Saturday, November 16, 2024

Symphony of Secrets: A novel - REVIEW


by Brendan Slocumb

A gripping page-turner from the celebrated author of book club favorite The Violin Conspiracy: Music professor Bern Hendricks discovers a shocking secret about the most famous American composer of all time—his music may have been stolen from a Black Jazz Age prodigy named Josephine Reed. Determined to uncover the truth that a powerful organization wants to keep hidden, Bern will stop at nothing to right history's wrongs and give Josephine the recognition she deserves.

Bern Hendricks has just received the call of a lifetime. As one of the world’s preeminent experts on the famed twentieth-century composer Frederick Delaney, Bern knows everything there is to know about the man behind the music. When Mallory Roberts, a board member of the distinguished Delaney Foundation and direct descendant of the man himself, asks for Bern’s help authenticating a newly discovered piece, which may be his famous lost opera, RED, he jumps at the chance. With the help of his tech-savvy acquaintance Eboni, Bern soon discovers that the truth is far more complicated than history would have them believe.

In 1920s Manhattan, Josephine Reed is living on the streets and frequenting jazz clubs when she meets the struggling musician Fred Delaney. But where young Delaney struggles, Josephine soars. She’s a natural prodigy who hears beautiful music in the sounds of the world around her. With Josephine as his silent partner, Delaney’s career takes off—but who is the real genius here?

In the present day, Bern and Eboni begin to uncover more clues that indicate Delaney may have had help in composing his most successful work. Armed with more questions than answers and caught in the crosshairs of a powerful organization who will stop at nothing to keep their secret hidden, Bern and Eboni will move heaven and earth in their dogged quest to right history’s wrongs.

Brendan Nicholaus Slocumb was raised in Fayetteville, North Carolina, and holds a degree in music education (with concentrations in violin and viola) from the University of North Carolina at Greensboro. For more than twenty years he has been a public and private school music educator and has performed with orchestras throughout Northern Virginia, Maryland, and Washington, DC.

Vintag
ISBN-13 ‎ 978-0593315453



Tuesday, November 12, 2024

Divisions: A New History of Racism and Resistance in America's World War II Military - REVIEW


by Thomas A. Guglielmo

Divisions offers a decidedly different view. Prizewinning historian Thomas A. Guglielmo draws together more than a decade of extensive research to tell sweeping yet personal stories of race and the military; of high command and ordinary GIs; and of African Americans, white Americans, Asian Americans, Latinos, and Native Americans. Guglielmo argues that the military built not one color line, but a complex tangle of them. Taken together, they represented a sprawling structure of white supremacy. Freedom struggles arose in response, democratizing portions of the wartime military and setting the stage for postwar desegregation and the subsequent civil rights movements. But the costs of the military's color lines were devastating. They impeded America's war effort; undermined the nation's rhetoric of the Four Freedoms; further naturalized the concept of race; deepened many whites' investments in white supremacy; and further fractured the American people.

Offering a dramatic narrative of America's World War II military and of the postwar world it helped to fashion, Guglielmo fundamentally reshapes our understanding of the war and of mid-twentieth-century America.

Thomas A. Guglielmo is Associate Professor and Chair in the Department of American Studies at George Washington University. He is the author of White on Arrival: Italians, Race, Color, and Power in Chicago, 1890-1940 (OUP, 2003), which won the Frederick Jackson Turner Award of the Organization of American Historians.

Oxford University Press
ISBN-13 978-0195342659


Karla's Choice: A John le Carré Novel - REVIEW


by Nick Harkaway 

An extraordinary new novel set in the world of John le Carré's most iconic spy, George Smiley, written by acclaimed novelist Nick Harkaway. It is spring in 1963 and George Smiley has left the Circus. With the wreckage of the West’s spy war against the Soviets strewn across Europe, he has eyes only for a more peaceful life. And indeed, with his marriage more secure than ever, there is a rumor that George Smiley might almost be happy. But Control has other plans. A Russian agent has defected in the most unusual of circumstances, and the man he was sent to kill in London is nowhere to be found. Smiley reluctantly agrees to one last simple task: interview Szusanna, a Hungarian émigré and employee of the missing man, and sniff out a lead. But in his absence, the shadows of Moscow have lengthened. Smiley soon finds himself entangled in a perilous mystery that will define the battles to come and set him on a collision course with the greatest enemy he will ever make. Set in the missing decade between two iconic instalments in John le Carré's George Smiley saga, The Spy Who Came in from the Cold and Tinker Tailor Soldier Spy, Karla’s Choice marks a momentous return to the world of spy fiction's greatest writer.

Viking
ISBN-13 978-0593833490

Monday, November 04, 2024

Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies – REVIEW

by Dalila Scruggs

Accomplished printmaker and sculptor, avowed feminist, and lifelong activist Elizabeth Catlett (1915–2012) built a remarkable career around intersecting passions for formal rigor and social justice. This book, accompanying a major traveling retrospective, offers a revelatory look at the artist and her nearly century-long life, highlighting overlooked works alongside iconic masterpieces.

Catlett’s activism and artistic expression were deeply connected, and she protested the injustices of her time throughout her life. Her work in printmaking and sculpture draws on organic abstraction, the modernism of the United States and Mexico, and African art to center the experiences of Black and Mexican women. Catlett attended Howard University, studied with the painter Grant Wood, joined the Harlem artistic community, and worked with a leftist graphics workshop in Mexico, where she lived in exile after the US accused her of communism and barred her re-entry into her home country.

The book’s essays address a range of topics, including Catlett’s early development as an artist-activist, the impact of political exile on her work, her pedagogical legacy, her achievement as a social realist printmaker, her work with the arts community of Chicago’s South Side, and the diverse influences that shaped her practice.

"A deft sculptor and printmaker, devout feminist, and lifelong social justice advocate, Catlett was uniquely committed to both her creative process and political convictions. Growing up during the Great Depression, she witnessed class inequality, racial violence, and U.S. imperialism firsthand, all while pursuing an artistic education grounded in the tenets of modernism. Catlett would protest injustices for nearly a century, via both soaring artworks and on-the-ground activism. Born in Washington, DC, Catlett settled permanently in Mexico in 1946 and for the rest of her life she worked to amplify the experiences of Black and Mexican women. Inspired by sources ranging from African sculpture to works by Barbara Hepworth and Kathe Kollwitz, Catlett never lost sight of the Black liberation struggle in the United States. Characterized by bold lines and voluptuous forms, her powerful work continues to speak directly to all those united in the fight against poverty, racism, and imperialism."

Dalila Scruggs is the Augusta Savage Curator of African American Art at the Smithsonian American Art Museum. She has held curatorial and education positions at the Williams College Museum of Art, the Brooklyn Museum of Art, and the Schomburg Center for Research in Black Culture in New York.

University of Chicago Press
ISBN-13 978-0226836577

Friday, November 01, 2024

Higher Flight: Refocusing Black/Africana Studies for the 21st Century - REVIEW


by James B. Stewart

In the open access book Higher Flight, pre-eminent scholar and activist James B. Stewart offers a much-needed critical assessment of the current state of Black/Africana studies in order to chart a path forward. In three equally groundbreaking sections, Stewart clarifies and refines the distinctive approaches that currently define the field; shows how creative production in particular can serve as a unique means of cultural analysis and political mobilization; and suggests how to restore the balance between intellectual inquiry and direct action in order to improve the actual lived experiences of people of African descent. Each section incorporates various forms of expression, including Stewart’s essays, speeches, and poems, and the book as a whole covers a vast range of figures, issues, and phenomena, from W.E.B, Du Bois to James Baldwin, from conscious hip-hop to the Black Lives Matter movement, from Hurricane Katrina to Covid-19, and very much in between. Written with an accessible authoritativeness few Black/Africana scholar-activists can match, Stewart offers a must-read not only for researchers, but also for graduate students and advanced undergraduate students interested in Black/Africana studies, diaspora studies, ethnic studies, Black womanist/feminist studies, and American studies, as well as in African American history, culture, politics, economics, literature, and philosophy.

James B. Stewart is Professor Emeritus of African and African American Studies at Penn State University, USA. He previously served as Vice Provost for Educational Equity and Director of the Black studies Program at Penn State, as President of the National Council for Black Studies, as President of the Association for the Study of African American Life and History, and as Editor of The Review of Black Political Economy. He has published numerous articles and books, including the field-defining Introduction to Black Studies: Transdisciplinary Approaches and Implications (1992) and Flight in Search of Vision (2004).

Zed Books
ISBN-13 978-1350380295