Tuesday, March 05, 2024

A Home Away from Home: Mutual Aid, Political Activism, and Caribbean American Identity - REVIEW


by Tyesha Maddox

A Home Away from Home examines the significance of Caribbean American mutual aid societies and benevolent associations to the immigrant experience, particularly their implications for the formation of a Pan-Caribbean American identity and Black diasporic politics.

At the turn of the twentieth century, New York City exploded with the establishment of mutual aid societies and benevolent associations. Caribbean immigrants, especially women, eager to find their place in a bustling new world, created these organizations, including the West Indian Benevolent Association of New York City, founded in 1884. They served as forums for discussions on Caribbean American affairs, hosted cultural activities, and provided newly arrived immigrants with various forms of support, including job and housing assistance, rotating lines of credit, help in the naturalization process, and its most popular function-sickness and burial assistance. In examining the number of these organizations, their membership, and the functions they served, Tyesha Maddox argues that mutual aid societies not only fostered a collective West Indian ethnic identity among immigrants from specific islands, but also strengthened kinship networks with those back home in the Caribbean. Especially important to these processes were Caribbean women such as Elizabeth Hendrickson, co-founder of the American West Indian Ladies’ Aid Society in 1915 and the Harlem Tenants’ League in 1928.

Immigrant involvement in mutual aid societies also strengthened the belief that their own fate was closely intertwined with the social, economic, and political welfare of the Black international community. A Home Away from Home demonstrates how Caribbean American mutual aid societies and benevolent associations in many ways became proto-Pan-Africanist organizations.

Tyesha Maddox is Assistant Professor of African & African American Studies at Fordham University.

University of Pennsylvania Press
ISBN-13 978-1512824544


Sunday, March 03, 2024

Hitler in Los Angeles: How Jews Foiled Nazi Plots Against Hollywood and America - REVIEW


by Steven J. Ross

No American city was more important to the Nazis than Los Angeles, home to Hollywood, the greatest propaganda machine in the world. The Nazis plotted to kill the city's Jews and to sabotage the nation's military installations: Plans existed for murdering twenty-four prominent Hollywood figures, such as Al Jolson, Charlie Chaplin, and Louis B. Mayer; for driving through Boyle Heights and machine-gunning as many Jews as possible; and for blowing up defense installations and seizing munitions from National Guard armories along the Pacific Coast.

U.S. law enforcement agencies were not paying close attention--preferring to monitor Reds rather than Nazis--and only attorney Leon Lewis and his daring ring of spies stood in the way. From 1933 until the end of World War II, Lewis, the man Nazis would come to call “the most dangerous Jew in Los Angeles,” ran a spy operation comprised of military veterans and their wives who infiltrated every Nazi and fascist group in Los Angeles. Often rising to leadership positions, they uncovered and foiled the Nazi's disturbing plans for death and destruction.

Featuring a large cast of Nazis, undercover agents, and colorful supporting players, the Los Angeles Times­ bestselling Hitler in Los Angeles, by acclaimed historian Steven J. Ross, tells the story of Lewis's daring spy network in a time when hate groups had moved from the margins to the mainstream.

Steven J. Ross is professor of history at the University of Southern California and director of the Casden Institute for the Study of the Jewish Role in American Life. He is the author of Hollywood Left and Right, recipient of the Academy of Motion Picture Arts and Sciences’ Film Scholars Award and nominated for a Pulitzer; Working-Class Hollywood, nominated for a Pulitzer and the National Book Award; Movies and American Society; and Workers on the Edge. He lives in Southern California. http://scalar.usc.edu/works/hitler-in-los-angeles/index

Bloomsbury
ISBN-13 978-1620405628

See Justice Done: The Problem of Law in the African American Literary Tradition - REVIEW


by Christopher Michael Brown

In See Justice Done: The Problem of Law in the African American Literary Tradition, author Christopher Michael Brown argues that African American literature has profound and deliberate legal roots. Tracing this throughline from the eighteenth century to the present, Brown demonstrates that engaging with legal culture in its many forms—including its conventions, paradoxes, and contradictions—is paramount to understanding Black writing.

Brown begins by examining petitions submitted by free and enslaved Blacks to colonial and early republic legislatures. A virtually unexplored archive, these petitions aimed to demonstrate the autonomy and competence of their authors. Brown also examines early slave autobiographies such as Olaudah Equiano’s Interesting Narrative and Mary Prince’s History, which were both written in the form of legal petitions. These works invoke scenes of Black competence and of Black madness, repeatedly and simultaneously.

Early Black writings reflect how a Black Atlantic world, organized by slavery, refused to acknowledge Black competence. By including scenes of Black madness, these narratives critique the violence of the law and predict the failure of future legal counterparts, such as Plessy v. Ferguson, to remedy injustice. Later chapters examine the works of more contemporary writers, such as Sutton E. Griggs, George Schuyler, Toni Morrison, and Edward P. Jones, and explore varied topics from American exceptionalism to the legal trope of "colorblindness." In chronicling these interactions with jurisprudential logics, See Justice Done reveals the tensions between US law and Black experiences of both its possibilities and its perils.

Christopher Michael Brown is assistant professor of English at Wake Forest University, where he teaches courses on African American literature and legal culture. His research has been supported by fellowships from the American Council of Learned Societies and the Ford Foundation.

University Press of Mississippi
ISBN-13 978-1496848192


Monday, February 26, 2024

Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song - REVIEW


by Judith Tick

A landmark biography that reclaims Ella Fitzgerald as a major American artist and modernist innovator.

Ella Fitzgerald (1917–1996) possessed one of the twentieth century’s most astonishing voices. In this first major biography since Fitzgerald’s death, historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist.

Becoming Ella Fitzgerald clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer’s difficult childhood in Yonkers, New York, the tragic death of her mother, and the year she spent in a girls’ reformatory school-where she sang in its renowned choir and dreamed of being a dancer. Rarely seen profiles from the Black press offer precious glimpses of Fitzgerald’s tense experiences of racial discrimination and her struggles with constricting models of Black and white femininity at midcentury.

Tick’s compelling narrative depicts Fitzgerald’s complicated career in fresh and original detail, upending the traditional view that segregates vocal jazz from the genre’s mainstream. As she navigated the shifting tides between jazz and pop, she used her originality to pioneer modernist vocal jazz. Interpreting long-lost setlists, reviews from both white and Black newspapers, and newly released footage and recordings, the book explores how Ella’s transcendence as an improvisor produced onstage performances every bit as significant as her historic recorded oeuvre.

From the singer’s first performance at the Apollo Theatre’s famous “Amateur Night” to the Savoy Ballroom, where Fitzgerald broke through with Chick Webb’s big band in the 1930s, Tick evokes the jazz world in riveting detail. She describes how Ella helped shape the bebop movement in the 1940s, as she joined Dizzy Gillespie and her then-husband, Ray Brown, in the world-touring Jazz at the Philharmonic, one of the first moments of high-culture acceptance for the disreputable art form.

Breaking ground as a female bandleader, Fitzgerald refuted expectations of musical Blackness, deftly balancing artistic ambition and market expectations. Her legendary exploration of the Great American Songbook in the 1950s fused a Black vocal aesthetic and jazz improvisation to revolutionize the popular repertoire. This hybridity often confounded critics, yet throughout the 1970s and 1980s, Ella reached audiences around the world, electrifying concert halls, and sold millions of records.

A masterful biography, Becoming Ella Fitzgerald describes a powerful woman who set a standard for American excellence nearly unmatched in the twentieth century.

W. W. Norton & Company
ISBN-13 978-0393241051

Thursday, February 22, 2024

Images in the River: The Life and Work of Waring Cuney - REVIEW


by Cynthia Davis and Verner D. Mitchell

The poet William Waring Cuney (1906–1976) hails from an illustrious Afro-Texan family whose members include the charismatic politician Norris Wright Cuney (1846–1898) and his daughter, Maud Cuney Hare (1874–1936), the concert pianist and writer. Waring Cuney’s maternal line, after whom he was named, was equally eminent.

Cuney was born and raised in Washington, DC, just a few blocks from Howard University where three generations of his family studied. Despite his privileged upbringing among the city’s Black elite, Cuney embraced his family’s passionate commitment to racial uplift and civil rights; in exploring the relationship between African Americans and their environment, he was thus able to transmute into two books of poetry a broad cross section of African American life; his poems and songs explore the lives of jazz musicians, athletes, domestic and railway workers, women and children, blues singers, prisoners, sharecroppers, and soldiers. In addition, Cuney published in all the major Harlem Renaissance journals and anthologies alongside the luminaries of the period, many of whom were good friends.

Through 100 of his best poems, many never before collected or published, and a detailed biographical monograph, Images in the River: The Life and Work of Waring Cuney introduces readers to a newly recovered Harlem Renaissance poet, and to the history of a remarkable American family.

Texas Tech University Press
ISBN-13 978-1682831977


Friday, February 16, 2024

Jazz with a Beat: Small Group Swing, 1940-1960 - REVIEW


by Tad Richards

Jazz with a Beat is the first book on the often overlooked but vitally important genre of small group swing jazz. Coming into being in the early 1940s, small group swing answered the need in the Black community for a form of jazz that was more accessible (and more danceable) than the new bebop. An adaptation of the big band Black swing (Erskine Hawkins, Jimmie Lunceford, Chick Webb) of the 1930s to small combos, and with a more vigorous beat for the new generation, this music developed and was beloved through the 1940s, continued to be enjoyed through the rock and roll years of the 1950s, and was a major influence on the soul jazz of the 1960s. Among the many hit artists portrayed in these pages are Illinois Jacquet, Louis Jordan, Big Jay McNeely, Joe Liggins, Nat "King" Cole, Red Prysock, Ruth Brown, Nellie Lutcher, Camille Howard, T-Bone Walker, and Ray Charles. Dismissed as "rhythm and blues," this music has been ignored by jazz historians. Jazz with a Beat honors this music as a legitimate genre of jazz and is a stirring evocation of an era. It should be of interest to lovers of jazz and Americana.

Tad Richards is a prolific visual artist, poet, novelist, and nonfiction writer who has been active for over four decades. He is the author (with Melvin B. Shestack) of The New Country Music Encyclopedia, among many books. He lives in Kingston, New York.

Excelsior Editions/State University of New York Press
ISBN-13 978-1438496016


Thursday, February 15, 2024

Ghosts of Segregation: American Racism, Hidden in Plain Sight - REVIEW


by Richard Frishman and B. Brian Foster

From award-winning photojournalist Richard Frishman comes a collection of photographs documenting America’s history of segregation, slavery, and institutional racism hidden in plain sight, accompanied by hard-hitting personal essays from University of Virginia professor of sociology and Black culture B. Brian Foster and with a foreword by National Book Award winner Imani Perry.

Beginning in 2018, Richard Frishman embarked on a 35,000-mile journey, crossing the United States several times, traveling from his home state of Washington to Maine, from Mississippi to Michigan, and everywhere in between. Frishman was driven by a deep concern for capturing traces of the nation’s history of segregation, slavery, and institutional racism embedded in everyday American architecture. Frishman spent the next five years capturing photographs of structures like the New Orleans Slave Exchange, old “colored entrances” at movie theaters in Seattle and Texas, formerly segregated beaches in Los Angeles, and the former site of New York City’s slave market.

As Frishman was traveling the country, his collaborator, noted sociologist Dr. B. Brian Foster, was writing about economic development, Black community life, and the blues in his home state of Mississippi. Foster adds to this collection seven essays of stirring prose and intimate storytelling. Whether reflecting on his relationship to his grandmother and her archive of family photos or chronicling his experiences working as a professor at the University of Mississippi and the University of Virginia, Foster adds layers of emotional resonance and sharp insight to the photographic collection with his essays, speaking to the shared memories, living histories, rippling beauty, and ongoing struggles of Black life in the United States.

Within this immersive collection, readers will witness and learn of histories startling, stirring, and thought-provoking: Histories of white supremacist violence and systemic racism. Histories of segregated bathrooms, beaches, churches, dining areas, doors, hospitals, hotels, waiting rooms, and water. Histories of Black aliveness and aspiration. Histories of Black migration, Black entrepreneurship, Black protest and organizing, Black singing and dancing, and Black placemaking.

This remarkable book brings home a powerful truth: these ghosts of segregation haunt us because they are very much alive. It also reveals how our surroundings bear witness to history, reminding us where we have been, where we are now, and crucially asking, Where do we go from here?

Celadon Books
ISBN-13 978-1250831682

Thursday, January 25, 2024

The Wingmen: The Unlikely, Unusual, Unbreakable Friendship Between John Glenn and Ted Williams - REVIEW


by Adam Lazarus

The untold story of the unique fifty-year friendship between two American icons: John Glenn, the unassailable pioneer of space exploration and Ted Williams, indisputably the greatest hitter in baseball history.  

The friendship how, throughout various stages in their remarkable lives, a most unusual friendship formed, flourished, withered, then reinvigorated.

In 1952, celebrity outfielder Ted Williams was called up to active duty in the Korean War. Baseball's biggest name was already an ace pilot, as skilled in the cockpit as he was on the field. John Glenn, already an experienced fighter pilot during World War II, was commissioned with The Marine Corps and had gone through months of training when he petitioned for active duty in Korea. He was a superstar among the officers and pilots who knew him as a superior instructor and great guy.

While stationed in Korea for combat, Glenn requested Williams to fly on his wing. The reluctant, fatalistic, pugnacious Reservist and the eager, optimistic, unflappable active-duty regular Marine would go on to serve together, forging a friendship in battle that would last a lifetime and take them up into the stratosphere, literally and figuratively - from Earth orbit and a long political career for Glenn to world records and global fame as one of baseball's greatest hitters for Williams.

Author Adam Lazarus, who has written narrative nonfiction books on great American icons and the very essence of team successes on the field and off, has written a sweeping epic that pulls from an encyclopedic array of sources, from interviews, papers, military diaries, letters, archives, videos, and papers released through FOIA.

The connection forged between the great hitter and the great aviator would radiate out from their mutual respect. They also shared a keen understanding of their respective gifts, a fierce dedication to the success of the team (whether The Red Sox, the Mercury program, or a military unit), and their rabid pursuit of excellence. They wanted to contribute without any special treatment or fanfare. They also understood their gifts and drive came with a price - fame - and each would handle it differently. Each of them would earn a permanent place in the pantheon of American heroes and become titans in their own right.

They stayed friends right to the end, decades after they had flown together in Korea.

Adam Lazarus is the author of nonfiction books featuring iconic and compelling figures in American history. His previous titles include Chasing Greatness: Johnny Miller, Arnold Palmer, and the Miracle at Oakmont; Super Bowl Monday: The New York Giants, The Buffalo Bills, and Super Bowl XXV; Best of Rivals: Joe Montana, Steve Young, and the Inside Story Behind The NFL's Greatest Quarterback Controversy; and Hail to the Redskins: Gibbs, the Diesel, the Hogs, and the Glory Days of D.C.'s Football Dynasty. He received a bachelor's degree in English from Kenyon College in 2004 and a master's degree in Professional Writing from Carnegie Mellon University in 2006, specializing in journalism.

Kensington Publishing
ISBN: 978-0-8065-4250-8