Integration at Second Base: Jackie Robinson and the Quest for Black Citizenship - REVIEW

by Peter Eisenstadt

Jackie Robinson is one of the most enduring icons of the great American pastime―the man who broke baseball’s color line in the twentieth century, opening the door for his fellow professionals and allowing rising generations to dream of fame and glory on the diamond. But for number 42, playing for the Dodgers was just a beginning. As Peter Eisenstadt demonstrates in this compelling new biography, Robinson’s trailblazing journey was more than a role that fate thrust on him―it was politically informed and consciously connected in Robinson’s mind to a vision of integration and full Black citizenship.

When he ventured out of the Negro Leagues and into the majors, as the league’s sole Black player, his triumph could have stopped at mere tokenism. Eisenstadt reveals a more ambitious goal on Robinson’s part, as well as a side to the great sports hero we have never fully appreciated. This book explores the political and spiritual roots of Jackie Robinson’s quest for Black citizenship from his boyhood in Pasadena to his service days―during which he was court-martialed for refusing to change seats on a segregated bus―to a transcendent athletic career that included an MVP award, a World Series victory, and eventually a place in the Hall of Fame. In his life after baseball, Robinson went on to serve as a civil rights leader, columnist, and political advocate.

The determination that spurred his great achievements was always accompanied by an understanding of just how far society still needed to go: despite his success, at the end of his life he was convinced that he “never had it made.” In telling the story of Robinson’s remarkable life, this book sheds invaluable light on the complex meanings of integration.

Peter Eisenstadt is Affiliate Professor of History at Clemson University and the author of Against the Hounds of Hell: A Life of Howard Thurman.

University of Virginia Press
ISBN-13: 978-0813955001

Kings and Pawns: Jackie Robinson and Paul Robeson in America - REVIEW

by Howard Bryant

A path-breaking work of biography of two American giants, Jackie Robinson and Paul Robeson, whose lives would forever be altered by the Cold War, and would explosively intersect before its most notorious weapon, the House Un-American Activities Committee — from one of the best sports and culture writers working today.

Kings and Pawns is the untold story of sports and fame, Black America and the promise of integration through the Cold War lens of two transformative events. The first occurred July 18, 1949 in Washington, D.C., when a reluctant Jackie Robinson, the Brooklyn Dodgers baseball star who integrated the game and at the time was the most famous Black man in America, appeared before the House Un-American Activities Committee to discredit Paul Robeson, the legendary athlete, baritone, and actor — himself once the most famous Black man in America. The testimony would be a defining moment in Robinson’s life and contribute heavily to the destruction of Robeson’s iconic reputation in the eyes of America.

The second occurred June 12, 1956, in the midst of the last, demagogic roar of McCarthyism, when a battered, defiant Robeson – prohibited from leaving the United States – faced off in a final showdown with HUAC in the same setting Robinson appeared in seven years earlier. These two moments would epitomize the ongoing Black American conflict between patriotism and protest. On the cusp of a nascent civil rights movement, Robinson and Robeson would represent two poles of a people pitted against itself by forces that demanded loyalty without equality in return – one man testifying in conflicted service to and the other in ferocious critique of a country that would ultimately and decisively wound both.

In a time of great division, with America in the midst of a new era of retrenchment and Black athletes again chilled into silence advocating for civil rights, the story of these two titans reverberates today within and beyond Black America. From the revival of government overreach to curb civil liberties to the Cold War-era rhetoric of “the enemy within” levied against fellow citizens, Kings and Pawns is a story of a moment that remains hauntingly present.

Howard Bryant is the author of 11 books, including Rickey, The Heritage, Full Dissidence, and The Last Hero, a biography of Hank Aaron, which was named “One of the Ten Best Books of the Year” by Dwight Garner of The New York Times. Bryant served as guest editor of The Best American Sports Writing in 2017, and has been the sports correspondent for NPR’s Weekend Edition since 2006. He is a four-time finalist for the National Magazine Award, an Emmy Award winner, and is twice the winner of the Casey Award for Best Baseball Book of the Year. He lives in Western Massachusetts.

Mariner Books
ISBN-13: 978-0063308169

One Man’s Freedom: Goldwater, King, and the Struggle over an American Ideal - REVIEW

by Nicholas Buccola

From the acclaimed author of The Fire Is Upon Us, the dramatic untold story of Barry Goldwater and Martin Luther King Jr.’s decade-long clash over the meaning of freedom—and how their conflicting visions still divide American politics

In the mid-1950s, Barry Goldwater and Martin Luther King Jr. emerged as the leaders of two diametrically opposed freedom movements that changed the course of American history—and still divide American politics. King mobilized civil rights activists under the banner of “freedom now,” insisting that true freedom would not be realized until all people—regardless of race—were empowered politically, economically, and socially. Goldwater rallied conservatives to the cause of “extremism in defense of liberty,” advocating radical individualism. In One Man’s Freedom, Nicholas Buccola tells the compelling story of Goldwater and King’s dramatic decade-long debate over the meaning of an all-important American ideal.

Part dual biography, part history, One Man’s Freedom traces the actions and words of Goldwater and King over a crucial and eventful decade, from their dizzying rise through 1964, which ended with Goldwater’s landslide defeat in the presidential election and King’s Nobel Peace Prize. The book chronicles why Goldwater and King, who never met in person, came to view each other as perhaps the greatest threat to freedom in America. It explains how their ideas of freedom could be so vastly different, yet both so deeply rooted in American history and their times. And it shows how their disagreement continues to shape and explain politics today, when the bitter divisions between Republicans and Democrats often come down to the question of what kind of freedom Americans want—the one defined by Goldwater or by King?

Nicholas Buccola is professor of government and the Jules L. Whitehill Professor of Humanism and Ethics at Claremont McKenna College. He is the author of The Fire Is upon Us: James Baldwin, William F. Buckley Jr., and the Debate over Race in America (Princeton), which was a New York Times Book Review Editors’ Choice, and The Political Thought of Frederick Douglass.

Princeton University Press
ISBN-13: 978-0691230306

Before the Movement: The Hidden History of Black Civil Rights - REVIEW

by Dylan C. Penningroth 

A prize-winning scholar draws on astonishing new research to demonstrate how Black people used the law to their advantage long before the Civil Rights Movement.

The familiar story of civil rights goes like this: once, America’s legal system shut Black people out and refused to recognize their rights, their basic human dignity, or even their very lives. When lynch mobs gathered, police and judges often closed their eyes, if they didn’t join in. For Black people, law was a hostile, fearsome power to be avoided whenever possible. Then, starting in the 1940s, a few brave lawyers ventured south, bent on changing the law. Soon, ordinary African Americans, awakened by Supreme Court victories and galvanized by racial justice activists, launched the civil rights movement.

In Before the Movement, acclaimed historian Dylan C. Penningroth brilliantly revises the conventional story. Drawing on long-forgotten sources found in the basements of county courthouses across the nation, Penningroth reveals that African Americans, far from being ignorant about law until the middle of the twentieth century, have thought about, talked about, and used it going as far back as even the era of slavery. They dealt constantly with the laws of property, contract, inheritance, marriage and divorce, of associations (like churches and businesses and activist groups), and more. By exercising these “rights of everyday use,” Penningroth demonstrates, they made Black rights seem unremarkable. And in innumerable subtle ways, they helped shape the law itself―the laws all of us live under today.

Penningroth’s narrative, which stretches from the last decades of slavery to the 1970s, partly traces the history of his own family. Challenging accepted understandings of Black history framed by relations with white people, he puts Black people at the center of the story―their loves and anger and loneliness, their efforts to stay afloat, their mistakes and embarrassments, their fights, their ideas, their hopes and disappointments, in all their messy humanness. Before the Movement is an account of Black legal lives that looks beyond the Constitution and the criminal justice system to recover a rich, broader vision of Black life―a vision allied with, yet distinct from, “the freedom struggle.”

Dylan C. Penningroth is a professor of law and history at the University of California, Berkeley. A MacArthur Prize fellow and author of The Claims of Kinfolk: African American Property and Community in the Nineteenth-Century South, he lives in Kensington, California.

Dylan Penningroth is the winner of the PEN Oakland Josephine Miles Award, Winner of the Beveridge Award, American Historical Association, Winner of the Littleton-Griswold Prize, American Historical Association, Winner of the John Philip Reid Award, American Society for Legal History, Winner of the Order of the Coif Book Award, Winner of the Charles Sydnor Award, Southern Historical Association, Winner of the Scribes Book Award, Winner of the Merle Curti Social History Award from the Organization of American Historian, Winner of the Ellis W. Hawley Prize from the Organization of American Historians, Winner of the David J. Langum, Sr. Prize in American Legal History, Winner of the James Willard Hurst Prize, Finalist for the Cundill History Prize, Shortlisted for the Stone Book Award, Museum of African American History, Shortlisted for the Mark Lynton History Prize, Columbia Journalism School, and Shortlisted for the Ralph Waldo Emerson Award, Phi Beta Kappa.

Liveright
ISBN-13: 978-1324093107

You Have to Be Prepared to Die Before You Can Begin to Live - REVIEW

Ten Weeks in Birmingham That Changed America

by Paul Kix

From journalist Paul Kix, the riveting story, never before fully told, of the 1963 Birmingham Campaign―ten weeks that would shape the course of the Civil Rights Movement and the future of America.

It’s one of the iconic photographs of American history: A Black teenager, a policeman and his lunging German Shepherd. Birmingham, Alabama, May of 1963. In May of 2020, as reporter Paul Kix stared at a different photo–that of a Minneapolis police officer suffocating George Floyd–he kept returning to the other photo taken half a century earlier, haunted by its echoes. What, Kix wondered, was the full legacy of the Birmingham photo? And of the campaign it stemmed from?

In You Have To Be Prepared To Die Before You Can Begin To Live, Paul Kix takes the reader behind the scenes as he tells the story of the Southern Christian Leadership Conference’s pivotal 10 week campaign in 1963 to end segregation in Birmingham, Alabama. At the same time, he also provides a window into the minds of the four extraordinary men who led the campaign―Martin Luther King, Jr., Wyatt Walker, Fred Shuttlesworth, and James Bevel. With page-turning prose that read like a thriller, Kix’s book is the first to zero in on the ten weeks of Project C, as it was known―its specific history and its echoes sounding throughout our culture now. It’s about Where It All Began, for sure, but it’s also the key to understanding Where We Are Now and Where We Will Be. As the fight for equality continues on many fronts, Project C is crucial to our understanding of our own time and the impact that strategic activism can have.

Celadon Books
ISBN-13 978-1250378088

Solidarity Cities: Confronting Racial Capitalism, Mapping Transformation - REVIEW

by Maliha Safri, Marianna Pavlovskaya, Stephen Healy, Craig Borowiak

Mapping the transformative effects of America’s urban solidarity economies.

Solidarity economies, characterized by diverse practices of cooperation and mutual support, have long played pivotal but largely invisible roles in fostering shared survival and envisioning alternatives to racial capitalism globally and in the United States. This book maps the thriving existence of these cooperative networks in three differently sized American cities, highlighting their commitment to cooperation, democracy, and inclusion and demonstrating the desire—and the pressing need—to establish alternative foundations for social and economic justice.

Collectively authored by four social scientists, Solidarity Cities analyzes the deeply entrenched racial and economic divides from which cooperative networks emerge as they work to provide unmet basic needs, including food security, affordable housing, access to fair credit, and employment opportunities. Examining entities such as community gardens, credit unions, cooperatives, and other forms of economic solidarity, the authors highlight how relatively small yet vital interventions into public life can expand into broader movements that help bolster the overall well-being of their surrounding communities.

Bringing together insights from geography, political economy, and political science with mapping and spatial analysis methodologies, surveys, and in-depth interviews, Solidarity Cities illuminates the extensive footprints of solidarity economies and the roles they play in communities. The authors show how these initiatives act as bulwarks against gentrification, exploitation, and economic exclusion, helping readers see them as part of the past, present, and future of more livable and just cities.

Maliha Safri is professor of economics at Drew University. Her writing has been published in Antipode, Signs, and Environmental Policy and Governance.

Marianna Pavlovskaya is professor of geography at Hunter College and CUNY Graduate Center. She is coeditor of Rethinking Neoliberalism: Resisting the Disciplinary Regime.

Stephen Healy is associate professor of geography at Western Sydney University and coauthor of Take Back the Economy: An Ethical Guide for Transforming Our Communities (Minnesota, 2013).

Craig Borowiak is professor of political science at Haverford College and author of Accountability and Democracy: The Pitfalls and Promise of Popular Control.

Univ Of Minnesota Press
ISBN-13 978-1517916022

Proverb Masters: Shaping the Civil Rights Movement - REVIEW

by Raymond Summerville

In Proverb Masters: Shaping the Civil Rights Movement, author Raymond Summerville explores how proverbs and proverbial language played a significant role in the long civil rights era. Proverbs have been used throughout history to share and disseminate brief, powerful statements of truth and philosophical insight. Oftentimes, these sayings have helped unite people in struggles for social justice, serving as rallying cries for just causes. During the civil rights era, proverbs allowed leaders to craft powerful and evocative messages. These statements needed to be made implicitly, as explicit messages were often met with retaliation and even violence.

Looking at the autobiographies, biographies, speeches, diaries, letters, and critical texts of Charles W. Chesnutt, Ida B. Wells, A. Philip Randolph, Bob Dylan, Malcom X, Stokely Carmichael, and Septima Clark, the volume analyzes how these figures employed proverbs in support of social justice causes and in civil rights struggles. Summerville argues that these individuals generated enough print material embedded with proverbs and proverbial language that they should be considered proverb masters. With chapters dedicated to each figure, Summerville reveals their adept uses of this powerful linguistic tool.

Raymond Summerville is professor of English at Fayetteville State University. He has published in Proverbium, the Journal of Folklore and Education, and other publications.

University Press of Mississippi
ISBN-13 978-1496852557

Ghosts of Segregation: American Racism, Hidden in Plain Sight - REVIEW

by Richard Frishman and B. Brian Foster

From award-winning photojournalist Richard Frishman comes a collection of photographs documenting America’s history of segregation, slavery, and institutional racism hidden in plain sight, accompanied by hard-hitting personal essays from University of Virginia professor of sociology and Black culture B. Brian Foster and with a foreword by National Book Award winner Imani Perry.

Beginning in 2018, Richard Frishman embarked on a 35,000-mile journey, crossing the United States several times, traveling from his home state of Washington to Maine, from Mississippi to Michigan, and everywhere in between. Frishman was driven by a deep concern for capturing traces of the nation’s history of segregation, slavery, and institutional racism embedded in everyday American architecture. Frishman spent the next five years capturing photographs of structures like the New Orleans Slave Exchange, old “colored entrances” at movie theaters in Seattle and Texas, formerly segregated beaches in Los Angeles, and the former site of New York City’s slave market.

As Frishman was traveling the country, his collaborator, noted sociologist Dr. B. Brian Foster, was writing about economic development, Black community life, and the blues in his home state of Mississippi. Foster adds to this collection seven essays of stirring prose and intimate storytelling. Whether reflecting on his relationship to his grandmother and her archive of family photos or chronicling his experiences working as a professor at the University of Mississippi and the University of Virginia, Foster adds layers of emotional resonance and sharp insight to the photographic collection with his essays, speaking to the shared memories, living histories, rippling beauty, and ongoing struggles of Black life in the United States.

Within this immersive collection, readers will witness and learn of histories startling, stirring, and thought-provoking: Histories of white supremacist violence and systemic racism. Histories of segregated bathrooms, beaches, churches, dining areas, doors, hospitals, hotels, waiting rooms, and water. Histories of Black aliveness and aspiration. Histories of Black migration, Black entrepreneurship, Black protest and organizing, Black singing and dancing, and Black placemaking.

This remarkable book brings home a powerful truth: these ghosts of segregation haunt us because they are very much alive. It also reveals how our surroundings bear witness to history, reminding us where we have been, where we are now, and crucially asking, Where do we go from here?

Celadon Books
ISBN-13 978-1250831682

King: A Life - REVIEW

by Jonathan Eig 

Vividly written and exhaustively researched, Jonathan Eig’s King: A Life is the first major biography in decades of the civil rights icon Martin Luther King Jr.-and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family’s origins as well as MLK’s complex relationships with his wife, father, and fellow activists. King reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became our only modern-day founding father-as well as the nation’s most mourned martyr.

In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history’s greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime.

Jonathan Eig is the author of six books, including four New York Times best sellers. His most recent book is King: A Life, which the Times called a "the definitive biography" of Martin Luther King Jr. and a book "worthy of its subject." Prior to that, Eig wrote Ali: A Life, which has been hailed as one of the best sports biographies of all time. Ali: A Life, won a 2018 PEN America Literary Award and was a finalist for the Mark Lynton History Prize. Eig served as a senior consulting producer for the PBS series Muhammad Ali. His first book, Luckiest Man: The Life and Death of Lou Gehrig, won the Casey Award. His books have been listed among the best of the year by The New York Times, The Washington Post, and the Wall Street Journal. He lives in Chicago with his wife and children.

Farrar, Straus and Giroux
ISBN-13 978-0374279295

Reckoning with Race: An Unfinished Journey - REVIEW

by Frederick Allen

In his fifty-year career as an award-winning journalist, CNN commentator, and author of multiple books, Rick Allen has had a front-row seat on dramatic change in race relations in America. In Reckoning with Race, a collection of eighteen essays, he explores his ongoing efforts to understand the struggle of black and white Americans to navigate a shared history at once wicked and intimate, full of love and hate, as they seek to level an uneven playing field. Allen examines issues from the era of Reconstruction through Jim Crow, the Civil Rights movement, the rhythms of resistance and progress, into today’s contentious debates over redlining, reparations, and critical race theory.

Starting as a reporter with the Atlanta Constitution in 1972, Allen got to know and befriend legendary black political figures including Julian Bond, John Lewis, Andy Young, Hosea Williams, Maynard Jackson, Jesse Jackson, and Daddy King, the father of Martin Luther King, Jr. He also encountered ardent white segregationists, some of whom saw the light and others who took their racism to the grave. Drawing on his experience covering politics, he examines presidents from LBJ and Jimmy Carter to Obama and Trump. He explores the symbolism of Confederate flags, the controversy over Uncle Remus, the election of Atlanta’s first black mayor, Maynard Jackson, and the tragic case of the Atlanta Child Murders. He has had first-hand encounters with white supremacy and violent black protest alike.

Throughout Reckoning with Race, Allen is candid about his own shortcomings as a white native Northerner learning gradually about the complexities of race in his adoptive South. The essays highlight his continuing journey toward understanding the forces that both hinder and promote equality and harmony between the races.

Frederick Allen is the author of three books. His history of the Coca-Cola Company, Secret Formula, was published by HarperCollins in 1994 and has been translated into seven languages. Atlanta Rising, a history of modern Atlanta, was published by Longstreet in 1996 and is taught at several colleges. A Decent, Orderly Lynching, Allen’s account of the vigilantes of Montana, was published in 2004 by University of Oklahoma Press. His research into vigilante symbolism was cited by the Western History Association.

Forefront Books
ISBN-13 978-1637631522

The Absolutely Indispensable Man: Ralph Bunche, the United Nations, and the Fight to End Empire - REVIEW

by Kal Raustiala

A legendary diplomat, scholar, and civil rights leader, Ralph Bunche was one of the most prominent Black Americans of the twentieth century. The first African American to obtain a political science Ph.D. from Harvard and a celebrated diplomat at the United Nations, he was once so famous he handed out the Best Picture award at the Oscars. Yet today Ralph Bunche is largely forgotten.

In The Absolutely Indispensable Man, Kal Raustiala restores Bunche to his rightful place in history. He shows that Bunche was not only a singular figure in midcentury America; he was also one of the key architects of the postwar international order. Raustiala tells the story of Bunche's dramatic life, from his early years in prewar Los Angeles to UCLA, Harvard, the State Department, and the heights of global diplomacy at the United Nations. After narrowly avoiding assassination Bunche received the Nobel Peace Prize for his ground-breaking mediation of the first Arab-Israeli conflict, catapulting him to popular fame. A central player in some of the most dramatic crises of the Cold War, he pioneered conflict management and peacekeeping at the UN. But as Raustiala argues, his most enduring achievement was his work to dismantle European empire. Bunche perceptively saw colonialism as the central issue of the 20th century and decolonization as a project of global racial justice.

From marching with Martin Luther King to advising presidents and prime ministers, Ralph Bunche shaped our world in lasting ways. This definitive biography gives him his due. It also reminds us that postwar decolonization not only fundamentally transformed world politics, but also powerfully intersected with America's own civil rights struggle.

Oxford University Press
ISBN-13: 978-0197602232

Teaching White Supremacy: America's Democratic Ordeal and the Forging of Our National Identity - REVIEW

by Donald Yacovone

A powerful exploration of the past and present arc of America’s white supremacy—from the country’s inception and Revolutionary years to its 19th century flashpoint of civil war; to the Civil Rights movement of the 1960s and today’s Black Lives Matter.

Donald Yacovone shows us the clear and damning evidence of white supremacy’s deep-seated roots in our nation’s educational system through a fascinating, in-depth examination of America’s wide assortment of texts, from primary readers to college textbooks, from popular histories to the most influential academic scholarship. Sifting through a wealth of materials from the colonial era to today, Yacovone reveals the systematic ways in which this ideology has infiltrated all aspects of American culture and how it has been at the heart of our collective national identity.

Yacovone lays out the arc of America’s white supremacy from the country’s inception and Revolutionary War years to its nineteenth-century flashpoint of civil war to the civil rights movement of the 1960s and today’s Black Lives Matter. In a stunning reappraisal, the author argues that it is the North, not the South, that bears the greater responsibility for creating the dominant strain of race theory, which has been inculcated throughout the culture and in school textbooks that restricted and repressed African Americans and other minorities, even as Northerners blamed the South for its legacy of slavery, segregation, and racial injustice.

A major assessment of how we got to where we are today, of how white supremacy has suffused every area of American learning, from literature and science to religion, medicine, and law, and why this kind of thinking has so insidiously endured for more than three centuries.

Pantheon
ISBN-13 978-0593316634

By Hands Now Known: Jim Crow's Legal Executioners - REVIEW

by Margaret A. Burnham

If the law cannot protect a person from a lynching, then isn’t lynching the law?

In By Hands Now Known, Margaret A. Burnham, director of Northeastern University’s Civil Rights and Restorative Justice Project, challenges our understanding of the Jim Crow era by exploring the relationship between formal law and background legal norms in a series of harrowing cases from 1920 to 1960. From rendition, the legal process by which states make claims to other states for the return of their citizens, to battles over state and federal jurisdiction and the outsize role of local sheriffs in enforcing racial hierarchy, Burnham maps the criminal legal system in the mid-twentieth-century South, and traces the unremitting line from slavery to the legal structures of this period and through to today.

Drawing on an extensive database, collected over more than a decade and exceeding 1,000 cases of racial violence, she reveals the true legal system of Jim Crow, and captures the memories of those whose stories have not yet been heard.

W. W. Norton & Company
ISBN-13 978-0393867855

The Papers of Clarence Mitchell Jr., Volume V: The Struggle to Pass the 1957 Civil Rights Act, 1955–1958 - REVIEW

Edited by Denton L. Watson

Volume V of The Papers of Clarence Mitchell Jr. records the successful effort to pass the 1957 Civil Rights Act: the first federal civil rights legislation since 1875.

Prior to the US Supreme Court’s landmark 1954 decision in Brown v. Board of Education, the NAACP had faced an impenetrable wall of opposition from southerners in Congress. Basing their assertions on the court’s 1896 “separate but equal” decision in Plessy v. Ferguson, legislators from the South maintained that their Jim Crow system was nondiscriminatory and thus constitutional. In their view, further civil rights laws were unnecessary. In ruling that legally mandated segregation of public schools was unconstitutional, the Brown decision demolished the southerners’ argument. Mitchell then launched the decisive stage of the struggle to pass modern civil rights laws.

The passage of the Civil Rights Act of 1957 was the first comprehensive lobbying campaign by an organization dedicated to that purpose since Reconstruction. Coming on the heels of the Brown decision, the 1957 law was a turning point in the struggle to accord Black citizens full equality under the Constitution. The act’s passage, however, was nearly derailed in the Senate by southern opposition and Senator Strom Thurmond’s record-setting filibuster, which lasted more than twenty-four hours. Congress later weakened several provisions of the act but—crucially—it broke a psychological barrier to the legislative enactment of such measures.

The Papers of Clarence Mitchell Jr. is a detailed record of the NAACP leader’s success in bringing the legislative branch together with the judicial and executive branches to provide civil rights protections during the twentieth century.

Ohio University Press
ISBN-13 978-0821424599

The Papers of Clarence Mitchell Jr., Volume VI: The Struggle to Pass the 1960 Civil Rights Act, 1959–1960 - REVIEW

Edited by Denton L. Watson

The Civil Rights Act of 1960 aimed to close loopholes in its 1957 predecessor that had allowed continued voter disenfranchisement for African Americans and for Mexicans in Texas.

In early 1959, the newly seated Eighty-Sixth Congress had four major civil rights bills under consideration. Eventually consolidated into the 1960 Civil Rights Act, their purpose was to correct the weaknesses in the 1957 law. Mitchell’s papers from 1959 to 1960 show the extent to which congressional resistance to the passage of meaningful civil rights laws contributed to the lunch counter sit-ins in Greensboro, North Carolina, and to subsequent demonstrations. The papers reveal how the repercussions of these events affected the NAACP’s work in Washington and how, despite their dislike of demonstrations, NAACP officials used them to intensify the civil rights struggle.

Among the act’s seven titles were provisions authorizing federal inspection of local voter registration rolls and penalties for anyone attempting to interfere with voters on the basis of race or color. The law extended the powers of the US Commission on Civil Rights and broadened the legal definition of the verb to vote to encompass all elements of the process: registering, casting a ballot, and properly counting that ballot. Ultimately, Mitchell considered the 1960 act unsuccessful because Congress had failed to include key amendments that would have further strengthened the 1957 act. In the House, representatives used parliamentary tactics to stall employment protections, school desegregation, poll-tax elimination, and other meaningful civil rights reforms. The fight would continue.

The Papers of Clarence Mitchell Jr. series is a detailed record of the NAACP leader’s success in bringing the legislative branch together with the judicial and executive branches to provide civil rights protections during the twentieth century.

Ohio University Press
ISBN-13 978-0821424605

Photos of People at the March on Washington August 28, 1963 taken by TD. Dean Givens - REVIEW

Photographs of People at the March on Washington, August 28, 1963. Taken by D. Dean Givens, these photographs focus on the people gathering at the Capitol and on the National Mall in preparation for the Civil Rights March. This beautiful volume features commentary and observations from artist TM Givens, the photographer's son.

Love for Liberation: African Independence, Black Power, and a Diaspora Underground - REVIEW

During the height of the Cold War, passionate idealists across the US and Africa came together to fight for Black self-determination and the antiracist remaking of society. Beginning with the 1957 Ghanaian independence celebration, the optimism and challenges of African independence leaders were publicized to African Americans through community-based newspapers and Historically Black Colleges and Universities. Inspired by African independence―and frustrated with the slow pace of civil rights reforms in the US―a new generation of Black Power activists embarked on nonviolent direct action campaigns and built alternative institutions designed as spaces of freedom from racial subjugation.

Featuring interviews with activists, extensive archival research, and media analysis, Robin Hayes reveals how Black Power and African independence activists created a diaspora underground, characterized by collaboration and reciprocal empowerment. Together, they redefined racial discrimination as an international human rights issue requiring education, sustained collective action, and global solidarity―laying the groundwork for future transnational racial justice movements, such as Black Lives Matter.

Love for Liberation: African Independence, Black Power, and a Diaspora Underground
by Robin J. Hayes

University of Washington Press
ISBN: 978-0295749075

This Far and No Further: Photographs Inspired by the Voting Rights Movement - REVIEW

     Standing on the Edmund Pettus Bridge in Selma, Alabama, in 2017, photographer William Abranowicz was struck by the weight of historical memory at this hallowed site of one of the civil rights movement's defining episodes: 1965's “Bloody Sunday,” when Alabama police officers attacked peaceful marchers. To Abranowicz’s eye, Selma seemed relatively unchanged from its appearance in the photographs Walker Evans made there in the 1930s. That, coupled with an awareness of renewed voter suppression efforts at state and federal levels, inspired Abranowicz to explore the living legacy of the civil and voting rights movement through photographing locations, landscapes, and individuals associated with the struggle, from Rosa Parks and Harry Belafonte to the barn where Emmett Till was murdered.

     The result is This Far and No Further, a collection of photographs from Abranowicz's journey through the American South. Through symbolism, metaphor, and history, he unearths extraordinary stories of brutality, heroism, sacrifice, and redemption hidden within ordinary American landscapes, underscoring the crucial necessity of defending―and exercising―our right to vote at this tenuous moment for American democracy.

This Far and No Further: Photographs Inspired by the Voting Rights Movement
by William Abranowicz (Author), Zander Abranowicz Nikole Hannah-Jones (Foreword)

University of Texas Press | ISBN-13 : 978-1477321744

The Broken Road by Peggy Wallace Kennedy - REVIEW

THE BROKEN ROAD: George Wallace and a Daughter's Journey to Reconciliation 
by Peggy Wallace Kennedy with Justice H. Mark Kennedy

Peggy Wallace Kennedy has been widely hailed as a "symbol of racial reconciliation" (Washington Post), winning numerous awards for her efforts and speaking out on the politics of fear and on finding one's voice. In the summer of 1963, though, she was a young girl watching her father stand in a schoolhouse door as he tried to block two African American students from entering the University of Alabama. This man, governor of Alabama and future presidential candidate George Wallace, was notorious for his hateful rhetoric and his political stunts. But he was also a larger­ than-life presence in the life of young Peggy, who was taught to sit straight, smile, and not speak up as her father took to the political stage. At the end of his life, Wallace came to renounce his racist views, although he could never attempt to fully repair the damage he caused. But Peggy, after her own political awakening, has dedicated her life to spreading a new Wallace message-one of peace and compassion. 

"Why did Paw Paw do those things to other people?" asked Wallace Kennedy's nine-year-old son, Burns, while visiting the Martin Luther King Jr. National Historic Site and Museum. He'd just seen the photo of his grandfather blocking the entrance of University of Alabama. It was this moment that compelled Wallace Kennedy to come to terms with her family's history. "It awakened in me the deep desire to create my own chapter in the Wallace saga," she writes in THE BROKEN ROAD : George Wallace and a Daughter's Journey to Reconciliation. 

Collaborating with her husband of 46 years, Justice H. Mark Kennedy, Wallace Kennedy provides an intimate and tender portrait of her family and their circumstances, dreams, and challenges, all within the larger context of a time and place when issues of race and gender were dealt with in ways that many would view as abhorrent today. 
In this powerful new memoir, Wallace Kennedy looks back on the politics of her youth and attempts to reconcile her adored father with the man who coined the phrase, "Segregation now, segregation tomorrow, and segregation forever." As she writes, "My story is much like that of the broken road, heaved up and cracked for the truth of what power can do. It mingles amid history for the sake of the truth, gives rise to the inspiration that no matter who we belonged to, 'each of us can overcome,' and offers hope that America will take the 'road less traveled by' before it is too late." 
Timely and timeless, THE BROKEN ROAD speaks to change, atonement, activism, and racial reconciliation, reckoning with the past while firmly focusing on creating a better future. 

About the author: Peggy Wallace Kennedy is a nationally recognized speaker, lecturer, and writer. Her father, George Wallace, and her mother, Lurleen Wallace, were both governors of Alabama. Mrs. Kennedy has received, among others, the Southern Christian Leadership Conference Rosa Parks Legacy Award; the Emmett Till Legacy Foundation Woman of Courage Award; the Brown Foundation Human Rights Award; and the MLK Commission Award. Her dedication to racial reconciliation offers hope for change in a divided America. She lives in Montgomery, Alabama. Justice H. Mark Kennedy, Peggy's husband of forty-six years, served as a judge for more than two decades including two terms as a Justice of the Supreme Court of Alabama.

"Anybody who knows Peggy Wallace Kennedy, or who reads these pages, will understand immediately the anguished authenticity of her passage. Civil rights leaders such as John Lewis ultimately forgave George Wallace for the sins of his past, just as they have embraced his daughter as a sister in the quest for human rights. The Broken Road is the story of how that happened-a needed reminder in these times that love and simple decency can be more powerful than their opposites." -Frye Gaillard, author of A Hard Rain, America in the 1960s 

"[A] thoughtful, evenhanded debut ... Kennedy's astute memoir also serves as a probing record of politics and racism in the South." -Publishers Weekly 

"(Wallace Kennedy] shows poignantly the toll (George Wallace's] actions took on his family and draws parallels between his tactics and those of Donald Trump .... A fair-minded memoir and portrayal of an exceptionally divisive civil rights-era politician." -Kirkus Reviews 

"Searingly revelatory" -Diane Mcwhorter, Pulitizer Prize-winning author of Carry Me Home 

Hardcover ISBN:978-1635573657
Ebook ISBN:978-1635573664

White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation - REVIEW

White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation by Lauren Michele Jackson

"Appropriation is everywhere and is also inevitable. If appropriation is everywhere and everyone appropriates all the time, why does any of this matter? The answer, in a word: power."

In her debut essay collection, White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation, Lauren Michele Jackson, a professor of English and African American studies at Northwestern University, examines the problematic social trend of "black aesthetics without black people." Her essays analyze the desire for black culture by people who are not black and takes to task America's tendency to poach blackness for its profit and benefit. From art to fashion, language to activism, black culture influences worldwide trends. And, according to Jackson, everyone wants to be "cool" without fearing for their lives, to be "black" with the wealth and privilege of whiteness.

Jackson asserts that when the powerful appropriate from the oppressed, society's imbalances are worsened, and its inequalities extended. White people in America, Jackson writes, hoard power like Hungry Hungry Hippos. She cites statistics on the ever-growing wealth gap between white and black people in the United States-according to the Institute for Policy Studies, if current trends continue, the average black family won't reach the amount of wealth white families own today for another 228 years. The seriousness of this reality comes into focus when we see who can thrive off of intellectual property and who is prevented from doing so by "this nation's hysterical, driving compulsion to own and regulate all things black."

Jackson divides her book into areas of popular culture to explore the concept of "blackness in decay without its people." Topics include:

• Sound and Body: Jackson uses the evolution of Christina Aguilera's music career as the backdrop to examine the typical trajectory of a young white female popstar-emancipating themselves from an image of innocence by using black aesthetics to appear older and mature. "The entire Stripped era put black culture in motion in a departure from Christina's earlier aesthetics, even as a child performer raised on jazz and soul records." Throughout her career, Aguilera goes from one interpretation of black culture to another until, with her most recent album, she finally achieves a tenor of homage to the black music that formed her, Jackson concludes.

• Art and Language: Jackson questions the motives of Dana Schutz, whose painting Open Casket was a recreation of a 1955 photograph of Emmett Till's body in his casket. The painting was created for the Whitney Museum of Art's 2017 Biennial, which Jackson explains is remembered primarily for its blatant dismissal of violence and black pain. "Mamie Till-Mobley, thrust into activism, took control of her son's image in death, plain evidence of what America does to black children," Jackson states. "Today, the chasm between seeing a person in pain and in death and the actions it would take to reduce the pain and death is so much wider than the Atlantic."

• Technology: "Black people are the best part of going online," Jackson asserts. "Black culture is the fiber in the memes that are sometimes the only reasonable excuse for logging on while the world crumbles." She tells of Vine and the funny storytelling of its former black users. Before its demise, Vine's most popular meme came from Kayla Newman, a black woman who admires her brows in the camera and says they're "on fleek." Jackson shares that Newman's attempt to raise money to fund a line of hair and beauty products led to derision and claims that she was entitled for wanting to profit off her creation-despite the term's co-opted use in Hefty ads and fast fashion crop tops.

• Economy and Politics: Detailing cultural appropriation's inherent political nature, Jackson describes a period in the 1970s, when the white working class experienced a financial depression they called the "blue-collar blues," which was attributed to a black upward mobility that was perceived to outpace white prosperity. Then, as now, Jackson writes, they needed use of black aesthetics to describe the circumstance. In the new millennium, attempts to delegitimize #BlacklivesMatter spur absurd terms like All Lives Matter and Blue Lives Matter. Another example Jackson cites is the Women's March on Washington, a name borrowed from a black-led political march. Anger and rage, she writes, are all the rage. Thanks to white feminists' appropriative actions, the politics of activism and self-care are given a new and profitable look. "After Ferguson, Baltimore, Chicago, and Oakland, everyone can make a hashtag and be mad and make it home safely. As long as well-heeled white people are angry, others can be angry too."

Jackson concludes that although thoughtless appropriation is impossibly embedded in our culture, it can become appreciation if the world reorders society to be a place where black people have options and where they matter to society just as much as their contributions. "Whether black people will be acknowledged and allowed to thrive more than spiritually from their innovations remains to be seen," she states. "If there is a call embedded in this book, it is a call to more alertness, more intensity, more care, and more fluency in the racial dramas performed as part and parcel of business as usual."

About the Author Lauren Michele Jackson teaches in the departments of English and African American studies at Northwestern University.

White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation
by Lauren Michele Jackson
$25.95 Hardcover • 978-080701180-5 • Audio book: 978-080708132-7
Contact: Perpetua Charles, Associate Publicist, pcharles@beacon.org / 617-948-6102

A literary scholar examines the many ways in which African American influences are incorporated, without acknowledgment or thanks, into the white cultural mainstream. Cultural appropriation, writes Jackson (English and African American Studies/Northwestern Univ.), "gets a bad rap." Rap, for instance, borrows from the styles of earlier generations-soul, disco, funk, even gospel-but includes the likes of Billy Joel and Paul Simon in its DNA. Appropriation, she writes, 11 is everywhere, and it is inevitable," though it is also a matter of power as much as artistic license: The culturally dominant group gets away with borrowing fashions, musical styles, and language, developing "black aesthetics without black people." In a lucid explication of the work of appropriation in music, she examines borrowings not just by white artists such as Britney Spears, but also members of minority populations such as Jennifer Lopez, who, by Jackson's account, lifted liberally from a less-known artist named Ashanti. It's Lopez's good luck that the borrowing, including the passing insertion of the N-word, took place in a time when "the internet wasn't then what the internet is now, and time forgives all slurs." Pop star Pink took a different course, gradually shedding any blackness in her sound, even as Miley Cyrus dropped her white­pop teen persona to embrace the hip-hop world and Khloe Kardashian did her hair up in cornrows and called herself a "Bantu babe." The author ranges across a broad field of reference, writing of the appropriation of the Southern-ism "chile" (child, that is) by means of the TV show Real Housewives of Atlanta and the culinary borrowings of Paula Deen, "white Mammy, plumping America one fried delicacy at a time," who got in trouble not for her lifting recipes but instead for using the N-word. Jackson is evenhanded throughout, though there's a welcome fire to her discussion, as when she writes, "America is addicted to hurting black people. America is addicted to watching itself hurt black people.”
A revelatory, well-argued work of cultural criticism.
- Kirkus Reviews, October 1, 2019 issue

Northwestern University professor Jackson's insightful debut essay collection takes on cultural appropriation-particularly of black innovation by white celebrities, artists, and entrepreneurs-through the lens of power dynamics, identifying it as a process by which "society's imbalances are exacerbated and inequalities prolonged." In the realm of pop culture, she analyzes the pursuit of "urban" sexual wildness by Britney Spears and Miley Cyrus, the aesthetic but not economic investment of the Kardashians in black fashion, and Paula Deen's fetishistic presentation of Southern food alongside explicit racism. Her exploration of the art world juxtaposes the public reaction to Rachel Dolezal, made famous by her "impulse to inhabit blackness," with accusations against institutions such as the Whitney Biennial, which she asserts ignores black artists but treats depictions of antiblack violence as edgy and relevant. She identifies toxic white resentment of black success in the recent viral videos of white people calling the police on black people (often children) for using public pools, having lemonade stands, or barbecuing in parks. Jackson is uncompromising in her bold language, palpable in her outrage; she keeps her razor-sharp analysis in an accessible but academic register. She both calls out the damage done by appropriative and oppressive behavior and calls in white readers to take part in valuing black contributions in a way that helps black lives.
- Publishers Weekly August 19th issue

"Like 'intersectionality' and "diversity'' and "neoliberalism" and perhaps even "capitalism," the word "appropriation" has taken on so many interpretations and interpolations as to court ontological disaster: what does it even mean? Lauren Michele Jackson wrestles with the idea, the concept, the history, the bodies, and the selves that are implicated in cultural appropriation. Jackson does not absolve anyone, but she does point toward some of the most complex corners of culture. In those corners she asks us to consider not freedom and choice but power. That emphasis on _who can commodify appropriation is different from pedestrian debates about who can do appropriation. White Negroes is a mature meditation for debates that have, at times, wallowed in their own intellectual infancy. The collection is witty, wry, and welcome. In the vein of lmani Perry and Zoe Samudzi, this book is an excellent addition to critical thinking about culture and contemporary racial orders."
- Tressie McMillan Cottom, author of Thick and Lower Ed

"What I love most about Lauren Jackson's incisive and richly detailed work in White Negroes is how it does not imagine any cultural phenomenon as something that does not have a history attached to it. And through the work of charting that history, a new cultural understanding arises. This is a vital text­one that offers new ways of seeing, hearing, and consuming."
- Hanif Abdurraqib, author of They Can't Kill Us Until They Kill Us

"We've needed this book for years~ and yet somehow it's right on time. Miraculously, Lauren Michele Jackson is able to write about cultural appropriation in a way that doesn't make you want to drink a glass of sand. She brings incredible nuance and a sharp critical voice to a discussion that has sorely lacked both-yet somehow emerges with a text that is as accessible as it is theoretically relevant. Jackson avoids platitudes and easy answers, has a keen eye for history and popular culture, and, moreover, she is funny."
- Eve L. Ewing, author of Electric Arches and Ghosts in the Schoolyard

"Blacking up-the American caucasoidal desire to inhabit, stage, and master an imaginary Black identity-has been a national obsession and a national enterprise since the antebellum days of traveling tent show minstrelsy. With language laced with critical clarity, tempered outrage, radical snark, and researched detail, Lauren Michele Jackson's White Negroes interrogates and exposes our present-day society of appropriated racial spectacle-highlighting a plethora of the ways contemporary white minstrelsy reproduces the erasures and violence of its Jim Crow-era predecessor, then circulates its bad­to-rad copies for profit and mockery through viral technology. Jackson eruditely connects the dots between such disparate phenomena of the modern racial age as Eminem, Christina Aguilera, Kim Kardashian, Rachel Dolezal, the fashion and cosmetic industries, the Whitney Biennial, and the appropriation of 'Bye Felisha.' In so doing, Jackson makes us wiser and even more disturbed about how much stolen Black imaging and ideations matter to the cultural, political, and economic maintenance of the nation's anti-Black status quo."
- Greg Tate, author of Flyboy in the Buttermilk and editor of Everything but the Burden: What White People Are Taking from Black Culture