Road to Nowhere: How a Highway Map Wrecked Baltimore - REVIEW

by Emily Lieb

Investigation that traces the birth, plunder, and scavenging of Rosemont, a Black middle-class neighborhood in Baltimore.

In the mid-1950s Baltimore’s Rosemont neighborhood was alive and vibrant with smart rowhouses, a sprawling park, corner grocery stores, and doctor’s offices. By 1957, a proposed expressway threatened to gut this Black, middle-class community from stem to stern.

That highway was never built, but it didn’t matter—even the failure to build it destroyed Rosemont economically, if not physically. In telling the history of the neighborhood and the notional East–West Expressway, Emily Lieb shows the interwoven tragedies caused by racism in education, housing, and transportation policy. Black families had been attracted to the neighborhood after Baltimore’s Board of School Commissioners converted several white schools into “colored” ones, which had also laid the groundwork for predatory real-estate agents who bought low from white sellers and sold high to determined Black buyers. Despite financial discrimination, Black homeowners built a thriving community before the city council formally voted to condemn some nine hundred homes in Rosemont for the expressway, leading to deflated home values and even more predatory real estate deals.

Drawing on land records, oral history, media coverage, and policy documents, Lieb demystifies blockbusting, redlining, and prejudicial lending, highlighting the national patterns at work in a single neighborhood. The result is an absorbing story about the deliberate decisions that produced racial inequalities in housing, jobs, health, and wealth—as well as a testament to the ingenuity of the residents who fought to stay in their homes, down to today.

Emily Lieb is a writer and historian in Seattle, Washington.

University of Chicago Press
ISBN-13: 978-0226844381

Black Paper: Writing in a Dark Time - REVIEW

by Teju Cole

“Darkness is not empty,” writes Teju Cole in Black Paper, a book that meditates on what it means to sustain our humanity—and witness the humanity of others—in a time of darkness. One of the most celebrated essayists of his generation, Cole here plays variations on the essay form, modeling ways to attend to experience—not just to take in but to think critically about what we sense and what we don’t.

Wide-ranging but thematically unified, the essays address ethical questions about what it means to be human and what it means to bear witness, recognizing how our individual present is informed by a collective past. Cole’s writings in Black Paper approach the fractured moment of our history through a constellation of interrelated concerns: confrontation with unsettling art, elegies both public and private, the defense of writing in a time of political upheaval, the role of the color black in the visual arts, the use of shadow in photography, and the links between literature and activism. Throughout, Cole gives us intriguing new ways of thinking about blackness and its numerous connotations. As he describes the carbon-copy process in his epilogue: “Writing on the top white sheet would transfer the carbon from the black paper onto the bottom white sheet. Black transported the meaning.”

University of Chicago Press
ISBN-13 978-0226641355

The President and the Freedom Fighter: Abraham Lincoln, Frederick Douglass, and Their Battle to Save America's Soul - REVIEW

by Brian Kilmeade

In The President and the Freedom Fighter, Brian Kilmeade tells the little-known story of how two American heroes moved from strong disagreement to friendship, and in the process changed the entire course of history.

Abraham Lincoln was White, born impoverished on a frontier farm. Frederick Douglass was Black, a child of slavery who had risked his life escaping to freedom in the North. Neither man had a formal education, and neither had had an easy path to influence. No one would have expected them to become friends—or to transform the country. But Lincoln and Douglass believed in their nation’s greatness. They were determined to make the grand democratic experiment live up to its ideals.

Lincoln’s problem: he knew it was time for slavery to go, but how fast could the country change without being torn apart? And would it be possible to get rid of slavery while keeping America’s Constitution intact? Douglass said no, that the Constitution was irredeemably corrupted by slavery—and he wanted Lincoln to move quickly. Sharing little more than the conviction that slavery was wrong, the two men’s paths eventually converged. Over the course of the Civil War, they’d endure bloodthirsty mobs, feverish conspiracies, devastating losses on the battlefield, and a growing firestorm of unrest that would culminate on the fields of Gettysburg.

As he did in George Washington's Secret Six, Kilmeade has transformed this nearly forgotten slice of history into a dramatic story that will keep you turning the pages to find out how these two heroes, through their principles and patience, not only changed each other, but made America truly free for all.

Sentinel
ISBN-13 978-0525540571

Time for Reparations: A Global Perspective - REVIEW

Edited by Jacqueline Bhabha, Margareta Matach, Caroline Elkins

In this sweeping international perspective on reparations, Time for Reparations makes the case that past state injustice—be it slavery or colonization, forced sterilization or widespread atrocities—has enduring consequences that generate ongoing harm, which needs to be addressed as a matter of justice and equity.

Time for Reparations provides a wealth of detailed and diverse examples of state injustice, from enslavement of African Americans in the United States and Roma in Romania to colonial exploitation and brutality in Guatemala, Algeria, Indonesia, Jamaica, and Guadeloupe. From many vantage points, contributing authors discuss different reparative strategies and the impact they would have on the lives of survivor or descent communities.

One of the strengths of this book is its interdisciplinary perspective—contributors are historians, anthropologists, human rights lawyers, sociologists, and political scientists. Many of the authors are both scholars and advocates, actively involved in one capacity or another in the struggles for reparations they describe. The book therefore has a broad and inclusive scope, aided by an accessible and cogent writing style. It appeals to scholars, students, advocates and others concerned about addressing some of the most profound and enduring injustices of our time.

University of Pennsylvania Press
ISBN-13 978-0812225044

Who Will Pay Reparations on My Soul?: Essays - REVIEW

by Jesse McCarthy

     Ranging from Ta-Nehisi Coates’s case for reparations to Toni Morrison’s revolutionary humanism to D’Angelo’s simmering blend of R&B and racial justice, Jesse McCarthy’s bracing essays investigate with virtuosic intensity the art, music, literature, and political stances that have defined the twenty-first century. Even as our world has suffered through successive upheavals, McCarthy contends, “something was happening in the world of culture: a surging and unprecedented visibility at every level of black art making.” Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis.

     McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones. In “Notes on Trap,” he borrows a conceit from Susan Sontag to reveal the social and political significance of trap music, the drug-soaked strain of Southern hip-hop that, as he puts it, is “the funeral music that the Reagan Revolution deserves.” In “Back in the Day,” McCarthy, a black American raised in France, evokes his childhood in Paris through an elegiac account of French rap in the 1990s. In “The Master’s Tools,” the relationship between Spanish painter Diego Velázquez and his acolyte-slave, Juan de Pareja, becomes the lens through which Kehinde Wiley’s paintings are viewed, while “To Make a Poet Black” explores the hidden blackness of Sappho and the erotic power of Phillis Wheatley. Essays on John Edgar Wideman, Claudia Rankine, and Colson Whitehead survey the state of black letters. In his title essay, McCarthy takes on the question of reparations, arguing that true progress will not come until Americans remake their institutions in the service of true equality. As he asks, “What can reparations mean when the damage cannot be accounted for in the only system of accounting that a society recognizes?”

     For readers of Teju Cole’s Known and Strange Things and Mark Greif’s Against Everything, McCarthy’s essays portray a brilliant young critic at work, making sense of our disjointed times while seeking to transform our understanding of race and art, identity and representation.

Liveright
ISBN: 978-1631496486

Tacit Racism - REVIEW

 
Every time we interact with another human being, we unconsciously draw on a set of expectations to guide us through the encounter. What many of us in the United States-especially White people-do not recognize is that centuries of institutional racism have inescapably molded those expectations into taken-for-granted practices that reproduce the biases in our society. These practices can shape everything from how we greet our neighbors to whether we take a second look at a resume. That is tacit racism, and it is one of the most pernicious threats to our nation.

In Tacit Racism, Anne Warfield Rawls and Waverly Duck draw on real-world examples to illustrate the many ways in which racism is coded into the everyday social expectations of Americans, in what they call Interaction Orders of Race. They argue that these interactions can produce racial inequality, whether the people involved are aware of it or not, and that by overlooking tacit racism in favor of the fiction of a “color-blind” nation, we are harming not only our society’s most disadvantaged-but endangering society itself. Ultimately, by exposing this legacy of racism in ordinary social interactions, Rawls and Duck hope to stop us from merely pretending we are a democratic society and show us how we can truly become one.

Anne Warfield Rawls is professor of sociology at Bentley University, research professor of socio-informatics at the University of Siegen, German, and senior fellow with the Yale Urban Ethnography Project. She is the author of Epistemology and Practice: Durkheim’s “The Elementary Forms of Religious Life” and the editor of Harold Garfinkle’s work Towards a Sociological Theory of Information; Seeing Sociologically; and Parsons’ Primer.

Waverly Duck is associate professor of sociology and director of urban studies at the University of Pittsburgh. He is the author of No Way Out: Precarious Living in the Shadow of Poverty and Drug Dealing, published by the University of Chicago Press.

Tacit Racism
The University of Chicago Press, 289 pages.
ISBN: 978-0-226-70369-5

The Princeton Fugitive Slave by Lolita Inniss - REVIEW

I never got no free papers. Princeton College bought me; Princeton College owns me. 

James Collins Johnson made his name by escaping slavery in Maryland and fleeing to Princeton, New Jersey, where he built a life in a bustling community of African Americans working at what is now Princeton University. After only four years, he was recognized by a student from Maryland~ arrested, and subjected to a trial for extradition under the 1793 Fugitive Slave Act. On the eve of his rendition, after attempts to free Johnson by force had failed, a local aristocratic white woman purchased Johnson's freedom, allowing him to avoid re­enslavement. The Princeton Fugitive Slave reconstructs James Collins Johnson's life, from birth and enslaved life in Maryland to his daring escape, sensational trial for re-enslavement, and last-minute change of fortune, and through to the end of his life in Princeton, where he remained a figure of local fascination. 

Stories of Johnson's life in Princeton often describe him as a contented, jovial soul, beloved on campus and memorialized on his gravestone as "The Students Friend." But these familiar accounts come from student writings and sentimental recollections in alumni reports-stories from elite, predominantly white, often southern sources whose relationships with Johnson were hopelessly distorted by differences in race and social standing. In interrogating these stories against archival records, newspaper accounts, courtroom narratives, photographs, and family histories, author Lolita Buckner Inniss builds a picture of Johnson on his own terms, piecing together the sparse evidence and disaggregating him from the other black vendors with whom he was sometimes confused. 
By telling Johnson's story and examining the relationship between antebellum Princeton's black residents and the economic engine that supported their community, the book questions the distinction between employment and servitude that shrinks and threatens to disappear when an individual's freedom is circumscribed by immobility, lack of opportunity, and contingency on local interpretations of a hotly contested body of law. 

About the Author - Lolita Buckner Inniss, J.D., LL.M., Ph.D., is a professor at Southern Methodist University Dedman School of Law, where she is a Robert G. Storey Distinguished Faculty Fellow. Her research addresses historic, geographic, metaphoric, and visual norms of law, especially in the context of race, gender, and comparative constitutionalism. 

The Princeton Fugitive Slave: The Trials of James Collins Johnson by Lolita Buckner Inniss
Fordham University Press
Hardcover - 3 September 2019 - ISBN: 918-0-8232-8534-l
$29.95, 272 pages, 14 b/w illustrations eBook Available