The Black Presidency: Barack Obama and the Politics of Race in America - REVIEW

by Michael Eric Dyson

Michael Eric Dyson explores the powerful, surprising way the politics of race have shaped Barack Obama’s identity and groundbreaking presidency. How has President Obama dealt publicly with race—as the national traumas of Tamir Rice, Trayvon Martin, Michael Brown, Eric Garner, Freddie Gray, and Walter Scott have played out during his tenure? What can we learn from Obama's major race speeches about his approach to racial conflict and the black criticism it provokes? 

Dyson explores whether Obama’s use of his own biracialism as a radiant symbol has been driven by the president’s desire to avoid a painful moral reckoning on race. And he sheds light on identity issues within the black power structure, telling the fascinating story of how Obama has spurned traditional black power brokers, significantly reducing their leverage. 

President Obama’s own voice—from an Oval Office interview granted to Dyson for this book—along with those of Eric Holder, Al Sharpton, Jesse Jackson, Andrew Young, and Maxine Waters, among others, add unique depth to this profound tour of the nation’s first black presidency.

Michael Eric Dyson is a New York Times op-ed contributor, a Georgetown University professor, an MSNBC political analyst, and best-selling author of seventeen books, including the American Book Award-winning Come Hell or High Water: Hurricane Katrina and the Color of Disaster. He lives in Washington, D.C.

Houghton Mifflin Harcourt
ISBN-13: 978-0544387669

One Man’s Freedom: Goldwater, King, and the Struggle over an American Ideal - REVIEW

by Nicholas Buccola

From the acclaimed author of The Fire Is Upon Us, the dramatic untold story of Barry Goldwater and Martin Luther King Jr.’s decade-long clash over the meaning of freedom—and how their conflicting visions still divide American politics

In the mid-1950s, Barry Goldwater and Martin Luther King Jr. emerged as the leaders of two diametrically opposed freedom movements that changed the course of American history—and still divide American politics. King mobilized civil rights activists under the banner of “freedom now,” insisting that true freedom would not be realized until all people—regardless of race—were empowered politically, economically, and socially. Goldwater rallied conservatives to the cause of “extremism in defense of liberty,” advocating radical individualism. In One Man’s Freedom, Nicholas Buccola tells the compelling story of Goldwater and King’s dramatic decade-long debate over the meaning of an all-important American ideal.

Part dual biography, part history, One Man’s Freedom traces the actions and words of Goldwater and King over a crucial and eventful decade, from their dizzying rise through 1964, which ended with Goldwater’s landslide defeat in the presidential election and King’s Nobel Peace Prize. The book chronicles why Goldwater and King, who never met in person, came to view each other as perhaps the greatest threat to freedom in America. It explains how their ideas of freedom could be so vastly different, yet both so deeply rooted in American history and their times. And it shows how their disagreement continues to shape and explain politics today, when the bitter divisions between Republicans and Democrats often come down to the question of what kind of freedom Americans want—the one defined by Goldwater or by King?

Nicholas Buccola is professor of government and the Jules L. Whitehill Professor of Humanism and Ethics at Claremont McKenna College. He is the author of The Fire Is upon Us: James Baldwin, William F. Buckley Jr., and the Debate over Race in America (Princeton), which was a New York Times Book Review Editors’ Choice, and The Political Thought of Frederick Douglass.

Princeton University Press
ISBN-13: 978-0691230306

You Have to Be Prepared to Die Before You Can Begin to Live - REVIEW

Ten Weeks in Birmingham That Changed America

by Paul Kix

From journalist Paul Kix, the riveting story, never before fully told, of the 1963 Birmingham Campaign―ten weeks that would shape the course of the Civil Rights Movement and the future of America.

It’s one of the iconic photographs of American history: A Black teenager, a policeman and his lunging German Shepherd. Birmingham, Alabama, May of 1963. In May of 2020, as reporter Paul Kix stared at a different photo–that of a Minneapolis police officer suffocating George Floyd–he kept returning to the other photo taken half a century earlier, haunted by its echoes. What, Kix wondered, was the full legacy of the Birmingham photo? And of the campaign it stemmed from?

In You Have To Be Prepared To Die Before You Can Begin To Live, Paul Kix takes the reader behind the scenes as he tells the story of the Southern Christian Leadership Conference’s pivotal 10 week campaign in 1963 to end segregation in Birmingham, Alabama. At the same time, he also provides a window into the minds of the four extraordinary men who led the campaign―Martin Luther King, Jr., Wyatt Walker, Fred Shuttlesworth, and James Bevel. With page-turning prose that read like a thriller, Kix’s book is the first to zero in on the ten weeks of Project C, as it was known―its specific history and its echoes sounding throughout our culture now. It’s about Where It All Began, for sure, but it’s also the key to understanding Where We Are Now and Where We Will Be. As the fight for equality continues on many fronts, Project C is crucial to our understanding of our own time and the impact that strategic activism can have.

Celadon Books
ISBN-13 978-1250378088

Racial Domination - REVIEW

by Loïc Wacquant

Race is arguably the single most troublesome and volatile concept of the social sciences in the early 21st century. It is invoked to explain all manner of historical phenomena and current issues, from slavery to police brutality to acute poverty, and it is also used as a term of civic denunciation and moral condemnation. In this erudite and incisive book based on a panoramic mining of comparative and historical research from around the globe, Loïc Wacquant pours cold analytical water on this hot topic and infuses it with epistemological clarity, conceptual precision, and empirical breadth.

Drawing on Gaston Bachelard, Max Weber, and Pierre Bourdieu, Wacquant first articulates a series of reframings, starting with dislodging the United States from its Archimedean position, in order to capture race-making as a form of symbolic violence. He then forges a set of novel concepts to rethink the nexus of racial classification and stratification: the continuum of ethnicity and race as disguised ethnicity, the diagonal of racialization and the pentad of ethnoracial domination, the checkerboard of violence and the dialectic of salience and consequentiality. This enables him to elaborate a meticulous critique of such fashionable notions as “structural racism” and “racial capitalism” that promise much but deliver little due to their semantic ambiguity and rhetorical malleability-notions that may even hamper the urgent fight against racial inequality.

Wacquant turns to deploying this conceptual framework to dissect two formidable institutions of ethnoracial rule in America: Jim Crow and the prison. He draws on ethnographies and historiographies of white domination in the postbellum South to construct a robust analytical concept of Jim Crow as caste terrorism erected in the late 19th century. He unravels the deadly symbiosis between the black hyperghetto and the carceral archipelago that has coproduced and entrenched the material and symbolic marginality of the African-American precariat in the metropolis of the late 20th century. Wacquant concludes with reflections on the politics of knowledge and pointers on the vexed question of the relationship between social epistemology and racial justice.

Both sharply focused and wide ranging, synthetic yet controversial, Racial Domination will be of interest to students and scholars of race and ethnicity, power and inequality, and epistemology and theory across the social sciences and humanities.

Loïc Wacquant is Professor of Sociology at the University of California, Berkeley, and Research Associate at the Centre de sociologie européenne, Paris.

Polity
ISBN-13: 978-1509563029

Fifteen Cents on the Dollar: How Americans Made the Black-White Wealth Gap - REVIEW

by Louise Story and Ebony Reed

A sweeping, narrative history of Black wealth and the economic discrimination embedded in America’s financial system. 

The early 2020s will long be known as a period of racial reflection. In the wake of the police killing of George Floyd, Americans of all backgrounds joined together in historic demonstrations in the streets, discussions in the workplace, and conversations at home about the financial gaps that remain between white and Black Americans. This deeply investigated book shows the scores of setbacks that have held the Black-white wealth gap in place—from enslavement to redlining to banking discrimination—and, ultimately, the reversals that occurred in the mid-2020s as the push for racial equity became a polarized political debate.

Fifteen Cents on the Dollar follows the lives of four Black Millennial professionals and a banking company founded with the stated mission of closing the Black-white wealth gap. That company, known as Greenwood, a reference to the historic Black Wall Street district in Tulsa, Oklahoma, generated immense excitement and hope among people looking for new ways of business that might lead to greater equity. But the twists and turns of Greenwood’s journey also raise tough questions about what equality really means.

Seasoned journalist-academics Louise Story and Ebony Reed present a nuanced portrait of Greenwood’s founders—the entertainment executive Ryan Glover; the Grammy-winning rapper Michael Render, better known as Killer Mike; and the Civil Rights leader and two-term Atlanta mayor, Andrew Young—along with new revelations about their lives, careers, and families going back to the Civil War. Equally engaging are the stories of the lesser-known individuals—a female tech employee from rural North Carolina trying to make it in a big city; a rising leader at the NAACP whose father is in prison; an owner of a BBQ stand in Atlanta fighting to keep his home; and a Black man in a biracial marriage grappling with his roots when his father is shot by the police.

In chronicling these staggering injustices, Fifteen Cents on the Dollar shows why so little progress has been made on the wealth gap and provides insights Americans should consider if they want lasting change.

Louise Story is a prize-winning investigative journalist who spent more than 15 years at the New York Times and the Wall Street Journal, where she was the top masthead editor running coverage strategy. Her work investigating corruption led to the largest kleptocracy case in U.S. history, a case known as the 1MDB case. Her work investigating Wall Street and the derivatives market led to a multi-billion dollar settlement. And her work investigating Goldman Sachs during the 2008 financial crisis led to that bank’s S.E.C. settlement. Projects she led received industry honors including Emmy Awards, and Pulitzer Prize finalist citations, and Online News Association awards. Louise’s film The Kleptocrats aired on the BBC, Apple and Amazon. She teaches at The Yale School of Management.

Ebony Reed began her career as a reporter at The Plain Dealer, covering Cleveland public schools, documenting public education’s inequities. The Investigative Reporters & Editors organization recognized her examination of how social promotion impacted the district’s majority Black and brown students. At the Detroit News, she managed the local coverage during the 2008 economic crisis. Now the Chief Strategy Officer at The Marshall Project, she has held other senior roles at the Associated Press, Boston Business Journal, and the Wall Street Journal. She’s taught at more than a half dozen institutions, including The Yale School of Management.

Harper
ISBN-13 978-0063234727

Fifteen cents on the dollar. Fifteen cents - the data virtually stuck where it was generations ago - is the amount of wealth that typical Black families have compared to one dollar of the typical white family's wealth. This Black-white wealth ratio remains almost as stark as it was in the years after the Civil War, when it stood at 1.8 cents on the dollar. The gap initially narrowed quickly in the late 1800s, but then its progress was slowed. Further improvements in the later 1900s were reversed in the 2000s. Hundreds of years into our national history, and despite the recent racial reckoning, Black Americans continue to encounter structural barriers that were long ago designed to restrict their economic success. Most Black Americans are still born into comparative economic disadvantage and face near-impossible odds to achieve equality. But why has this number been stuck in place so long, and how can Americans better understand the role racial wealth gaps play in the world around them?

Now, in FIFTEEN CENTS ON THE DOLLAR: How Americans Made the Black-White Wealth Gap, seasoned journalist-academics Louise Story and Ebony Reed offer a comprehensive, deeply human narrative history of Black wealth and the economic discrimination embedded in America's financial system through public and private policies that created today's Black-white wealth gap. Following the lives of seven Black Americans-some famous and some not well-known- of different economic levels, ages, and professions during the three years following the police killing of George Floyd, the authors bring data, research, and history to life. The trail of these families connects events after the Civil War and throughout the twentieth century to the lives of individual s today. FIFTEEN CENTS ON THE DOLLAR explains the scores of setbacks that have held the Black-white wealth gap in place - from enslavement, redlining , and banking discrimination to, ultimately, failures that occurred in the mid-2020s as the push for racial equity became a polarized political debate. 

"America, and Americans, made the Black-white wealth gap," write Story and Reed. "And our society continues to hold it in place." Signs of incremental progress have been hollow victories against generations-old systemic injustice. FIFTEEN CENTS ON THE DOLLAR provides crucial insight into American economic equity, Black business ownership, and political and busine ss practices that leave Black Americans behind. In chronicling these staggering injustices, the authors also reveal some pathways to lasting change.

SUGGESTIONS FOR CHANGE

The authors also can offer suggestions that they believe will help close the Black-white wealth gap. These suggestions are predicated on accepting two things: (1) That it's important to lift more Black families on the ladder of wealth and (2) That we do not want wealth gaps that are racialized or specific to demographics.

First, support more transparency into the wealth distribution in our country. The Department of Labor regularly reports on employment levels and the Department of Commerce reports on GDP. To help close the wealth gap, the United States would also benefit from a regular "wealth report" examining where the wealth is accruing and where it is not.

Second, ask who benefits from new government or company policies. Push policymakers to ensure that benefits are reaching the people who they are intended to reach and that benefits are inclusive of the neediest people. To create inclusive policies, it is important to have people of different backgrounds in all levels of leadership in the government and in education, companies, and nonprofits. And because of historic injustices, Black Americans and other minorities need extra follow-up reviews to see whether they are receiving benefits as intended. Think about how Black Americans did not receive full access to New Deal and GI benefits.

Third, pay attention to conversations around risk and pricing. In business and in government, practices were developed more than one hundred years ago that supported charging higher prices to "riskier" people, which makes economic sense, particularly for businesses. But as a society we need to ask are we trying to hold less advantaged people back or help them move forward? Are there instances where we can find room for the government or a third party to help defray the cost of that risk.

Fourth, when someone says they want to close a wealth gap, ask "For which people?" Depending on which measures you look at, you could close some gaps without helping lots of people. With the Black-white wealth gap, for instance, if you measure all dollars in the hands of white Americans versus all dollars in the hands of Black Americans, concentrating more money in the hands of the wealthiest Black Americans appears to be a valid way to close the gap. But would that be right? Ask about the who as well as the how. Ask yourself whose opportunity you' re fighting for.

Fifth, be open to change. If you want a more equitable, it may mean that more affordable housing is built near your home; it may change the way your company decides who gets promoted; it may mean that the way your children's school handles grading is reevaluated. Have discussions with the goal of finding a path forward that opens doors for more people. Listen out for money-over-morals arguments, where people say they are in favor of something that is more inclusive but then back away for fear it will cost them money.

Sixth, partner with someone different from you. The authors are themselves an example of partnering across racial lines. They believe that if more people took on large projects partnered with someone with very different backgrounds from their own, that could spread greater societal understanding and empathy for others.

Abolition Geography: Essays Towards Liberation - REVIEW

by Ruth Wilson Gilmore

The first collection of writings from one of the foremost contemporary critical thinkers on racism, geography and incarceration

Gathering together Ruth Wilson Gilmore’s work from over three decades, Abolition Geography presents her singular contribution to the politics of abolition as theorist, researcher, and organizer, offering scholars and activists ways of seeing and doing to help navigate our turbulent present.

Abolition Geography moves us away from explanations of mass incarceration and racist violence focused on uninterrupted histories of prejudice or the dull compulsion of neoliberal economics. Instead, Gilmore offers a geographical grasp of how contemporary racial capitalism operates through an “anti-state state” that answers crises with the organized abandonment of people and environments deemed surplus to requirement. Gilmore escapes one-dimensional conceptions of what liberation demands, who demands liberation, or what indeed is to be abolished. Drawing on the lessons of grassroots organizing and internationalist imaginaries, Abolition Geography undoes the identification of abolition with mere decarceration, and reminds us that freedom is not a mere principle but a place.

Edited with an introduction by Brenna Bhandar and Alberto Toscano.

Ruth Wilson Gilmore is Professor of Earth & Environmental Sciences, and American Studies at the Graduate Center of the City University of New York, where she is also Director of the Center for Place, Culture, and Politics. She is the author of Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California. Honors include the American Studies Association Angela Y. Davis Award for Public Scholarship (2012); the Association of American Geographers' Harold Rose Award for Anti-Racist Research and Practice (2014); the SUNY-Purchase College Eugene V. Grant Distinguished Scholar Prize for Social and Environmental Justice (2015-16); and the American Studies Association Richard A Yarborough Mentorship Award (2017).

Verso
ISBN-13 978-1839761706

See Justice Done: The Problem of Law in the African American Literary Tradition - REVIEW

by Christopher Michael Brown

In See Justice Done: The Problem of Law in the African American Literary Tradition, author Christopher Michael Brown argues that African American literature has profound and deliberate legal roots. Tracing this throughline from the eighteenth century to the present, Brown demonstrates that engaging with legal culture in its many forms—including its conventions, paradoxes, and contradictions—is paramount to understanding Black writing.

Brown begins by examining petitions submitted by free and enslaved Blacks to colonial and early republic legislatures. A virtually unexplored archive, these petitions aimed to demonstrate the autonomy and competence of their authors. Brown also examines early slave autobiographies such as Olaudah Equiano’s Interesting Narrative and Mary Prince’s History, which were both written in the form of legal petitions. These works invoke scenes of Black competence and of Black madness, repeatedly and simultaneously.

Early Black writings reflect how a Black Atlantic world, organized by slavery, refused to acknowledge Black competence. By including scenes of Black madness, these narratives critique the violence of the law and predict the failure of future legal counterparts, such as Plessy v. Ferguson, to remedy injustice. Later chapters examine the works of more contemporary writers, such as Sutton E. Griggs, George Schuyler, Toni Morrison, and Edward P. Jones, and explore varied topics from American exceptionalism to the legal trope of "colorblindness." In chronicling these interactions with jurisprudential logics, See Justice Done reveals the tensions between US law and Black experiences of both its possibilities and its perils.

Christopher Michael Brown is assistant professor of English at Wake Forest University, where he teaches courses on African American literature and legal culture. His research has been supported by fellowships from the American Council of Learned Societies and the Ford Foundation.

University Press of Mississippi
ISBN-13 978-1496848192

Ghosts of Segregation: American Racism, Hidden in Plain Sight - REVIEW

by Richard Frishman and B. Brian Foster

From award-winning photojournalist Richard Frishman comes a collection of photographs documenting America’s history of segregation, slavery, and institutional racism hidden in plain sight, accompanied by hard-hitting personal essays from University of Virginia professor of sociology and Black culture B. Brian Foster and with a foreword by National Book Award winner Imani Perry.

Beginning in 2018, Richard Frishman embarked on a 35,000-mile journey, crossing the United States several times, traveling from his home state of Washington to Maine, from Mississippi to Michigan, and everywhere in between. Frishman was driven by a deep concern for capturing traces of the nation’s history of segregation, slavery, and institutional racism embedded in everyday American architecture. Frishman spent the next five years capturing photographs of structures like the New Orleans Slave Exchange, old “colored entrances” at movie theaters in Seattle and Texas, formerly segregated beaches in Los Angeles, and the former site of New York City’s slave market.

As Frishman was traveling the country, his collaborator, noted sociologist Dr. B. Brian Foster, was writing about economic development, Black community life, and the blues in his home state of Mississippi. Foster adds to this collection seven essays of stirring prose and intimate storytelling. Whether reflecting on his relationship to his grandmother and her archive of family photos or chronicling his experiences working as a professor at the University of Mississippi and the University of Virginia, Foster adds layers of emotional resonance and sharp insight to the photographic collection with his essays, speaking to the shared memories, living histories, rippling beauty, and ongoing struggles of Black life in the United States.

Within this immersive collection, readers will witness and learn of histories startling, stirring, and thought-provoking: Histories of white supremacist violence and systemic racism. Histories of segregated bathrooms, beaches, churches, dining areas, doors, hospitals, hotels, waiting rooms, and water. Histories of Black aliveness and aspiration. Histories of Black migration, Black entrepreneurship, Black protest and organizing, Black singing and dancing, and Black placemaking.

This remarkable book brings home a powerful truth: these ghosts of segregation haunt us because they are very much alive. It also reveals how our surroundings bear witness to history, reminding us where we have been, where we are now, and crucially asking, Where do we go from here?

Celadon Books
ISBN-13 978-1250831682

Black in White Space: The Enduring Impact of Color in Everyday Life - REVIEW

by Elijah Anderson

A birder strolling in Central Park. A college student lounging on a university quad. Two men sitting in a coffee shop. Perfectly ordinary actions in ordinary settings—and yet, they sparked jarring and inflammatory responses that involved the police and attracted national media coverage. Why? In essence, Elijah Anderson would argue, because these were Black people existing in white spaces.

In Black in White Space, Anderson brings his immense knowledge and ethnography to bear in this timely study of the racial barriers that are still firmly entrenched in our society at every class level. He focuses in on symbolic racism, a new form of racism in America caused by the stubbornly powerful stereotype of the ghetto embedded in the white imagination, which subconsciously connects all Black people with crime and poverty regardless of their social or economic position. White people typically avoid Black space, but Black people are required to navigate the "white space" as a condition of their existence.

An unwavering truthteller in our national conversation on race, Anderson has shared intimate and sharp insights into Black life for decades. Vital and eye-opening, Black in White Space will be a must-listen for anyone hoping to understand the lived realities of Black people and the structural underpinnings of racism in America.

University of Chicago Press
ISBN-13: 978-0226657233

A Seat at the Table: Black Women Public Intellectuals in US History and Culture - REVIEW

Edited by Hettie V. Williams and Melissa Ziobro

While Black women’s intellectual history continues to grow as an important subfield in historical studies, there remains a gap in scholarship devoted to the topic. To date, major volumes on American intellectual history tend to exclude the words, ideas, and contributions of these influential individuals. A Seat at the Table: Black Women Public Intellectuals in US History and Culture seeks to fill this void, presenting essays on African American women within the larger context of American intellectual history. Divided into four parts, the volume considers women in politics, art, government, journalism, media, education, and the military. Essays feature prominent figures such as Shirley Chisholm, Oprah Winfrey, journalist Charlotta Bass, and anti-abortion activist Mildred Fay Jefferson, as well as lesser-known individuals.

The anthology begins with a discussion of the founders in Black women’s public intellectualism, providing a framework for understanding the elements, structure, and concerns central to their lives and work in the nineteenth century. The second section focuses on leaders in the Black Christian intellectual tradition, the civil rights era, and modern politics. Part three examines Black women in society and culture in the twentieth century, with essays on such topics as artists in the New Negro era; Joycelyn Elders, a public servant and former surgeon general; and America’s foremost Black woman influencer, Oprah. Lastly, part four concerns Black women and their ideas about public service—particularly military service—with essays on service members during World War II and the post-WWII military. Taken as a whole, A Seat at the Table is an important anthology that helps to establish the validity and existence of heretofore neglected intellectual traditions in the public square.

Contributions by Omar H. Ali, Simone R. Barrett, Tejai Beulah, Sandra Bolzenius, Carol Fowler, Lacey P. Hunter, Tiera C. Moore, Tedi A. Pascarella, John Portlock, Lauren T. Rorie, Tanya L. Roth, Marissa Jackson Sow, Virginia L. Summey, Hettie V. Williams, and Melissa Ziobro.

Hettie V. Williams is associate professor of African American history in the Department of History and Anthropology at Monmouth University. Williams is the current president of the African American Intellectual History Society (AAIHS) and author or editor of five books including Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union, published by University Press of Mississippi.

Melissa Ziobro is specialist professor of public history. She serves as editor for New Jersey Studies: An Interdisciplinary Journal, a joint venture of the New Jersey Historical Commission, Rutgers University Libraries, and Monmouth University.

University Press of Mississippi
ISBN-13 978-1496847522

Reckoning with Race: An Unfinished Journey - REVIEW

by Frederick Allen

In his fifty-year career as an award-winning journalist, CNN commentator, and author of multiple books, Rick Allen has had a front-row seat on dramatic change in race relations in America. In Reckoning with Race, a collection of eighteen essays, he explores his ongoing efforts to understand the struggle of black and white Americans to navigate a shared history at once wicked and intimate, full of love and hate, as they seek to level an uneven playing field. Allen examines issues from the era of Reconstruction through Jim Crow, the Civil Rights movement, the rhythms of resistance and progress, into today’s contentious debates over redlining, reparations, and critical race theory.

Starting as a reporter with the Atlanta Constitution in 1972, Allen got to know and befriend legendary black political figures including Julian Bond, John Lewis, Andy Young, Hosea Williams, Maynard Jackson, Jesse Jackson, and Daddy King, the father of Martin Luther King, Jr. He also encountered ardent white segregationists, some of whom saw the light and others who took their racism to the grave. Drawing on his experience covering politics, he examines presidents from LBJ and Jimmy Carter to Obama and Trump. He explores the symbolism of Confederate flags, the controversy over Uncle Remus, the election of Atlanta’s first black mayor, Maynard Jackson, and the tragic case of the Atlanta Child Murders. He has had first-hand encounters with white supremacy and violent black protest alike.

Throughout Reckoning with Race, Allen is candid about his own shortcomings as a white native Northerner learning gradually about the complexities of race in his adoptive South. The essays highlight his continuing journey toward understanding the forces that both hinder and promote equality and harmony between the races.

Frederick Allen is the author of three books. His history of the Coca-Cola Company, Secret Formula, was published by HarperCollins in 1994 and has been translated into seven languages. Atlanta Rising, a history of modern Atlanta, was published by Longstreet in 1996 and is taught at several colleges. A Decent, Orderly Lynching, Allen’s account of the vigilantes of Montana, was published in 2004 by University of Oklahoma Press. His research into vigilante symbolism was cited by the Western History Association.

Forefront Books
ISBN-13 978-1637631522

The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought - REVIEW

by Melvin L. Rogers

Could the African American political tradition save American democracy? African Americans have had every reason to reject America’s democratic experiment. Yet African American activists, intellectuals, and artists who have sought to transform the United States into a racially just society have put forward some of the most original and powerful ideas about how to make America live up to its democratic ideals. In The Darkened Light of Faith, Melvin Rogers provides a bold new account of African American political thought through the works and lives of individuals who built this vital tradition-a tradition that is urgently needed today.

The book reexamines how figures as diverse as David Walker, Frederick Douglass, Anna Julia Cooper, Ida B. Wells, W.E.B. Du Bois, Billie Holiday, and James Baldwin thought about the politics, people, character, and culture of a society that so often dominated them. Sharing a light of faith darkened but not extinguished by the tragic legacy of slavery, they resisted the conclusion that America would always be committed to white supremacy. They believed that democracy is always in the process of becoming and that they could use it to reimagine society. But they also saw that achieving racial justice wouldn’t absolve us of the darkest features of our shared past, and that democracy must be measured by how skillfully we confront a history that will forever remain with us.

An ambitious account of the profound ways African Americans have reimagined democracy, The Darkened Light of Faith offers invaluable lessons about how to grapple with racial injustice and make democracy work.

Is democracy beyond repair in the United States? As Melvin L. Rogers writes in the opening pages of The Darkened Light of Faith: "Given how frequently the police kill African Americans, the ongoing structural inequality they experience, and housing and food insecurity suffered by so many. . . it may seem more appropriate to interpret the United States as working according to plan." The reality of institutional racism is undeniable, and it "often undercuts moments of hope."

In this urgent account of the African American political tradition of the 19th and 20th centuries, Rogers draws on the life and work of Black abolitionists (David Walker, Frederick Douglass, Maria Stewart) political activists (W.E.B. Du Bois, Ida B. Wells), and artists (Billie Holiday, James Baldwin) who put their faith in the elements of democracy that work: a capacity for improvement; an openness to the future. Even though the terrible legacy of slavery challenged their resolve, this cohort of Black intellectuals dared to imagine ways in which America could live up to its democratic ideals.

From the abolitionist David Walker's 1829 Appeal to the Colored Citizens of the World that called upon enslaved men and women to resist subjugation and claim their right to American citizenship to James Baldwin's insistence on a full reckoning with the lingering trauma of slavery, Rogers skillfully illustrates a strand of African American political thought: one that turns towards the horrors of the past instead of shrinking away from it.

Though the path to racial justice is long and winding, it is, in The Darkened Light of Faith, a cause well worth fighting for, even if all we can hope for is an uneasy peace with the past and ourselves.

Melvin L. Rogers is professor of political science and associate director of the Center for Philosophy, Politics, and Economics at Brown University. He is the author of The Undiscovered Dewey: Religion, Morality, and the Ethos of Democracy, coeditor of African American Political Thought: A Collected History, and editor of John Dewey’s The Public and Its Problems.

Princeton University Press
ISBN-13 978-0691219134

‘Race Is Everything’ Art and Human Difference - REVIEW

by David Bindman

A timely and revealing look at the intertwined histories of science, art, and racism.

‘Race Is Everything’ explores the spurious but influential ideas of so-called racial science in the nineteenth and the first half of the twentieth centuries, and how art was affected by it. David Bindman looks at race in general, but with particular concentration on attitudes toward and representations of people of African and Jewish descent. He argues that behind all racial ideas of the period lies the belief that outward appearance—and especially skull shape, as studied in the pseudoscience of phrenology—can be correlated with inner character and intelligence, and that these could be used to create a seemingly scientific hierarchy of races. The book considers many aspects of these beliefs, including the skull as a racial marker; ancient Egypt as a precedent for Southern slavery; Darwin, race, and aesthetics; the purported “Mediterranean race”; the visual aspects of eugenics; and the racial politics of Emil Nolde.

Reaktion Books
ISBN-13 978-1789146967

Race in Society: The Enduring American Dilemma - REVIEW

 

by Margaret L. Andersen

The second edition of Race in Society analyzes the social dynamics of systemic racism and the persistence of racial inequality in US institutions. The book is informed by contemporary social science research and includes the most recent studies on racial disparities during the COVID pandemic and current racial protests.

Race in Society is intended for courses in the sociology of race and ethnicity and can be used in other social science and interdisciplinary courses. Its accessible writing style, student friendly approach, and brevity make it attractive to instructors who want to pair it with other monographs or anthologies.

Four themes guide the organization of the book:
1. the social construction of race and ethnicity, as they evolve within systems of power and privilege;
2. the social dynamics of prejudice, bias, and racism;
3. the systemic character of racial inequality in US social institutions; and,
4. strategies for social change, especially as the United States becomes increasingly racially and ethnically diverse. A new feature in the second edition, “Taking Action against Racism,” will appeal to students who want to know what they can do to challenge racism

Margaret L. Andersen is Edward F. and Elizabeth Goodman Rosenberg Professor Emerita of Sociology at the University of Delaware, where she was honored with two teaching awards. She is the former vice president of the American Sociological Association and former president of the Eastern Sociological Society.

Race in Society: The Enduring American Dilemma
by Margaret L. Andersen
Rowman & Littlefield
ISBN-13:‎ 978-1538149454
434 pages

Whistling Vivaldi: How Stereotypes Affect Us and What We Can Do - REVIEW

by Claude M. Steele

The acclaimed social psychologist offers an insider’s look at his research and groundbreaking findings on stereotypes and identity.

Claude M. Steele, who has been called “one of the few great social psychologists,” offers a vivid first-person account of the research that supports his groundbreaking conclusions on stereotypes and identity. He sheds new light on American social phenomena from racial and gender gaps in test scores to the belief in the superior athletic prowess of black men, and lays out a plan for mitigating these “stereotype threats” and reshaping American identities.

Whistling Vivaldi: How Stereotypes Affect Us and What We Can Do
by Claude M. Steele
W.W. Norton & Company, 256 pages
ISBN: 978-0393339727

Protecting Whiteness: Whitelash and the Rejection of Racial Equality – REVIEW

by Cameron D. Lippard (Editor), J. Scott Carter (Editor), David G. Embrick (Editor), Eduardo Bonilla-Silva (Foreword)

The standoff at Cliven Bundy's ranch, the rise of white identity activists on college campuses, and the viral growth of white nationalist videos on YouTube vividly illustrate the resurgence of white supremacy and overt racism in the United States. White resistance to racial equality can be subtle as well--like art museums that enforce their boundaries as elite white spaces, "right on crime" policies that impose new modes of surveillance and punishment for people of color, and environmental groups whose work reinforces settler colonial norms.

In this incisive volume, twenty-four leading sociologists assess contemporary shifts in white attitudes about racial justice in the US. Using case studies, they investigate the entrenchment of white privilege in institutions, new twists in anti-equality ideologies, and "whitelash" in the actions of social movements. Their examinations of new manifestations of racist aggression help make sense of the larger forces that underpin enduring racial inequalities and how they reinvent themselves for each new generation.

Cameron Lippard is professor of sociology at Appalachian State University. J.Scott Carter is associate professor of sociology at the University of Central Florida.  David G. Embrick is associate professor of sociology and Africana studies at the University of Connecticut.

University of Washington Press  uwapress.uw.edu
ISBN 978-0-295-74799-6
275 pages