Saturday, June 26, 2021

Beyond Baseball's Color Barrier: The Story of African Americans in Major League Baseball, Past, Present, and Future - REVIEW

by Rocco Constantino

A fascinating history celebrating Black players in Major League Baseball from the 1800s through today, with special insight into what the future may hold.

In Beyond Baseball's Color Barrier: The Story of African Americans in Major League Baseball, Past, Present, and Future, Rocco Constantino chronicles the history of generations of ballplayers, showing how African Americans have influenced baseball from the 1800s to the present. He details how the color line was drawn, efforts made to erode it, and the progress towards Jackie Robinson’s debut—including a pre-integration survey in which players unanimously promoted integration years before it actually happened. Personal accounts and colorful stories trace the exponential growth of diversity in the sport since integration, from a boom in participation in the 1970s to peak participation in the early 1990s, but also reveal the current downward trend in the number of African American players to percentages not seen since the 1960s.

Beyond Baseball's Color Barrier not only explores the stories of icons like Hank Aaron, Willie Mays and Satchel Paige but also considers contributions made by players like Vida Blue, Mudcat Grant and Dwight Gooden. Exclusive interviews with former players and individuals involved in the game, including the President of the Negro Leagues Baseball Museum, add first-hand expert insight into the history of the topic and what the future holds.

Rocco Constantino is the director of athletics at Santa Barbara City College and a sports historian. He is the cofounder and lead baseball writer for BallNine.com and has written for many national online media outlets, including Bleacher Report, Baseball Hot Corner, American Online, and multiple collegiate athletics official websites. Constantino's first book, 50 Moments That Defined Major League Baseball, was published by Rowman & Littlefield and was named among Sports Collectors Digest's' best baseball books of 2016. Constantino resides in Santa Barbara, California.

Beyond Baseball's Color Barrier: The Story of African Americans in Major League Baseball, Past, Present, and Future
by Rocco Constantino
Rowman & Littlefield
ISBN: 978-1-5381-4908-9

When I Die, I Shall Return to My Own Land: The New York City Slave Revolt of 1712 - REVIEW

by Ben Hughes

The First Comprehensive Investigation into the First Uprising Against Slavery in North America 

At 2 a.m. on April 7, 1712, a fire broke out in New York City’s North Ward. Unbeknown to the residents who roused themselves to combat the flames, the blaze had been started with murderous intent. A group of at least twenty-four enslaved West African men and women, mostly Akan from modern-day Ghana, had long plotted this moment. Armed with guns, daggers, swords, axes, and clubs, they fell upon their enslavers. In the next few frantic moments, eight Europeans were killed and seven were wounded. The perpetrators were rounded up, jailed, and put on public trial. Twenty enslaved men and one woman were executed or transported for carrying out the plot. As the first event of its kind to take place in the North American colonies, this revolt was the progenitor of those that followed—it inspired, the Stono Rebellion of 1739, the New York Conspiracy of 1741, and Nat Turner’s 1831 insurrection. 

When I Die, I Shall Return to My Own Land: The 1712 New York City Slave Revolt is the first comprehensive investigation into this major event in the history of slavery in North America. Consulting court records, correspondence, and the minutes of the various colonial councils, as well as a wide range of sources related to eighteenth-century slavery, historian Ben Hughes vividly recreates early colonial New York, the lives of its enslaved inhabitants, the factionalism among the city’s Dutch and English elites, and their precarious hold on Manhattan Island in the face of French and Native American threats. Hughes traces the origins of the New York rebels, details how they came to be enslaved, and recreates the shadowy dealings that took place between African polities, European and American slavers, and New York merchants. The forerunners of a movement which continues to this day, the deeds of these original African American rebels have now been all but forgotten. Here, Hughes attempts to redress this imbalance by recovering their story. 

When I Die, I Shall Return to My Own Land: The New York City Slave Revolt of 1712
by Ben Hughes
Westholme Publishing 
ISBN: 978-1-59416-356-2

    

The New Great Depression: Winners and Losers in a Post-Pandemic World - REVIEW

by James Rickards

     The current crisis is not like 2008 or even 1929. The New Depression that has emerged from the COVID pandemic is the worst economic crisis in U.S. history. Most fired employees will remain redundant. Bankruptcies will be common, and banks will buckle under the weight of bad debts. Deflation, debt, and demography will wreck any chance of recovery, and social disorder will follow closely on the heels of market chaos. The happy talk from Wall Street and the White House is an illusion. The worst is yet to come. But for knowledgeable investors, all hope is not lost.

     In The New Great Depression, James Rickards, New York Times bestselling author of Aftermath and The New Case for Gold, pulls back the curtain to reveal the true risks to our financial system and what savvy investors can do to survive -- even prosper -- during a time of unrivaled turbulence. Drawing on historical case studies, monetary theory, and behind-the-scenes access to the halls of power, Rickards shines a clarifying light on the events taking place, so investors understand what's really happening and what they can do about it.

     A must-read for any fans of Rickards and for investors everywhere who want to understand how to preserve their wealth during the worst economic crisis in US history.

The New Great Depression: Winners and Losers in a Post-Pandemic World
by James Rickards
Portfolio-Penguin 
ISBN: 978-0-593-33027-2

Saturday, May 29, 2021

Fighting for the Higher Law: Black and White Transcendentalists Against Slavery - REVIEW


by Peter Wirzbicki

     In Fighting for the Higher Law, Peter Wirzbicki explores how important black abolitionists joined famous Transcendentalists to create a political philosophy that fired the radical struggle against American slavery.

     In the cauldron of the antislavery movement, antislavery activists, such as William C. Nell, Thomas Sidney, and Charlotte Forten, and Transcendentalist intellectuals, including Ralph Waldo Emerson and Henry David Thoreau, developed a "Higher Law" ethos, a unique set of romantic political sensibilities—marked by moral enthusiasms, democratic idealism, and a vision of the self that could judge political questions from "higher" standards of morality and reason. The Transcendentalism that emerges here is not simply the dreamy philosophy of privileged white New Englanders, but a more populist movement, one that encouraged an uncompromising form of politics among a wide range of Northerners, black as well as white, working-class as well as wealthy. Invented to fight slavery, it would influence later labor, feminist, civil rights, and environmentalist activism.

     African American thinkers and activists have long engaged with American Transcendentalist ideas about "double consciousness," nonconformity, and civil disobedience. When thinkers like Martin Luther King, Jr., or W. E. B. Du Bois invoked Transcendentalist ideas, they were putting to use an intellectual movement that black radicals had participated in since the 1830s.

University of Pennsylvania Press
ISBN: 978-0812252910

Who Will Pay Reparations on My Soul?: Essays - REVIEW


by Jesse McCarthy

     Ranging from Ta-Nehisi Coates’s case for reparations to Toni Morrison’s revolutionary humanism to D’Angelo’s simmering blend of R&B and racial justice, Jesse McCarthy’s bracing essays investigate with virtuosic intensity the art, music, literature, and political stances that have defined the twenty-first century. Even as our world has suffered through successive upheavals, McCarthy contends, “something was happening in the world of culture: a surging and unprecedented visibility at every level of black art making.” Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis.

     McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones. In “Notes on Trap,” he borrows a conceit from Susan Sontag to reveal the social and political significance of trap music, the drug-soaked strain of Southern hip-hop that, as he puts it, is “the funeral music that the Reagan Revolution deserves.” In “Back in the Day,” McCarthy, a black American raised in France, evokes his childhood in Paris through an elegiac account of French rap in the 1990s. In “The Master’s Tools,” the relationship between Spanish painter Diego Velázquez and his acolyte-slave, Juan de Pareja, becomes the lens through which Kehinde Wiley’s paintings are viewed, while “To Make a Poet Black” explores the hidden blackness of Sappho and the erotic power of Phillis Wheatley. Essays on John Edgar Wideman, Claudia Rankine, and Colson Whitehead survey the state of black letters. In his title essay, McCarthy takes on the question of reparations, arguing that true progress will not come until Americans remake their institutions in the service of true equality. As he asks, “What can reparations mean when the damage cannot be accounted for in the only system of accounting that a society recognizes?”

     For readers of Teju Cole’s Known and Strange Things and Mark Greif’s Against Everything, McCarthy’s essays portray a brilliant young critic at work, making sense of our disjointed times while seeking to transform our understanding of race and art, identity and representation.

Liveright
ISBN: 978-1631496486

Why the Innocent Plead Guilty and the Guilty Go Free: And Other Paradoxes of Our Broken Legal System - REVIEW


by Jed S. Rakojf

The author, a federal judge, examines the failures of a judicial system that currently incarcerates more than two million people (five times more than four decades ago), forty per cent of whom are Black men. Politicians want to appear "tough on crime," even though incarceration's role in crime reduction is unclear. Harsh sentences lead the vast majority of defendants, including an estimated hundred thousand innocent people, to opt for plea bargains, a process that lacks oversight. Meanwhile, prosecutors fail to hold high level executives accountable for serious offenses. The government is allowing corporations to make gestures toward self-rehabilitation while denying ordinary citizens their day in court.

Farrar, Straus & Giroux
ISBN: 978-0374289997

Friday, April 30, 2021

Understanding Colson Whitehead - REVIEW


      In 2020 Colson Whitehead became the youngest recipient of the Library of Congress Prize for American Fiction. Although Whitehead's widely divergent books resist overarching categorization, Derek C. Maus argues that they are linked by their skepticism toward the ostensible wisdom inherited from past generations. Whitehead, best known for his Pulitzer Prize-winning novel
The Underground Railroad, bids readers to accompany him on challenging, often open-ended literary excursions designed to reexamine-and frequently defy-accepted notions of truth.

     Understanding Colson Whitehead unravels the parallel structures found within Whitehead's books from his 1999 debut The Intuitionist through 2019's The Nickel Boys, for which he won his second Pulitzer Prize for Fiction. By first imitating and then violating their conventions, Whitehead attempts to transcend the limits and conventions of the genres in which he seems to write. Whitehead similarly tests subject matter, again imitating and then satirizing various forms of conventional wisdom as a means of calling out unexamined, ignored, or malevolent aspects of American culture.

     Although it is only one of many subjects that Whitehead addresses, race is often central to his work. It serves as a prime example of how Whitehead asks his readers to revisit their assumptions about meanings and values. By upending the literary formulas of the detective novel, the heroic folktale, the coming-of-age story, the zombie apocalypse, the slave narrative, and historical fiction, Whitehead reveals the flaws and shortcomings of many of the long-lasting stories through which Americans have defined themselves. In addition to evoking such explicitly literary storytelling traditions, Whitehead also directs attention toward interrelated historical and cultural processes that influence how race, class, gender, education, social status, and categories of identity determine what an individual supposedly can and cannot do.

"With Understanding Colson Whitehead, Derek Maus offers an invaluable, readable, and comprehensive introduction to the work of one of the current era's most important authors. Few writers have shifted genres, styles, and tones so masterfully, and Maus helps readers understand how Whitehead's work all fits together."
- Cameron Leader-Picone
   Kansas State University

"Understanding Colson Whitehead is an indispensable study about an incredibly inventive contemporary novelist. Derek C. Maus produces superb and meticulous analyses of The Intuitionist, John Henry Days, The Underground Railroad, and Whitehead's other books. This engaging examination advances our views of an author whose idiosyncratic novels captured the attention of countless readers and earned astonishing levels of critical acclaim."
- Howard Rambsy II, Author of Bad Men: Creative Touchstones of Black Writers

Derke C. Maus teaches contemporary literature at the State University of New York at Potsdam. He is the author of Jesting in Earnest: Percival Everett and Menippean Satire and Unvarnishing Reality: Subversive Russian and American Cold War Satire. He is also the editor or coeditor of Conversations with Colson Whitehead; Post-Soul Satire: Black Identity after Civil Rights; Finding a Way Home: A Critical Assessment of Walter Mosley's Fiction; and Angry Rain: A Memoir by Maurice Kenny.

Understanding Colson Whitehead: Revised and Expanded Edition
by Derek C. Maus
University of South Carolina Press
ISBN: 978-1-64336-174-1

Thursday, April 15, 2021

Wilmington's Lie: The Murderous Coup of 1898 and the Rise of White Supremacy - REVIEW


Wilmington's Lie: The Murderous Coup of 1898 and the Rise of White Supremacy
by David Zucchino

     From Pulitzer Prize-winner David Zucchino comes a searing account of the Wilmington riot and coup of 1898, an extraordinary event unknown to most Americans

     By the 1890s, Wilmington was North Carolina’s largest city and a shining example of a mixed-race community. It was a bustling port city with a burgeoning African American middle class and a Fusionist government of Republicans and Populists that included black aldermen, police officers and magistrates. There were successful black-owned businesses and an African American newspaper, The Record. But across the state―and the South―white supremacist Democrats were working to reverse the advances made by former slaves and their progeny.

     In 1898, in response to a speech calling for white men to rise to the defense of Southern womanhood against the supposed threat of black predators, Alexander Manly, the outspoken young Record editor, wrote that some relationships between black men and white women were consensual. His editorial ignited outrage across the South, with calls to lynch Manly.

     But North Carolina’s white supremacist Democrats had a different strategy. They were plotting to take back the state legislature in November “by the ballot or bullet or both,” and then use the Manly editorial to trigger a “race riot” to overthrow Wilmington’s multi-racial government. Led by prominent citizens including Josephus Daniels, publisher of the state’s largest newspaper, and former Confederate Colonel Alfred Moore Waddell, white supremacists rolled out a carefully orchestrated campaign that included raucous rallies, race-baiting editorials and newspaper cartoons, and sensational, fabricated news stories.

     With intimidation and violence, the Democrats suppressed the black vote and stuffed ballot boxes (or threw them out), to win control of the state legislature on November eighth. Two days later, more than 2,000 heavily armed Red Shirts swarmed through Wilmington, torching the Record office, terrorizing women and children, and shooting at least sixty black men dead in the streets. The rioters forced city officials to resign at gunpoint and replaced them with mob leaders. Prominent blacks―and sympathetic whites―were banished. Hundreds of terrified black families took refuge in surrounding swamps and forests.

     This brutal insurrection is a rare instance of a violent overthrow of an elected government in the U.S. It halted gains made by blacks and restored racism as official government policy, cementing white rule for another half century. It was not a “race riot,” as the events of November 1898 came to be known, but rather a racially motivated rebellion launched by white supremacists.

     In Wilmington’s Lie, Pulitzer Prize-winner David Zucchino uses contemporary newspaper accounts, diaries, letters and official communications to create a gripping and compelling narrative that weaves together individual stories of hate and fear and brutality. This is a dramatic and definitive account of a remarkable but forgotten chapter of American history.

Wilmington's Lie: The Murderous Coup of 1898 and the Rise of White Supremacy
by David Zucchino
Grove Press, 448 pages
ISBN: 978-0802148650

Hubert Harrison: The Struggle for Equality, 1918–1927 - REVIEW

Hubert Harrison: The Struggle for Equality, 1918–1927
by Jeffrey B. Perry

     The St. Croix–born, Harlem-based Hubert Harrison (1883–1927) was a brilliant writer, orator, educator, critic, and activist who combined class consciousness and anti-white-supremacist race consciousness into a potent political radicalism. Harrison’s ideas profoundly influenced “New Negro” militants, including A. Philip Randolph and Marcus Garvey, and his work is a key link in the two great strands of the Civil Rights/Black Liberation struggle: the labor- and civil-rights movement associated with Randolph and Martin Luther King Jr. and the race and nationalist movement associated with Garvey and Malcolm X.

     In this second volume of his acclaimed biography, Jeffrey B. Perry traces the final decade of Harrison’s life, from 1918 to 1927. Perry details Harrison’s literary and political activities, foregrounding his efforts against white supremacy and for racial consciousness and unity in struggles for equality and radical social change. The book explores Harrison’s role in the militant New Negro Movement and the International Colored Unity League, as well as his prolific work as a writer, educator, and editor of the New Negro and the Negro World. Perry examines Harrison’s interactions with major figures such as Garvey, Randolph, J. A. Rogers, Arthur Schomburg, and other prominent individuals and organizations as he agitated, educated, and organized for democracy and equality from a race-conscious, radical internationalist perspective. This magisterial biography demonstrates how Harrison’s life and work continue to offer profound insights on race, class, religion, immigration, war, democracy, and social change in America.

Hubert Harrison: The Struggle for Equality, 1918–1927
by Jeffrey B. Perry
Columbia University Press, 1000 pages
ISBN: 978-0231182638

Whistling Vivaldi: How Stereotypes Affect Us and What We Can Do - REVIEW

by Claude M. Steele

The acclaimed social psychologist offers an insider’s look at his research and groundbreaking findings on stereotypes and identity.

Claude M. Steele, who has been called “one of the few great social psychologists,” offers a vivid first-person account of the research that supports his groundbreaking conclusions on stereotypes and identity. He sheds new light on American social phenomena from racial and gender gaps in test scores to the belief in the superior athletic prowess of black men, and lays out a plan for mitigating these “stereotype threats” and reshaping American identities.

Whistling Vivaldi: How Stereotypes Affect Us and What We Can Do
by Claude M. Steele
W.W. Norton & Company, 256 pages
ISBN: 978-0393339727

Wednesday, April 07, 2021

This Far and No Further: Photographs Inspired by the Voting Rights Movement - REVIEW


     Standing on the Edmund Pettus Bridge in Selma, Alabama, in 2017, photographer William Abranowicz was struck by the weight of historical memory at this hallowed site of one of the civil rights movement's defining episodes: 1965's “Bloody Sunday,” when Alabama police officers attacked peaceful marchers. To Abranowicz’s eye, Selma seemed relatively unchanged from its appearance in the photographs Walker Evans made there in the 1930s. That, coupled with an awareness of renewed voter suppression efforts at state and federal levels, inspired Abranowicz to explore the living legacy of the civil and voting rights movement through photographing locations, landscapes, and individuals associated with the struggle, from Rosa Parks and Harry Belafonte to the barn where Emmett Till was murdered.

     The result is This Far and No Further, a collection of photographs from Abranowicz's journey through the American South. Through symbolism, metaphor, and history, he unearths extraordinary stories of brutality, heroism, sacrifice, and redemption hidden within ordinary American landscapes, underscoring the crucial necessity of defending―and exercising―our right to vote at this tenuous moment for American democracy.

This Far and No Further: Photographs Inspired by the Voting Rights Movement
by William Abranowicz (Author), Zander Abranowicz Nikole Hannah-Jones (Foreword)

University of Texas Press | ISBN-13 : 978-1477321744

Thursday, March 25, 2021

Margaret Murray Washington: The Life and Times of a Career Clubwoman - REVIEW


     This is the first biography of Margaret Murray Washington. Outside of the occasional mentions when discussing club work or Booker T. Washington, there is not a single monograph on her life. More specifically, scholars Jacqueline Anne Rouse and Linda Rochell Lane have written brilliant works on Washington. In Rouse’s 1996 article “Out of the Shadow of Tuskegee,” she positioned Washington as a leader who stood independent of her husband Booker T. Washington. Historian Linda Rochell Lane in 2001 adds an invaluable compilation of Washington’s primary documents in A Documentary of Mrs. Booker T. Washington. These studies help us to better understand the need for a complete biography on her legacy. To be sure, the life of Washington is an American saga and broadens our understanding of race in America, higher education, black organizations and the larger Civil Rights Movement.

     Drawing upon black feminist theoretical frameworks and performance theory this book analyzes Washington’s transgressive behavior, particularly with regard to her public activism, which helped construct her personified, gendered identity. At first glance, Washington’s public life consumed her private affairs. However, through a rereading of personal letters and diaries, her most intimate self is revealed. Washington led a rather conservative life, using the tools of positive propaganda to help reshape her own narrative, often sharing just enough to give the illusion of transparency. Similar to other race women, she carried the burden of leadership in silence, oftentimes in direct contradiction to her own needs and desires as a woman.

     Befitting the spouse of a race leader, most of Washington’s social reforms fit into the Tuskegee models of industrial education and self-help. Yet, the public knows very little about the woman behind the man and Institute. For many black feminist historians, a lack of traditional resources has made it difficult to resurrect and retell the important histories of both familiar and obscure black women. In the case of prominent black male leaders, too often the historical impact their wives had on their philosophy of activism is diminished, as was the case with Amy Jacques Garvey. However, her story of black nationalism and Pan-Africanism was contextualized by historian Ula Yvette Taylor. Through a close reading of Amy Garvey’s diaries and personal papers, Taylor told the broader story of Marcus Garvey and Garveyism. What I find particularly engaging and which forms a crucial component of this work, are the ways in which Washington and other black women publicly engaged in this performance of secrecy, and yet worked publicly to broaden our understanding of the intersectionality of what it meant to be black, a woman, a southerner, a wife, a leader and a caregiver, in an often violent and deadly society.

     In the midst of protecting her personal space, Margaret Washington used her platform of leadership to extend the efforts and agenda of Booker T. Washington onto females and children of the race. She expanded the Girls’ curriculum at the Institute, organized Tuskegee’s local women, introduced Mothers’ Meetings into her community and worked with clubwomen across the nation. Washington embodied service leadership and empowered generations of women to do the same.

     The consequences of this new social order proved dire for many African Americans. As a black woman living during the nadir, Lucy Murray understood the limitations that quasi-freedom placed on black bodies. In addition to the legal system, Lucy Murray also had little power to exert her full humanity or femininity due to the racial hierarchy, toxic masculinity and overt poverty, all of which in turn added to her declining health. Yet, her intuitive foresight laid an important foundation for Washington’s activism, as she believed in her ability to exercise power through education. Immediately following emancipation, Lucy Murray ensured her daughters were educated. She used her limited power to provide a better future for her offspring, a privilege not afforded to her mother and countless other mothers during slavery. However, despite her efforts, blacks faced numerous challenges to their freedom.

     The burden of poverty in Mississippi during Reconstruction was debilitating. We learn that a Quaker brother and sister, the Saunders, informally adopted Maggie at the age of seven. While a resident in their home she practiced a strict moral code, strong work ethic, and upheld concepts of thrift. Her exposure to these principals influenced her move to Nashville, Tennessee, where she began her lifelong career as a journalist, orator, educator, and clubwoman.

     Margaret’s rising influence impacted her personal life. Soon after arriving to the campus she began a public relationship with Booker. As the founding Principal of Tuskegee Institute, it was well-known that he was a potential suitor, following the death of his second wife, Olivia America Davidson. Olivia died shortly after giving birth to their second son, Ernest. Booker’s first wife Fannie Smith, also deceased, had given birth to their only daughter Portia. With less than three years at the Institute, Margaret married Booker. Their union was one of service to the greater community. In 1895 Booker gave his famous ”cast down your bucket where you are” speech at the Cotton States and International Exposition in Atlanta. He urged both races to work together towards a common good. Following the 1895 death of abolitionist Fredrick Douglass, Booker became the new leader of the race. This placed his marriage to Margaret at the forefront of the larger movement of racial equality. An investigation into their partnership helps to unravel who Margaret Washington became as a woman, a wife, a clubwoman and an educator, while also to better understand the influence of class. The new black elite helped to lay important foundations and perspectives within which Washington and other clubwomen of the nineteenth century saw themselves, allowing Washington and others to check the proverbial boxes of respectability and social acceptability. In essence, the class status afforded her the privilege of reflection.

     As an adult, well into her thirties Washington used lessons from her youth to guide her future aspirations. She often talked about her mother’s insistence on education, the ties to a Quaker upbringing, her college education at Fisk University and her early work in the community. In addition, her marriage to a recognized leader and involvement with black women leaders in the North and South helped to reinforce Washington’s status within the nation and among the black elite. However, her social class did little to mute the violent society in which many blacks found themselves at the turn of the century.

     The impact of racial uplift on black women’s public and private lives cannot be overestimated. Race leaders lacked the social, political, and economic means to change the dominant ideologies of white America. This forced them to create alternative images in order to combat vicious attacks against their womanhood and humanity. The advancement of the race depended on it. This psychological form of protection has been documented by psychologists and historians alike. Black feminist historian Darlene Clarke Hine refers to this practice as dissemblance: “the behavior and attitudes of black women that created the appearance of openness and disclosure but actually shielded the truth of their inner lives and selves from the oppressors,” and arguably the race. Washington and other intellectual elites worked against the system that attempted to define them solely on their race and sex, in effect creating spaces that protected their womanhood.

     Washington’s activism in the pursuit of racial and economic uplift, and cutting-edge educational philosophies at HBCUs during the Progressive era, were important to her identity. She concerned herself with the development and education of blacks. Historian Audrey Thomas McCluskey reminds us of the long history of black female educators laboring in the Jim Crow South to form HBCUs, such as Lucy Laney’s Haines Institute, Mary McLeod Bethune and the Daytona Educational and Industrial Training School for Negro Girls, and Charlotte Hawkins Brown’s Memorial Palmer Institute. These HBCU administrators were collectively committed to education as a means to full citizenship rights, similar to the efforts being carried out by Margaret Washington at Tuskegee Institute. Studies also highlight the transitions made by model schools, initially part of the normal school curriculum, in their evolution into HBCUs. Stressing the importance of experimental learning at these educational centers, Washington saw her work in the community as an extension of her work on campus.

     Thus, Washington’s intellectual and professional work reveals the extent to which black women were deeply influential in the betterment of their community and education of the race. It provides a lens into the internal workings of the black elite, while also complicating the narrative of the woman’s sphere. This study broadens our understanding of race and education in America, revealing how far we have come in terms of race and gender while also challenging us to continue in the pursuits of freedom and diversity of narrative.

     Washington’s social work also provides insight into her deep-seated belief that education started in the home. Due to poverty in her formative years and her mother’s insistence that her daughters become educated, Washington better understood the significance of the professionalization of domesticity. She created advanced curricular programs to meet the needs of her students and community. She knew that in order to be useful citizens, the race needed to understand English and thrift, how to save money, math and gardening, politics and good nutrition. The development of the nation depended on stable homes and the implementation of women’s clubs. She challenged the ways in which curriculum was approached in the twentieth century, laboring in both the classroom and community. Whether she served as president or participated in other positions within the black Women’s Club Movement, her expertise and influence were often solicited and emulated.

Her work with the local chapter of Mothers’ Meetings in Tuskegee, Alabama, and the creation of the Tuskegee Woman’s Club (TWC) are arguably the foundations of her professional career. She used her experience in Tuskegee to expand the Tuskegee Machine through local partnerships. With the collaboration of local Tuskegee women like Cornelia Bowen, Bess Bolden Walcott, and Josephine Washington, the clubwomen created the Mt. Meigs Reformatory for Boys, placed bibles in prisons, championed health awareness throughout the South and established a Red Cross chapter in Tuskegee, among other initiatives. The TWC alone qualified Washington as an intellectual force and community builder. Deplorable conditions in Alabama made it essential for Washington to prioritize the black home. Waiting for the state to honor its post-reconstruction promises proved all too daunting. Washington’s instrumental role in the Tuskegee Machine fills a long-existing gap about her life, especially her work with the Tuskegee Woman’s Club. Through her leadership we learn of the intersectionality of education and home life as measures blacks could implement to advance their own plight within a racist society.

     By the turn of the century, the Tuskegee Machine had a lasting impact on women of the race. Washington worked on local, national, and international platforms to garner support for her educational campaigns, as well as to chastise the race for behaviors she deemed uncivilized, all the while promoting ideas of race progress. The TWC critically reshapes our understanding of Washington’s achievements. She was a stern disciplinarian and a frequently called-upon mentor and organizer. She redefined club work and female activism, through her influence on the campus of Tuskegee and within the community, by ensuring the women were themselves educated in all matters concerning the race.

     There has not been extensive research on her life as it pertains to her presidency of the first national organization of black clubwomen, the National Federation of Colored Women’s Clubs, which Washington co-founded in 1895. A number of sources have been written that include information about black Women’s Clubs, particularly the NACW. However, none have placed Washington’s work with this organization at the center of their research. Margaret Washington, like other clubwomen, had the obligation to create sustainable institutions in the midst of hostility and rejection from both whites and blacks. However, because she willingly took leadership positions, she was elected chairwoman, vice-president and the fifth president of the NACW. Under that umbrella, Washington initiated such groups as the Alabama Federation of Colored Women’s Clubs in 1898 and the Southern Federation of Colored Women’s Clubs in 1899. Her efforts within the NACW solidified her position as a national leader.

     Paying homage to her journalistic work with the Fisk Herald, Washington established the official publication of the NACW, The National Notes, printed at Tuskegee Institute. As editor of the Notes, Washington encouraged women to establish local clubs of their own. Despite her expertise, she still faced challenges from within. A few clubwomen found her oversight to be too great and mirrored the control her husband had over the race. Washington also faced stiff opposition to the editing and printing of the National Notes at Tuskegee Institute. Numerous attempts were made by clubwomen such as Ida B. Wells-Barnett to relocate the Notes. Despite the protest, the organization’s official organ continued to be printed at Tuskegee until 1922.

     Washington’s international influence and her ideas of Pan-Africanism were only heightened after the 1915 death of her husband. With the onset of America’s involvement in World War I, black soldiers were in direct contact with cultures from around the world. Fully aware of these changes taking place among military men, Washington believed female students deserved a global education as well. She wanted girls to be informed in all matters of society. She promoted ideas of a New Negro woman: a race woman who may not have had the experience of physical travel, but who was well versed in world affairs and in her responsibility to the uplift of the race. This mission became further realized through her club work. Washington created the International Council of Women of the Darker Races (ICWDR) in 1922, to continue her efforts of community improvement. The organization laid an important context to international partnerships, and the development of Washington’s perspective on issues of race and racism across the globe. Through the ICWDR, she established an agenda that promoted the education of African Americans the world over. She also led initiatives into Haiti that assisted in the education of school age girls.

Sheena Davis is an associate professor of history at Tuskegee University. Her articles have been published in the Alabama Review and the Journal of Southern History.

Margaret Murray Washington: The Life and Times of a Career Clubwoman by Sheena Harris
University of Tennessee Press | ISBN: 978-1-62190-619-3

Friday, March 19, 2021

Textures: The History and Art of Black Hair: REVIEW


Textures
synthesizes research in history, fashion, art, and visual culture to reassess the “hair story” of peoples of African descent. Long a fraught topic for African Americans and others in the diaspora, Black hair is here addressed by artists, barbers, and activists in both its historical perceptions and its ramifications for self and society today. Combs, products, and implements from the collection of hair pioneer Willie Morrow are paired here with masterworks from artists like Sonya Clark, Lorna Simpson, Mickalene Thomas, and Alison Saar. Exploring topics such as the preferential treatment of straight hair, the social hierarchies of skin, and the power and politics of display, Textures is a landmark exploration of Black hair and its important, complicated place in the history of African American life and culture.

Sarah J. Rogers, Director of the Kent State University Museum, has over twenty-five years of curatorial and museum management experience in the visual arts, performing arts, and science center arenas. Her curatorial work focuses on contemporary artists, while her management skills have included strategic planning, capital campaigns, and community partnerships.

Textures edited by Tameka Ellington, Joseph L. Underwood, Sarah J. Rogers
Hirmer Publishers | ISBN: 978-3-777-4355-41

Believing in South Central: Everyday Islam in the City of Angels: REVIEW


The area of Los Angeles known as South Central is often overshadowed by dismal stereotypes, problematic racial stigmas, and its status as the home to some of the city’s poorest and most violent neighborhoods. Amid South Central’s shifting demographics and its struggles with poverty, sociologist Pamela J. Prickett takes a closer look, focusing on the members of an African American Muslim community and exploring how they help each other combat poverty, job scarcity, violence, and racial injustice. Prickett’s engaging ethnography relates how believers in this longstanding religious community see Islam as a way of life, a comprehensive blueprint for individual and collective action, guiding how to interact with others, conduct business, strive for progress, and cultivate faith.

Prickett offers deep insights into the day-to-day lived religion of the Muslims who call this community home, showing how the mosque provides a system of social support and how believers deepen their spiritual practice not in spite of, but through, conditions of poverty. Prickett breaks past the stigmas of urban poverty, revealing a complex and vibrant community by telling the stories of longstanding residents of South Central—like Sister Ava, who offers food to the local unhoused people and finds the sacred in her extensive DVD collection. In addition to her portraits of everyday life among Muslims in South Central, Prickett also provides vivid and accessible descriptions of Ramadan and histories of the mosque, situates this community within the larger story of the Nation of Islam, explores gender issues, and unpacks the interaction between African American Muslims and South Asian and Arab American Muslims, revealing both the global and local significance of this religious tradition.

Pamela J. Prickett is an urban ethnographer and assistant professor of sociology at the University of Amsterdam

Believing in South Central by Pamela J. Prickett
University of Chicago Press | ISBN: 978-0-226-74728-6

Thursday, March 11, 2021

William Still: The Underground Railroad and the Angel at Philadelphia - REVIEW


      The first full-length biography of William Still, one of the most important leaders of the Underground Railroad.

     William Still: The Underground Railroad and the Angel at Philadelphia is the first major biography of the free black abolitionist William Still, who coordinated the Eastern Line of the Underground Railroad and was a pillar of the Railroad as a whole. Based in Philadelphia, Still built a reputation as a courageous leader, writer, philanthropist, and guide for fugitive slaves. This monumental work details Still’s life story beginning with his parents’ escape from bondage in the early nineteenth century and continuing through his youth and adulthood as one of the nation’s most important Underground Railroad agents and, later, as an early civil rights pioneer. Still worked personally with Harriet Tubman, assisted the family of John Brown, helped Brown’s associates escape from Harper’s Ferry after their famous raid, and was a rival to Frederick Douglass among nationally prominent African American abolitionists. Still’s life story is told in the broader context of the anti-slavery movement, Philadelphia Quaker and free black history, and the generational conflict that occurred between Still and a younger group of free black activists led by Octavius Catto.

     Unique to this book is an accessible and detailed database of the 995 fugitives Still helped escape from the South to the North and Canada between 1853 and 1861. The database contains twenty different fields―including name, age, gender, skin color, date of escape, place of origin, mode of transportation, and literacy―and serves as a valuable aid for scholars by offering the opportunity to find new information, and therefore a new perspective, on runaway slaves who escaped on the Eastern Line of the Underground Railroad. Based on Still’s own writings and a multivariate statistical analysis of the database of the runaways he assisted on their escape to freedom, the book challenges previously accepted interpretations of the Underground Railroad. The audience for William Still is a diverse one, including scholars and general readers interested in the history of the anti-slavery movement and the operation of the Underground Railroad, as well as genealogists tracing African American ancestors.

     William C. Kashatus holds a doctorate in history education from the University of Pennsylvanie. He curated Just Over the Line: Chester County and the Underground Railroad, recognized by The Journal of American History as a "first rate exhibit and model of outrerach to the local community" and winner of the American Association of Historical Societies and Museums Award of Merit. He is the author or co-author of thirty books, including Harriet Tubman: A Biography and In Pursuit of Freedom: Teaching the Underground Railroad.

William Still: The Underground Railroad and the Angel at Philadelphia
 by William C. Kashatus
University of Notre Dame Press | ISBN: 978-0268-200-367

Josephine Baker's Cinematic Prism - REVIEW


     Josephine Baker, the first Black woman to star in a major motion picture, was both liberated and delightfully undignified, playfully vacillating between allure and colonialist stereotyping. 

     Nicknamed the "Black Venus," "Black Pearl," and "Creole Goddess," Baker blended the sensual and the comedic when taking 1920s Europe by storm. Back home in the United States, Baker's film career brought hope to the Black press that a new cinema centered on Black glamour would come to fruition. In Josephine Baker's Cinematic Prism, Terri Simone Francis examines how Baker fashioned her celebrity through cinematic reflexivity, an authorial strategy in which she placed herself, her persona, and her character into visual dialogue. Francis contends that though Baker was an African American actress who lived and worked in France exclusively with a white film company, white costars, white writers, and white directors, she holds monumental significance for African American cinema as the first truly global Black woman film star. Francis also examines the double-talk between Baker and her characters in Le Pompier de Folies Bergère, La Sirène des Tropiques, Zou Zou, Princesse Tam Tam, and The French Way, whose narratives seem to undermine the very stardom they offered. In doing so, Francis artfully illuminates the most resonant links between emergent African American cinephilia, the diverse opinions of Baker in the popular press, and African Americans' broader aspirations for progress toward racial equality. 

     Examining an unexplored aspect of Baker's career, Josephine Baker's Cinematic Prism deepens the ongoing conversation about race, gender, and performance in the African diaspora.

     Terri Simone Francis is Associate Professor and Director of the Black Film Center/Archive at Indiana University

Josephine Baker's Cinematic Prism by Terri Simone Francis
Indiana University Press | ISBN: 978-025322-3388

The Selected Literary Letters of Paul Laurence Dunbar - REVIEW



     These 250 transcribed and annotated letters reveal the personal and literary life of one of the most highly regarded African American writers and intellectuals

     Paul Laurence Dunbar (1873–1906) was arguably the most famous African American poet, novelist, and dramatist at the turn of the twentieth century and one of the earliest African American writers to receive national recognition and appreciation. Scholars have taken a renewed interest in Dunbar but much is still unknown about this once-famous African American author’s life and literary efforts. Dunbar’s letters to various editors, friends, benefactors, scholars, and family members are crucial to any critical or theoretical understanding of his journey as a writer. His literary correspondence, in particular, records the development of an extraordinary figure whose work reached a broad readership in his lifetime, but not without considerable cost.

     The Selected Literary Letters of Paul Laurence Dunbar is a collection of 250 letters, transcribed and annotated, that reveal the personal and literary life of one of the most highly regarded African American writers and intellectuals. Editors Cynthia C. Murillo and Jennifer M. Nader highlight Dunbar not just as a determined author and master of rhetoric, but also as a young, sensitive, thoughtful, keenly intelligent, and talented writer who battled depression, alcoholism, and tuberculosis as well as rejection and racism. Despite Dunbar’s personal struggles, his literary letters disclose that he was full of hopes and dreams coupled with the resolve to flourish as a writer—at almost any cost, even when it caused controversy.

     Taken together, Dunbar’s letters depict his concerted effort to succeed as an author within an overtly racist literary culture, among sharp divides within the African American intellectual community, and in opposition to the demands of popular public tastes—often dictated by the demands of publishers. This wide-ranging selection of Dunbar’s most relevant literary letters will serve to correct many matters of conjecture about Dunbar’s life, writing, and choices by supplying factual evidence to counter speculation, assumption, and incomplete information.

     Cynathia C. Murillo is instructor in the College of Liberal Arts at Colorado State University where she teaches courses on world literature and interdisciplinary liberal arts.

     Jennifer M. Nader is visiting instructor in the Department of Humanitites and Communication at Embry-Riddle Aeronautical University where she teaches courses in college writing, literature, technical writing, and business communication.

The Selected Literary Letters of Paul Laurence Dunbar
 edited by Cynthia C. Murillo and Jennifer M. Nader
University of Alabama Press | ISBN: 978-0-8173-2078-2

Economy Hall: The Hidden History of a Free Black Brotherhood - REVIEW


It is impossible to imagine New Orleans, and by extension American history, without the vibrant and singular Creole culture. In the face of an oppressive white society, members of the Société d'Economie et d'Assistance Mutuelle built a community and held it together through the era of slavery, the Civil War, Reconstruction, and Jim Crow terrorism. Economy Hall: The Hidden History of a Free Black Brotherhood follows Ludger Boguille, his family, and friends through landmark events from the Haitian Revolution to the birth of jazz that shaped New Orleans and the United States.

The story begins with the author's father rescuing a century's worth of handwritten journals, in French, from a trash hauler's pickup truck. From the journals' pages emerged one of the most important multiethnic, intellectual communities in the US South: educators, world-traveling merchants, soldiers, tradesmen, and poets. Although Louisiana law classified them as men of color, Negroes, and Blacks, the Economie brothers rejected racism and colorism to fight for suffrage and education rights for all.

A descendant of the Economie's community, author Fatima Shaik has constructed a meticulously detailed nonfiction narrative that reads like an epic novel.

Fatima Shaik was born in the historic Seventh Ward of New Orleans and bred on the oral histories told by her Creole family and neighbors. A former assistant professor at Saint Peter's University (NJ), she worked for more than a decade as a reporter and editor for daily news outlets. Her articles have appeared in the New York Times, The Root, and In These Times. Shaik is a trustee of PEN America and former board member of The Writers Room in New York City. She is the author of six books of fiction. Economy Hall is her first nonfiction work.

Economy Hall: The Hidden History of a Free Black Brotherhood
 by Fatima Shaik
The Historical New Orleans Collection | ISBN: 978-0-917860-80-5

The Time of Illusion - REVIEW


An analytical account of the nation's political life and key related events and presidential activities during the Nixon years, ascribing to them a logic, coherence, and meaning not discernable at the time.

"By persuasively connecting the Nixon years to the larger dilemmas of our time, Mr. Schell has elevated a shabby political story to the level of tragedy. And one closes his deeply intelligent book not with feelings of vindication or outrage, but with a sense of understanding and equanimity that only tragedy can evoke."
- Christopher Lehmann-Haupt, The New York Times


The Things They Carried - REVIEW


     A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling.

     Tim O’Brien was already an established writer when he penned The Things They Carried. He had won the National Book Award in 1979 for Going After Cacciato, and subsequent works such as The Nuclear Age were met with much acclaim. The Things They Carried, classified as fiction, recalls many of the incidents O’ Brien witnessed as a soldier in the Vietnam War. In his novel, he names the protagonist after himself and believes the best way to convey the horrific effect of war is to blend elements of fiction and nonfiction. O’Brien uses the words “things” soldiers “carry” as more of an emotional than physical metaphor. The author has been called one of the finest writers ever to focus on the Vietnam War. 

     The Library of Congress 2016 exhibit "America Reads" considers The Things They Carried one of "the most influential books written and read in America and their impact on our lives".

The Things They Carried by Tim O'Brien
Mariner | ISBN: 978-0-618-70641-9


Women's Liberation!: Feminist Writings that Inspired a Revolution & Still Can - REVIEW


     Two pioneering feminists present a groundbreaking collection recovering a generation's revolutionary insights for today.

     When Betty Friedan published The Feminine Mystique in 1963, the book exploded into women’s consciousness. Before the decade was out, what had begun as a campaign for women’s civil rights transformed into a diverse and revolutionary movement for freedom and social justice that challenged many aspects of everyday life long accepted as fixed: work, birth control and abortion, childcare and housework, gender, class, and race, art and literature, sexuality and identity, rape and domestic violence, sexual harassment, pornography, and more. This was the women’s liberation movement, and writing—powerful, personal, and prophetic—was its beating heart. 

     Fifty years on, in the age of #MeToo and Black Lives Matter, this visionary and radical writing is as relevant and urgently needed as ever, ready to inspire a new generation of feminists. Activists and writers Alix Kates Shulman and Honor Moore have gathered an unprecedented collection of works—many long out-of-print and hard to find—that catalyzed and propelled the women’s liberation movement. Ranging from Friedan’s Feminine Mystique to Backlash, Susan Faludi’s Reagan-era requiem, and framed by Shulman and Moore with an introduction and headnotes that provide historical and personal context, the anthology reveals the crucial role of Black feminists and other women of color in a decades long mass movement that not only brought about fundamental changes in American life—changes too often taken for granted today—but envisioned a thoroughgoing revolution in society and consciousness still to be achieved.

     Alix Kates Shulman's 1972 debut novel, the million-copy best seller Memoirs of an Ex-Prom Queen, is now a feminist classic. Hailed by The New York Times as: the voice that has for three decades provided a lyrical narrative of the changing position of women in American society," she has written five novels, three memoirs, a biography of anarchist feminist Emma Goldman, and the collection A Marriage Agreement and Other Essays. Her memoir Drinking the Rain was a Los Angeles Times Book Prize finalist, and in 2018 she received a Clara Lemlich Award for a lifetime of social activism.

     Honor Moore is the author of Our Revolution: A Mother and Daughter at Midcentury; The White Blackbird, a life of her grandmother, the painter Margarett Sargent; The Bishop's Daughter, a finalist for the National Book Critics Award; and three collections of poems. For Library of America, she edited Amy Lowell: Selected Poems and Poems from the Women's Movement. She is on the faculty of the graduate writing program at the New School, where she heads nonfiction.

Women's Liberation!: Feminist Writings that Inspired a Revolution & Still Can edited by Alix Kates Shulman & Honor Moore
Library of America | ISBN: 978-1-59853-678-2

Reset: My Fight for Inclusion and Lasting Change - REVIEW


     In 2015, Ellen K. Pao sued a powerhouse Silicon Valley venture capital firm, calling out workplace discrimination and retaliation against women and other underrepresented groups. Her suit rocked the tech world—and exposed its toxic culture and its homogeneity. Her message overcame negative PR attacks that took aim at her professional conduct and her personal life, and she won widespread public support—Time hailed her as “the face of change.” Though Pao lost her suit, she revolutionized the conversation at tech offices, in the media, and around the world. In Reset, she tells her full story for the first time.

     The daughter of immigrants, Pao was taught that through hard work she could achieve her dreams. She earned multiple Ivy League degrees, worked at top startups, and in 2005 was recruited by Kleiner Perkins, arguably the world’s leading venture capital firm at the time. In many ways, she did everything right, and yet she and other women and people of color were excluded from success—cut out of decisive meetings and email discussions, uninvited to CEO dinners and lavish networking trips, and had their work undercut or appropriated by male executives. It was time for a system reset.

     After Kleiner, Pao became CEO of reddit, where she took forceful action to change the status quo for the company and its product. She banned revenge porn and unauthorized nude photos—an action other large media sites later followed—and shut down parts of reddit over online harassment. She and seven other women tech leaders formed Project Include, an award-winning nonprofit for accelerating diversity and inclusion in tech. In her book, Pao shines a light on troubling issues that plague today’s workplace and lays out practical, inspiring, and achievable goals for a better future.

     Ellen K. Pao’s Reset is a rallying cry—the story of a whistleblower who aims to empower everyone struggling to be heard, in Silicon Valley and beyond.

     Ellen K. Pao is a tech investor, a diversity and inclusion activist at the Kapor Center for Social Impact, the former CEO of reddit, and a cofounder of the award-winning diversity and inclusion nonprofit Project Include. Her writing has appeared in The Washington Post, Time, Lenny, and Recode. She has earned an electrical engineering degree from Princeton and law and business degrees from Harvard.

Reset: My Fight for Inclusion and Lasting Change by Ellen K. Pao
Random House Books | ISBN: 978-0-399-59101-3

Wednesday, March 03, 2021

The Great Influenza - REVIEW


 In the winter of 1918, at the height of World War I, history’s most lethal influenza virus erupted in an army camp in Kansas, moved east with American troops, then exploded, killing as many as 100 million people worldwide.  It killed more people in twenty-four weeks than AIDS killed in twenty-four years, more in a year than the Black Death killed in a century. But this was not the Middle Ages, and 1918 marked the first collision between modern science and epidemic disease.  Magisterial in its breath of perspective and depth of research, The Great Influenza weaves together multiple narratives, with characters ranging from William Welch, founder of Johns Hopkins Medical School, to John D. Rockefeller and Woodrow Wilson. Ultimately a tale of triumph amid tragedy, this crisis provides us with a precise and sobering model as we confront the epidemics looming on our own horizon.

The Great Influenza: The Story of the Deadliest Pandemic in History
by John M. Barry (2005)
ISBN 978-0-14-303649-4


Wednesday, January 20, 2021

Protecting Whiteness: Whitelash and the Rejection of Racial Equality – REVIEW

by Cameron D. Lippard (Editor), J. Scott Carter (Editor), David G. Embrick (Editor), Eduardo Bonilla-Silva (Foreword)

The standoff at Cliven Bundy's ranch, the rise of white identity activists on college campuses, and the viral growth of white nationalist videos on YouTube vividly illustrate the resurgence of white supremacy and overt racism in the United States. White resistance to racial equality can be subtle as well--like art museums that enforce their boundaries as elite white spaces, "right on crime" policies that impose new modes of surveillance and punishment for people of color, and environmental groups whose work reinforces settler colonial norms.

In this incisive volume, twenty-four leading sociologists assess contemporary shifts in white attitudes about racial justice in the US. Using case studies, they investigate the entrenchment of white privilege in institutions, new twists in anti-equality ideologies, and "whitelash" in the actions of social movements. Their examinations of new manifestations of racist aggression help make sense of the larger forces that underpin enduring racial inequalities and how they reinvent themselves for each new generation.

Cameron Lippard is professor of sociology at Appalachian State University. J.Scott Carter is associate professor of sociology at the University of Central Florida.  David G. Embrick is associate professor of sociology and Africana studies at the University of Connecticut.

University of Washington Press  uwapress.uw.edu
ISBN 978-0-295-74799-6
275 pages

Thursday, January 07, 2021

Daily Life of African Americans in Primary Documents - REVIEW


Daily Life of African Americans in Primary Documents [2 volumes]

Herbert C. Covey and Dwight Eisnach, Editors

This two-volume set provides readers with a balanced collection of materials that captures the wide-ranging experiences of African American people over the history of America. Volume One begins with the enslavement and transportation of slaves to North America and ends with the Civil War and the beginning of Reconstruction; Volume Two continues with the end of the Civil War and Reconstruction through the election of Barack Obama to the American presidency.

Each volume provides a chronology of major events, a historic overview, and sections devoted to the domestic, material, economic, intellectual, political, leisure, and religious life of African Americans for the respective time spans. Volume One covers a wide variety of topics from a multitude of perspectives in such areas as enslavement, life during the Civil War, common foods, housing, clothing, political opinions, and similar topics. Volume Two addresses the civil rights movement, court cases, life under Jim Crow, Reconstruction, busing, housing segregation, and more.

Each volume includes 100-110 primary sources with suggested readings from government publications, court testimony, census data, interviews, newspaper accounts, period appropriate letters, Work Progress Administration interviews, sermons, laws, diaries, and reports.

Herbert C. Covey has a PhD in sociology from the University of Colorado at Boulder and is acting director of the Adams County Human Services Department.

Dwight Eisnach has a BA in journalism from the University of Colorado at Boulder and is a freelance writer.

Greenwood Publishers

ISBN: 978-1-4408-6666-1


Invisible Men: The Trailblazing Black Artists of Comic Books - REVIEW


Invisible Men: The Trailblazing Black Artists of Comic Books

by Ken Quattro

The riveting stories of groundbreaking Black artists who – mostly covertly – drew superhero, horror, and romance comics birth of the industry through the Golden Age!  These men’s life stories demonstrate how they emerged to break through barriers into a world formerly occupied only be white artists.  Invisible Men: The Trailblazing Black Artists of Comic Books is gorgeously illustrated with photos and the creators’ remarkable work, from mainstream comics to rare titles like All-Negro Comics.  Invisible Men feature’s Ken Quattro’s impeccable research detailing the social and cultural environments that formed these extraordinary, yet invisible men!

The life stories of each man's personal struggles and triumphs are represented as they broke through into a world formerly occupied only by whites. Using primary source material from World War II-era Black newspapers and magazines, this compelling book profiles pioneers like E.C. Stoner, a descendant of one of George Washington's slaves, who became a renowned fine artist of the Harlem Renaissance and the first Black artist to draw comic books. Perhaps more fascinating is Owen Middleton who was sentenced to life in Sing Sing. Middleton's imprisonment became a cause célèbre championed by Will Durant, which led to Middleton's release and subsequent comics career. Then there is Matt Baker, the most revered of the Black artists, whose exquisite art spotlights stunning women and men, and who drew the first groundbreaking Black comic book hero, Vooda!

Ken Quattro was a historical consultant on the Hollywood film Professor Marston and the Wonder Women. Quattro is the author of hundreds of books, magazines, and online articles.  He has provided source material for television programs and many other comics histories. Quattro attended Eastern Michigan University and the University of Michigan, studying Fine Art and Journalism.

ISBN: 978-1-68405-586-9

IDW Publishing Company  idwpublishing.com

248 pages.


Monday, November 16, 2020

African American Poetry: 250 Years of Struggle & Song - REVIEW


"For more than 250 years," writes poet and scholar Kevin Young in his introduction to this landmark new anthology, "African Americans have written and recited and published poetry about beauty and injustice, music and muses, Africa and America, freedoms and foodways, Harlem and history, funk and opera, boredom and longing, jazz and joy." Across a turbulent history, from such vital centers as Harlem, Chicago, Washington, D.C., Los Angeles, and the Bay Area, Black poets created a rich and multifaceted tradition that has been both a reckoning with American realities and an imaginative response to them. Cap­turing the power and beauty of this diverse tradition in a single indispensable volume, African American Poetry reveals as never before its centrality and its challenge to American poetry and culture.

One of the great American art forms, African American poetry encompasses many kinds of verse: formal, experimental, vernacular, lyric, and protest. The anthology opens with moving testaments to the power of poetry as a means of self-assertion, as enslaved people like Phillis Wheatley and George Moses Horton and activist Frances Ellen Watkins Harper voice their passionate resistance to slavery. Young's fresh, revelatory presentation of the Harlem Renaissance reexamines the achievements of Langston Hughes and Countee Cullen alongside works by lesser-known poets such as Gwendolyn B. Bennett and Mae V. Cowdery. The later flowering of the still influential Black Arts Movement is represented here with breadth and originality, including many long out-of-print or hard-to-find poems.

Here are all the significant movements and currents: the nineteenth-century Francophone poets known as Les Cenelles, the Chicago Renaissance that flourished around Gwendolyn Brooks, the early 1960s Umbra group, and the more recent work of writers affiliated with Cave Canem and the Dark Noise Collective. Here too are poems of singular, hard-to-classify figures: the enslaved potter David Drake, the allusive modernist Melvin B. Tolson, the Cleveland-based experimentalist Russell Atkins. This Library of America volume also fea­tures biographies of each poet and notes that illuminate cultural references and allusions to historical events.

Only now, in the 21st century, can we fully grasp the breadth and range of African American poetry: a magnificent chorus of voices, some familiar, others recently rescued from neglect. With AFRICAN AMERICAN POETRY: 250 Years of Struggle & Song (Library of America; October 20, 2020; 978-1­59853-666-9; $45), a monumental new anthology expertly curated by poet and scholar Kevin Young, this precious living heritage is revealed for the first time in all its power, beauty. and multiplicity. Here are 675 poems in all, including many never before anthologized, along with newly researched biographies of every poet.

Discover, in these pages, how an enslaved person like Phillis Wheatley confronted her legal status in verse and how an activist like Frances Ellen Watkins Harper voiced her own passionate resistance to slavery. Read nuanced. provocative poetic meditations on identity and self-assertion stretching from Paul Laurence Dunbar to Amiri Baraka to Lucille Clifton and beyond. Experience the transformation of poetic modernism in the works of Langston Hughes. Fenton Johnson, and Jean Toomer. Understand the threads of poetic history-in movements such as the Harlem and Chicago Renaissances, Black Arts, Cave Canem, Dark Noise Collective - and the complex bonds of solidarity and dialogue among poets across time and place. See how these poets have celebrated their African heritage and have connected with other communities in the African Diaspora. Enjoy the varied but distinctly black music of a tradition that draws deeply from jazz, hip-hop, and the rhythms and cadences of the pulpit the barbershop. and the street.

Taking the measure of the tradition in a single authoritative volume, AFRICAN AMERICAN POETRY: 250 Years of Struggle & Song sets a new standard for a deep, authentic engagement with Black poetry and its essential expression of American genius.

This anthology is the centerpiece of Lift Every Voice: Why African American Poetry Matters, a yearlong national public humanities initiative that engages participants in a multifaceted exploration of African American poetry; with signature events in New York, Atlanta, Chicago, Kansas City, and Los Angeles, regional programming in public libraries nationwide, as well as a companion website featuring video readings, commentary, programming support, and much more. Lift Every Voice is presented in partnership with The Schomburg Center for Research in Black Culture with generous support from The National Endowment for the Humanities, The Andrew W. Mellon Foundation, and Emerson Collective.

About the editor: Kevin Young is the director of the Schomburg Center for Research in Black Culture, recently named a National Historic Landmark, and poetry editor of The New Yorker. He is the author of thirteen books of poetry and prose, most recently Brown (Knopf, 2018) as featured on The Daily Show with Trevor Noah; and Bunk (Graywolf, 2017), which won the Anisfield-Wolf Book Award in Nonfiction, was longlisted for the National Book Award. and named a New York Times Notable Book. He is the editor of nine other volumes, including the Library of America anthology African American Poetry: 250 Years of Struggle & Song (2020). He is a member of the American Academy of Arts and Sciences and was named a Chancellor of the Academy of American Poets in 2020. He will be the director of the Smithsonian's National Museum of African American History and Culture starting in January 2021.

 

AFRICAN AMERICAN POETRY: 250 Years of Struggle & Song

edited by Kevin Young

Library of America; October 20, 2020

978-1-59853-666-9

U.S. $45.00 / Can. $60.00

www.africanamericanpoetry.org

Now in its fourth decade, Library of America is a nonprofit organization that champions the nation's cultural heritage by publishing America's greatest writing in authoritative new editions and providing resources for readers to explore this rich, living legacy.