Chinua Achebe: Narrating Africa in Fictions and History - REVIEW

Edited by Toyin Falola

An imaginative, narratological reading of Chinua Achebe's novels, stories, poetry, and essays through a literary and historical framework.

Toyin Falola analyzes fictional and historical cartographies of Africa in Achebe's literary works to offer a critical representation of Africa's present and future. In particular, he focuses on the historical valuation of a full range of the writer's works – novels including Things Fall Apart, but also short stories, poems, and essays – as important materials that have contributed to the political events in Nigeria and, by extension, Africa.

The raw creativity found in Achebe's stories and his ability to tell the Nigerian story – precolonial, colonial, and postcolonial – have endeared him to many, including readers and those critical of him and his works. Chinua Achebe: Narrating Africa in Fictions and History analyzes all of the writer's works, dwelling on the Nigerian political context upon which many, if not all, of his narratives lie. As a result, it examines methodologies of narration and ideologies that allow his works to resonate with the imagination of Africa.

Toyin Falola is Professor of History, University Distinguished Teaching Professor, and the Jacob and Frances Sanger Mossiker Chair in the Humanities at the University of Texas at Austin, USA. He is an Extraordinary Professor of Political Science, University of Pretoria. He has received over 30 lifetime career awards and 24 honorary doctorates.

Abimbola Adelakun is Assistant Professor in the Department of African/African Diaspora Studies at the University of Texas at Austin, USA. She is co-editor, with Toyin Falola, of Art, Creativity, and Politics in Africa and the Diaspora (2018). She is also the author of Under the Brown Rusted Roofs (2008) and writes a weekly column for PUNCH Newspapers.

Bloomsbury Academic
ISBN-13 979-8765118474

The Lumumba Plot: The Secret History of the CIA and a Cold War Assassination - REVIEW

by Stuart A. Reid

It was supposed to be a moment of great optimism, a cause for jubilation. The Congo was at last being set free from Belgium—one of seventeen countries to gain independence in 1960 from ruling European powers. At the helm as prime minister was charismatic nationalist Patrice Lumumba. Just days after the handover, however, the Congo’s new army mutinied, Belgian forces intervened, and Lumumba turned to the United Nations for help in saving his newborn nation from what the press was already calling “the Congo crisis.” Dag Hammarskjöld, the tidy Swede serving as UN secretary-general, quickly arranged the organization’s biggest peacekeeping mission in history. But chaos was still spreading. Frustrated with the fecklessness of the UN and spurned by the United States, Lumumba then approached the Soviets for help—an appeal that set off alarm bells at the CIA. To forestall the spread of Communism in Africa, the CIA sent word to its station chief in the Congo, Larry Devlin: Lumumba had to go.

Within a year, everything would unravel. The CIA plot to murder Lumumba would fizzle out, but he would be deposed in a CIA-backed coup, transferred to enemy territory in a CIA-approved operation, and shot dead by Congolese assassins. Hammarskjöld, too, would die, in a mysterious plane crash en route to negotiate a cease-fire with the Congo’s rebellious southeast. And a young, ambitious military officer named Joseph Mobutu, who had once sworn fealty to Lumumba, would seize power with U.S. help and misrule the country for more than three decades. For the Congolese people, the events of 1960–61 represented the opening chapter of a long horror story. For the U.S. government, however, they provided a playbook for future interventions.

Knopf
ISBN-13: 978-1524748814

Liberty Brought Us Here: The True Story of American Slaves Who Migrated to Liberia - REVIEW

by Susan E. Lindsey 

Between 1820 and 1913, approximately 16,000 black people left the United States to start new lives in Liberia, Africa, in what would become the largest out-migration in US history. When Tolbert Major, a Kentucky slave and single father, was offered his own chance for freedom, he accepted. He, several family members, and almost seventy other people boarded the Luna on July 5, 1836. After they arrived in Liberia, Tolbert penned a letter to his former owner, Ben Major: "Dear Sir, We have all landed on the shores of Africa and got into our houses .... None of us have been taken with the fever yet." 

Drawing on extensive research and fifteen years' worth of surviving letters, author Susan E. Lindsey illuminates the trials and triumphs of building a new life in Liberia, where settlers were free, but struggled to acclimate in an unfamiliar land, coexist with indigenous groups, and overcome disease and other dangers. Liberty Brought Us Here: The True Story of American Slaves Who Migrated to Liberia explores the motives and attitudes of colonization supporters and those who lived in the colony, offering perspectives beyond the standard narrative that colonization was solely about racism or forced exile. 

Susan E. Lindsey is coauthor and editor of Speed Family Heritage Recipes, a historical cookbook of recipes from the Speed family, who built Farmington Plantation in Louisville. Lindsey has also published several essays and short stories. 

ISBN 978-0-8131-7933-9
280 pages · 6 x 9 · 21 b/w photos
Hardcover $45.00

Nebraska: Poems by Kwame Dawes - REVIEW

Kwame Dawes is not a native Nebraskan. Born in Ghana, he later moved to Jamaica where he spent most of his childhood and early adulthood. In 1992, he relocated to the United States and eventually found himself an American living in Lincoln, Nebraska. 

This beautiful and evocative collection of poems, Nebraska, explores a constant theme in Dawes's work-the intersection of memory, home, and artistic invention. The poems, set against the backdrop of Nebraska's discrete cycle of seasons, are meditative even as they search for a sense of place in a new landscape. While he shovels snow or walks in the bitter cold to his car, he is engulfed with memories of Kingston, and yet when he travels, he finds himself longing for the open space of the plains and the first snowfall. With a strong sense of place and haunting memories, Dawes grapples with life in Nebraska as a transplant. 

Kwame Dawes is Chancellor's Professor of English and Glenna Luschei Editor of Prairie Schooner at the University of Nebraska­ Lincoln. He is the author of twenty-one books of poetry and author or editor of numerous other books of poetry, fiction, criticism, and essays. Dawes's most recent books include the poetry collections City of Bones: A Testament and Punta de Burro and the novel Bivouac. He is director of the African Poetry Book Fund, editor of the award-winning African Poetry Book series, and artistic director of the Calabash International Literary Festival. The winner of numerous awards for his writing and service to the literary community, Dawes was elected a Chancellor for the Academy of American Poets, named a Fellow of the Royal Society of Literature in 2,018, and won the prestigious Windham/Campbell Award for Poetry in 2019. 

Nebraska: Poems by Kwame Dawes
University of Nebraska Press
ISBN 978-1-4962-2123-0 US $19.95 
nebraskapress.unl.edu

African Dominion, by Michael A. Gomez (review)

African Dominion: A New History of Empire in Early and Medieval West Africa  by Michael A. Gomez (Princeton)

      This ground breaking study of early and medieval West Africa focuses on the rise and fall of the Kingdom of Ghana and the empires of Mali and Songhay. Reports by Arab and European travelers often contradict one another, so Gomez ingeniously synthesizes them with archaeological evidence, manuscripts in Timbuktu libraries, and local tradition, to give a granular view of life in the region. The most fascinating figure is Mali's fourteenth-century ruler Mansā Mūsā, whose fame reached Europe; a Catalan illuminated map depicts him holding a massive gold nugget. Making the hajj to Mecca, he gave away such huge quantities of gold along the way that he in inadvertently depressed its value for a considerable time.