Classic Literature by Black Authors (part 2)

"Quicksand" by Nella Larsen

"The Wedding" by Dorothy West

"Black No More" by George Schuyler

"Not Without Laughter" by Langston Hughes

"Sula" by Toni Morrison

"Romance in Marseille" by Claude McKay

"The Blacker the Berry" by Wallace Thurman

Black Feminist Writing: A Practical Guide to Publishing Academic Books - REVIEW

by Stephanie Y Evans

Writing scholarly books is stressful, and academic publishing can be intimidating--especially for women, queer folks, and scholars of color. Black Feminist Writing shows scholars how to prioritize their mental health while completing a book in race and gender studies. Drawing on Black women's writing traditions, as well as her own experience as the author and editor of nine university press books, Stephanie Y. Evans gives scholars tools to sustain the important work of academic writing, particularly in fields routinely under attack by anti-democratic forces. Evans identifies five major areas of stress: personal, professional, publishing-related, public, and political. Each chapter includes targeted discussion questions and tasks to help authors identify their unique stressors, create priorities, get organized, and breathe. Whether working on your first scholarly book or your tenth, this robust, heartfelt guide will help you approach writing as an ongoing practice of learning, creating, and teaching in ways that center wellness and collective self-care.

Stephanie Y. Evans is Professor of Black Women's Studies in the Institute for Women's, Gender, and Sexuality Studies and Affiliate Faculty in the Department of African American Studies at Georgia State University. Her many books include Black Women's Yoga History: Memoirs of Inner Peace; Black Women and Social Justice Education: Legacies and Lessons (coedited with Andrea D. Domingue and Tania D. Mitchell); and Black Women's Mental Health: Balancing Strength and Vulnerability (coedited with Kanika Bell and Nsenga K. Burton), all published by SUNY Press.

State University of New York Press
ISBN-13 978-1438499277

God Help the Child: Race, Culture, and History – REVIEW

New Critical Essays on Toni Morrison’s ‘God Help the Child’: Race, Culture, and History, a collection of eight essays by both seasoned Morrison scholars as well as new and rising scholars, takes on the novel in a nuanced and insightful analysis, interpreting it in relation to Morrison’s earlier work as well as locating it within ongoing debates in literary and other academic disciplines engaged with African American literature.

“New Critical Essays on Toni Morrison’s ‘God Help the Child’: Race, Culture, and History is very well and quite deliberately situated within Morrison scholarship. The collection offers a wide-ranging, diverse, and fresh ray of concepts (from trauma theory, queer theory, intersectional feminism, deconstruction, postcolonial theory, etc.) in dialogue with God Help the Child. Students-both undergraduates and postgraduates-and scholars would be most interested in this book.”
- Pelagia Goulimari, author of Women’s Writing Across Cultures: Present, Past, Future

Alice Knox Eaton is professor of English and has served as chair of the Humanities Department at Springfield College. She contributed to Contested Boundaries: New Critical Essays on the Fiction of Toni Morrison, and her work has appeared in Chronicle of Higher Education and A Review of International English Literature.

Maxine Lavon Montgomery is professor of English at Florida State University. She is editor of Contested Boundaries: New Critical Essays on the Fiction of Toni Morrison; Conversations with Edwidge Danticat; and Conversations with Gloria Naylor, the later two published by University Press of Mississippi.

Shirley A. Stave is professor of English and assistant director of the Louisiana Scholars’ College at Northwestern State University. She is editor of Toni Morrison and the Bible: Contested Intertextualities and coeditor of Toni Morrison’s “A Mercy”: Critical Approaches.

University Press of Mississippi
ISBN: 978-1-4968-2888-0  165 pages

Studying Text - "Learning is the process of turning information into knowledge"

“Learning is the process of turning information into knowledge.  That is, establishing information in your memory that can be recalled and used.  The two main strategies are repetition and elaboration.”[1]  “While the Common Core State Standards share many features and concepts with existing standards, the new standards also represent a substantial departure from current practice in a number of respects.”[2]

The Common Core Standards set consistent and clear expectations for what students must know at the completion of each grade from Kindergarten through high school.  The standards establish expectations in three academic areas: mathematics, English language arts, and Literacy.  “The literacy standards establish reading and writing expectations for students in social studies, science, and technology. These standards provide few specifics on what students need to read or write, focusing instead on how students should read and write in these courses and how to evaluate what qualifies as good writing.”[3]  There are a number of fundamental literacy components in the Common Core Standards that educators, students, and parents should focus on adopting.  They include: improving reading comprehension, honing writing skills, and cultivating speaking and listening skills.  “Instructional materials will need to challenge students to read and understand more complex texts, build vocabulary, and extract details from texts to use as supporting material in essays and other written work.”[4]

“What I find troubling is the lack of concern of what a colleague of mine calls unwarranted self-regard.[5]

Marlene Zuk is a professor of ecology, evolution and behavior at the University of Minnesota and has published several treatises on evolution and science.  A reviewer of her book “Paleofantasy – What Evolution Really Tells Us About Sex, Diet, and How We Live” wrote, “As Zuk compellingly argues, such beliefs incorrectly assume that we’re stuck—finished evolving—and have been for tens of thousands of years. She draws on fascinating evidence that examines everything from adults’ ability to drink milk to the texture of our ear wax to show that we’ve actually never stopped evolving. Our nostalgic visions of an ideal evolutionary past in which we ate, lived, and reproduced as we were “meant to” fail to recognize that we were never perfectly suited to our environment. Evolution is about change, and every organism is full of trade-offs.[6]  Zuk’s article regarding student self-esteem is along similar lines of thought.  That students de-couple their own level of intelligence and reasoning from test scores or exam results.  Zuk states, “Maybe it’s all that self-esteem this generation of students was inculcated with as youngsters, or maybe it’s the emphasis on respecting everyone else’s opinion, to the point where no answer, even a mathematical one, can be truly wrong because that might offend the one who gave it.”[7]  While her opinion is forceful and direct, it is opinion and not fact.  Students may or may not on the whole have high sense of self-esteem.  Equally students have a low sense of self-esteem and are in a critical phase of self-identity and self-confidence which compounds their ability to learn or properly engage in the classroom.  Issues of high self-esteem are not nearly as important as educational resources and supportive instructional curriculum.

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[1] Londe. The Biology of Learning. 1

[2] Rothman. Nine Ways the Common Core Will Change Classroom Practice.

[3] California Common Core State Standards, http://www.cde.ca.gov/be/st/ss/documents/finalelaccssstandards.pdf

[4] Idib.

[5] Zuk. Right, Wrong..What’s the Dif?

[6] http://books.wwnorton.com/books/detail.aspx?ID=24733

[7] Idib.

Writing Across the Curriculum

“… Reading and writing are two side of the same coin. whereas the writer works to make a text sensible, the reader works to make a text sensible, the reader works to make sense from a text. As a result, the two processes, rooted in language, are intertwined and share common cognitive and sociocultureal characteristics. Both reading and writing, for example, involve purpose, commitment, schema activation, planning, working with ideas, revision and rethinking, and monitoring.”[1]

“The relationships between reading and writing have been a source of inquiry by language researchers since the mid-1970s.”[2]  My parents where strong advocates of reading, specially early reading because they believed that good readers make good writers.  As Richard T. Vacca and Jo Anne L. Vacca, authors of Content Area Reading: Literacy and Learning Across the Curriculum point out, “students who are good readers and writers perceive themselves as such and are more likely to engage in reading and writing on their own.”[3]  There is no mystery to that observation.  The challenge is how do you encourage a student who is a weak reader and a weak writer to become stronger in either area?  Both ends of the spectrum are self-reinforcing scaffolds.  As a student increasing become frustrated with their writing, they are equally frustrated by difficult or challenging reading material.  How does a teacher break the cycle?  On suggestion is short and informal writing tasks: Writing to Learn (WTL).  Using ‘quick-writes’ which focus on capturing an student’s ideas, or concepts very quickly and spontaneously – they spend less time frustrated with composition and more time focus on expression and understanding.  “WLT should not be confused with learning to write”[4]- rather student concentrate on “summarizing and extending their thoughts about a subject.”[5]

Vacca explains another writing technique that is creative, nonthreatening, and fun - POVG (point of view guide) are designed to "trigger thoughtful reading and writing by having students 'get inside the skin' of a character or a subject under study.”[6]  This exercise is simple and short, to have the student think outside of themselves in a creative fashion.  Students involved in a POVG can, ask questions in an interview format; or role-play; or use first-person inquiry to help overcome the fear or frustration of writing.  Once a student is comfortable writing, nearly anything, then as an instructor, we can introduce additional structure to their writing.  “Using a variety of instructional activities, including microthemes, POVGs, unsent letters, biopoems, dialogues, and admit/exit slips”[7] – all do the same, they allow the student to write without fear of failure.

Vacca uses Anne Frank, the world’s most famous child diarist, as an example of the merits of keeping a personal journal.  Does he anticipate our student’s experiences to equal hiding against Nazis and the death camps as the motivation to write?  I think journaling is an excellent activity to encourage a student to write without fear of evaluation or judgment.  Great writing can be developed if the student is allow to “freely express their feelings and thoughts in response to what they are reading and learning.”[8]

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[1]      Richard T. Vacca and Jo Anne L. Vacca. Content Area Reading: Literacy and Learning Across the Curriculum,  Close, Hull, & Langer 2005. p.282.

[2]      Ibid., p.283.

[3]      Ibid., p.283.

[4]      Ibid, p.285

[5]      Ibid., p.285.

[6]      Ibid., p.286.

[7]      Ibid., p.285.

[8]      Ibid., p.294.