Sound Experiments: The Music of the AACM - REVIEW

by Paul Steinbeck

A groundbreaking study of the trailblazing music of Chicago’s AACM, a leader in the world of jazz and experimental music.

Founded on Chicago’s South Side in 1965 and still thriving today, the Association for the Advancement of Creative Musicians (AACM) is the most influential collective organization in jazz and experimental music. In Sound Experiments, Paul Steinbeck offers an in-depth historical and musical investigation of the collective, analyzing individual performances and formal innovations in captivating detail. He pays particular attention to compositions by Muhal Richard Abrams and Roscoe Mitchell, the Association’s leading figures, as well as Anthony Braxton, George Lewis (and his famous computer-music experiment, Voyager), Wadada Leo Smith, and Henry Threadgill, along with younger AACM members such as Mike Reed, Tomeka Reid, and Nicole Mitchell.

Sound Experiments represents a sonic history, spanning six decades, that affords insight not only into the individuals who created this music but also into an astonishing collective aesthetic. This aesthetic was uniquely grounded in nurturing communal ties across generations, as well as a commitment to experimentalism. The AACM’s compositions broke down the barriers between jazz and experimental music and made essential contributions to African American expression more broadly. Steinbeck shows how the creators of these extraordinary pieces pioneered novel approaches to instrumentation, notation, conducting, musical form, and technology, creating new soundscapes in contemporary music.

Paul Steinbeck is an associate professor of music at Washington University in St. Louis. He has written extensively about the Association for the Advancement of Creative Musicians (AACM), the Art Ensemble of Chicago, and Fred Anderson. Steinbeck’s book Sound Experiments, a study of ten influential pieces by AACM composers, is published by the University of Chicago Press (2022). His previous book Message to Our Folks, a history of the Art Ensemble, is available in English from the University of Chicago Press (2017), in Italian from Edizioni Quodlibet (2018), and in French from the Presses Universitaires du Midi (2021). With Fred Anderson, Steinbeck is co-author of Exercises for the Creative Musician (2002/2010), a method book for improvisers. Steinbeck is also a bassist, composer, and improviser. He studied bass with Harrison Bankhead and composition with Ari Brown. His compositions and improvisations are documented on thirteen recordings. He performs with a number of ensembles, including the experimental trio Low End Theory, co-led with former AACM president Mwata Bowden.

http://paulsteinbeck.com

University of Chicago Press
ISBN-13 978-0226820095