novel, The Bondwoman’s Narrative, was first published in 2002 to great acclaim, but the author’s identity remained unknown. Over a decade later, Professor Gregg Hecimovich unraveled the mystery of the author’s name and, in The Life and Times of Hannah Crafts, he finally tells her story.

In this remarkable biography, Hecimovich identifies the novelist as Hannah Bond “Crafts.” She was not only the first known Black woman to compose a novel but also an extraordinarily gifted artist who honed her literary skills in direct opposition to a system designed to deny her every measure of humanity. After escaping to New York, the author forged a new identity—as Hannah Crafts—to make sense of a life fractured by slavery.

Hecimovich establishes the case for authorship of The Bondwoman’s Narrative by examining the lives of Hannah Crafts’s friends and contemporaries, including the five enslaved women whose experiences form part of her narrative. By drawing on the lives of those she knew in slavery, Crafts summoned into her fiction people otherwise stolen from history.

At once a detective story, a literary chase, and a cultural history, The Life and Times of Hannah Crafts discovers a tale of love, friendship, betrayal, and violence set against the backdrop of America’s slide into Civil War.

Ecco
ISBN-13: 978-0062334732

American Visions: The United States, 1800-1860 - REVIEW

by Edward L. Ayers

With so many of our histories falling into dour critique or blatant celebration, here is a welcome departure: a book that offers hope as well as honesty about the American past. The early decades of the nineteenth century saw the expansion of slavery, Native dispossession, and wars with Canada and Mexico. Mass immigration and powerful religious movements sent tremors through American society. But even as the powerful defended the status quo, others defied it: voices from the margins moved the center; eccentric visions altered the accepted wisdom, and acts of empathy questioned self-interest. Edward L. Ayers’s rich history examines the visions that moved Frederick Douglass, Margaret Fuller, the Native American activist William Apess, and others to challenge entrenched practices and beliefs. So, Lydia Maria Child condemned the racism of her fellow northerners at great personal cost. Melville and Thoreau, Joseph Smith and Samuel Morse all charted new paths for America in the realms of art, nature, belief, and technology. It was Henry David Thoreau who, speaking of John Brown, challenged a hostile crowd "Is it not possible that an individual may be right and a government wrong?"

Through decades of award-winning scholarship on the Civil War, Edward L. Ayers has himself ventured beyond the interpretative status quo to recover the range of possibilities embedded in the past as it was lived. Here he turns that distinctive historical sensibility to a period when bold visionaries and critics built vigorous traditions of dissent and innovation into the foundation of the nation. Those traditions remain alive for us today.

W. W. Norton & Company
ISBN-13: 978-0393881264

King: A Life - REVIEW

by Jonathan Eig 

Vividly written and exhaustively researched, Jonathan Eig’s King: A Life is the first major biography in decades of the civil rights icon Martin Luther King Jr.-and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family’s origins as well as MLK’s complex relationships with his wife, father, and fellow activists. King reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became our only modern-day founding father-as well as the nation’s most mourned martyr.

In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history’s greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime.

Jonathan Eig is the author of six books, including four New York Times best sellers. His most recent book is King: A Life, which the Times called a "the definitive biography" of Martin Luther King Jr. and a book "worthy of its subject." Prior to that, Eig wrote Ali: A Life, which has been hailed as one of the best sports biographies of all time. Ali: A Life, won a 2018 PEN America Literary Award and was a finalist for the Mark Lynton History Prize. Eig served as a senior consulting producer for the PBS series Muhammad Ali. His first book, Luckiest Man: The Life and Death of Lou Gehrig, won the Casey Award. His books have been listed among the best of the year by The New York Times, The Washington Post, and the Wall Street Journal. He lives in Chicago with his wife and children.

Farrar, Straus and Giroux
ISBN-13 978-0374279295