Kings and Pawns: Jackie Robinson and Paul Robeson in America - REVIEW

by Howard Bryant

A path-breaking work of biography of two American giants, Jackie Robinson and Paul Robeson, whose lives would forever be altered by the Cold War, and would explosively intersect before its most notorious weapon, the House Un-American Activities Committee — from one of the best sports and culture writers working today.

Kings and Pawns is the untold story of sports and fame, Black America and the promise of integration through the Cold War lens of two transformative events. The first occurred July 18, 1949 in Washington, D.C., when a reluctant Jackie Robinson, the Brooklyn Dodgers baseball star who integrated the game and at the time was the most famous Black man in America, appeared before the House Un-American Activities Committee to discredit Paul Robeson, the legendary athlete, baritone, and actor — himself once the most famous Black man in America. The testimony would be a defining moment in Robinson’s life and contribute heavily to the destruction of Robeson’s iconic reputation in the eyes of America.

The second occurred June 12, 1956, in the midst of the last, demagogic roar of McCarthyism, when a battered, defiant Robeson – prohibited from leaving the United States – faced off in a final showdown with HUAC in the same setting Robinson appeared in seven years earlier. These two moments would epitomize the ongoing Black American conflict between patriotism and protest. On the cusp of a nascent civil rights movement, Robinson and Robeson would represent two poles of a people pitted against itself by forces that demanded loyalty without equality in return – one man testifying in conflicted service to and the other in ferocious critique of a country that would ultimately and decisively wound both.

In a time of great division, with America in the midst of a new era of retrenchment and Black athletes again chilled into silence advocating for civil rights, the story of these two titans reverberates today within and beyond Black America. From the revival of government overreach to curb civil liberties to the Cold War-era rhetoric of “the enemy within” levied against fellow citizens, Kings and Pawns is a story of a moment that remains hauntingly present.

Howard Bryant is the author of 11 books, including Rickey, The Heritage, Full Dissidence, and The Last Hero, a biography of Hank Aaron, which was named “One of the Ten Best Books of the Year” by Dwight Garner of The New York Times. Bryant served as guest editor of The Best American Sports Writing in 2017, and has been the sports correspondent for NPR’s Weekend Edition since 2006. He is a four-time finalist for the National Magazine Award, an Emmy Award winner, and is twice the winner of the Casey Award for Best Baseball Book of the Year. He lives in Western Massachusetts.

Mariner Books
ISBN-13: 978-0063308169

The Lumumba Plot: The Secret History of the CIA and a Cold War Assassination - REVIEW

by Stuart A. Reid

It was supposed to be a moment of great optimism, a cause for jubilation. The Congo was at last being set free from Belgium—one of seventeen countries to gain independence in 1960 from ruling European powers. At the helm as prime minister was charismatic nationalist Patrice Lumumba. Just days after the handover, however, the Congo’s new army mutinied, Belgian forces intervened, and Lumumba turned to the United Nations for help in saving his newborn nation from what the press was already calling “the Congo crisis.” Dag Hammarskjöld, the tidy Swede serving as UN secretary-general, quickly arranged the organization’s biggest peacekeeping mission in history. But chaos was still spreading. Frustrated with the fecklessness of the UN and spurned by the United States, Lumumba then approached the Soviets for help—an appeal that set off alarm bells at the CIA. To forestall the spread of Communism in Africa, the CIA sent word to its station chief in the Congo, Larry Devlin: Lumumba had to go.

Within a year, everything would unravel. The CIA plot to murder Lumumba would fizzle out, but he would be deposed in a CIA-backed coup, transferred to enemy territory in a CIA-approved operation, and shot dead by Congolese assassins. Hammarskjöld, too, would die, in a mysterious plane crash en route to negotiate a cease-fire with the Congo’s rebellious southeast. And a young, ambitious military officer named Joseph Mobutu, who had once sworn fealty to Lumumba, would seize power with U.S. help and misrule the country for more than three decades. For the Congolese people, the events of 1960–61 represented the opening chapter of a long horror story. For the U.S. government, however, they provided a playbook for future interventions.

Knopf
ISBN-13: 978-1524748814

Southern Literature, Cold War Culture, and the Making of Modern America by Jordan Dominy - REVIEW

During the Cold War, national discourse strove for unity through patriotism and political moderation to face a common enemy. Some authors and intellectuals supported that narrative by casting America's complicated history with race and poverty as moral rather than merely political problems. Southern Literature, Cold War Culture, and the Making of Modern America examines southern literature and the culture within the United States from the period just before the Cold War through the civil rights movement to show how this litera­ture won a significant place in Cold War culture and shaped the nation through the time of Hillbilly Elegy. 

Tackling cultural issues in the country through subtext and metaphor, the works of authors like William Faulkner, Lillian Smith, Robert Penn Warren, Eudora Welty, Ralph Ellison, Alice Walker, and Walker Percy redefined "South" as much more than a geographi­cal identity within an empire. The "South" has become a racially coded sociopolitical and cultural identity associated with white populist conservatism that breaks geographical boundaries and, as it has in the past, continues to have a disproportionate influence on the nation's future and values. 

"Southern Literature, Cold War Culture, and the Making of Modern America is an important book that adds a layer of texture and nuance to our understanding of twentieth-century southern literature. By placing key southern writers in dialogue with each other and in context with major national and international sociopolitical currents, Jordan Dominy dem­onstrates that southern writing resonates far beyond the region. In fact, the South functioned as a vital center, to use a key phrase from the book, that defined American political culture and continues to have a disproportionate influence today."
 -David A. Davis, author of World War I and Southern Modernism

Jordan J. Dominy is assistant professor of English at Savannah State University. He teaches and studies American and US southern literature and popular culture. 

Southern Literature, Cold War Culture, and the Making of Modern America
by Jordan J. Dominy
University Press of Mississippi 
www.upnss.state.ms.us
ISBN: 978-1-4968-2641-1