Symphony of Secrets: A novel - REVIEW

by Brendan Slocumb

A gripping page-turner from the celebrated author of book club favorite The Violin Conspiracy: Music professor Bern Hendricks discovers a shocking secret about the most famous American composer of all time—his music may have been stolen from a Black Jazz Age prodigy named Josephine Reed. Determined to uncover the truth that a powerful organization wants to keep hidden, Bern will stop at nothing to right history's wrongs and give Josephine the recognition she deserves.

Bern Hendricks has just received the call of a lifetime. As one of the world’s preeminent experts on the famed twentieth-century composer Frederick Delaney, Bern knows everything there is to know about the man behind the music. When Mallory Roberts, a board member of the distinguished Delaney Foundation and direct descendant of the man himself, asks for Bern’s help authenticating a newly discovered piece, which may be his famous lost opera, RED, he jumps at the chance. With the help of his tech-savvy acquaintance Eboni, Bern soon discovers that the truth is far more complicated than history would have them believe.

In 1920s Manhattan, Josephine Reed is living on the streets and frequenting jazz clubs when she meets the struggling musician Fred Delaney. But where young Delaney struggles, Josephine soars. She’s a natural prodigy who hears beautiful music in the sounds of the world around her. With Josephine as his silent partner, Delaney’s career takes off—but who is the real genius here?

In the present day, Bern and Eboni begin to uncover more clues that indicate Delaney may have had help in composing his most successful work. Armed with more questions than answers and caught in the crosshairs of a powerful organization who will stop at nothing to keep their secret hidden, Bern and Eboni will move heaven and earth in their dogged quest to right history’s wrongs.

Brendan Nicholaus Slocumb was raised in Fayetteville, North Carolina, and holds a degree in music education (with concentrations in violin and viola) from the University of North Carolina at Greensboro. For more than twenty years he has been a public and private school music educator and has performed with orchestras throughout Northern Virginia, Maryland, and Washington, DC.

Vintag
ISBN-13 ‎ 978-0593315453

Divisions: A New History of Racism and Resistance in America's World War II Military - REVIEW

by Thomas A. Guglielmo

Divisions offers a decidedly different view. Prizewinning historian Thomas A. Guglielmo draws together more than a decade of extensive research to tell sweeping yet personal stories of race and the military; of high command and ordinary GIs; and of African Americans, white Americans, Asian Americans, Latinos, and Native Americans. Guglielmo argues that the military built not one color line, but a complex tangle of them. Taken together, they represented a sprawling structure of white supremacy. Freedom struggles arose in response, democratizing portions of the wartime military and setting the stage for postwar desegregation and the subsequent civil rights movements. But the costs of the military's color lines were devastating. They impeded America's war effort; undermined the nation's rhetoric of the Four Freedoms; further naturalized the concept of race; deepened many whites' investments in white supremacy; and further fractured the American people.

Offering a dramatic narrative of America's World War II military and of the postwar world it helped to fashion, Guglielmo fundamentally reshapes our understanding of the war and of mid-twentieth-century America.

Thomas A. Guglielmo is Associate Professor and Chair in the Department of American Studies at George Washington University. He is the author of White on Arrival: Italians, Race, Color, and Power in Chicago, 1890-1940 (OUP, 2003), which won the Frederick Jackson Turner Award of the Organization of American Historians.

Oxford University Press
ISBN-13 978-0195342659

Karla's Choice: A John le Carré Novel - REVIEW

by Nick Harkaway 

An extraordinary new novel set in the world of John le Carré's most iconic spy, George Smiley, written by acclaimed novelist Nick Harkaway. It is spring in 1963 and George Smiley has left the Circus. With the wreckage of the West’s spy war against the Soviets strewn across Europe, he has eyes only for a more peaceful life. And indeed, with his marriage more secure than ever, there is a rumor that George Smiley might almost be happy. But Control has other plans. A Russian agent has defected in the most unusual of circumstances, and the man he was sent to kill in London is nowhere to be found. Smiley reluctantly agrees to one last simple task: interview Szusanna, a Hungarian émigré and employee of the missing man, and sniff out a lead. But in his absence, the shadows of Moscow have lengthened. Smiley soon finds himself entangled in a perilous mystery that will define the battles to come and set him on a collision course with the greatest enemy he will ever make. Set in the missing decade between two iconic instalments in John le Carré's George Smiley saga, The Spy Who Came in from the Cold and Tinker Tailor Soldier Spy, Karla’s Choice marks a momentous return to the world of spy fiction's greatest writer.

Viking
ISBN-13 978-0593833490

Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies – REVIEW

by Dalila Scruggs

Accomplished printmaker and sculptor, avowed feminist, and lifelong activist Elizabeth Catlett (1915–2012) built a remarkable career around intersecting passions for formal rigor and social justice. This book, accompanying a major traveling retrospective, offers a revelatory look at the artist and her nearly century-long life, highlighting overlooked works alongside iconic masterpieces.

Catlett’s activism and artistic expression were deeply connected, and she protested the injustices of her time throughout her life. Her work in printmaking and sculpture draws on organic abstraction, the modernism of the United States and Mexico, and African art to center the experiences of Black and Mexican women. Catlett attended Howard University, studied with the painter Grant Wood, joined the Harlem artistic community, and worked with a leftist graphics workshop in Mexico, where she lived in exile after the US accused her of communism and barred her re-entry into her home country.

The book’s essays address a range of topics, including Catlett’s early development as an artist-activist, the impact of political exile on her work, her pedagogical legacy, her achievement as a social realist printmaker, her work with the arts community of Chicago’s South Side, and the diverse influences that shaped her practice.

"A deft sculptor and printmaker, devout feminist, and lifelong social justice advocate, Catlett was uniquely committed to both her creative process and political convictions. Growing up during the Great Depression, she witnessed class inequality, racial violence, and U.S. imperialism firsthand, all while pursuing an artistic education grounded in the tenets of modernism. Catlett would protest injustices for nearly a century, via both soaring artworks and on-the-ground activism. Born in Washington, DC, Catlett settled permanently in Mexico in 1946 and for the rest of her life she worked to amplify the experiences of Black and Mexican women. Inspired by sources ranging from African sculpture to works by Barbara Hepworth and Kathe Kollwitz, Catlett never lost sight of the Black liberation struggle in the United States. Characterized by bold lines and voluptuous forms, her powerful work continues to speak directly to all those united in the fight against poverty, racism, and imperialism."

Dalila Scruggs is the Augusta Savage Curator of African American Art at the Smithsonian American Art Museum. She has held curatorial and education positions at the Williams College Museum of Art, the Brooklyn Museum of Art, and the Schomburg Center for Research in Black Culture in New York.

University of Chicago Press
ISBN-13 978-0226836577

Higher Flight: Refocusing Black/Africana Studies for the 21st Century - REVIEW

by James B. Stewart

In the open access book Higher Flight, pre-eminent scholar and activist James B. Stewart offers a much-needed critical assessment of the current state of Black/Africana studies in order to chart a path forward. In three equally groundbreaking sections, Stewart clarifies and refines the distinctive approaches that currently define the field; shows how creative production in particular can serve as a unique means of cultural analysis and political mobilization; and suggests how to restore the balance between intellectual inquiry and direct action in order to improve the actual lived experiences of people of African descent. Each section incorporates various forms of expression, including Stewart’s essays, speeches, and poems, and the book as a whole covers a vast range of figures, issues, and phenomena, from W.E.B, Du Bois to James Baldwin, from conscious hip-hop to the Black Lives Matter movement, from Hurricane Katrina to Covid-19, and very much in between. Written with an accessible authoritativeness few Black/Africana scholar-activists can match, Stewart offers a must-read not only for researchers, but also for graduate students and advanced undergraduate students interested in Black/Africana studies, diaspora studies, ethnic studies, Black womanist/feminist studies, and American studies, as well as in African American history, culture, politics, economics, literature, and philosophy.

James B. Stewart is Professor Emeritus of African and African American Studies at Penn State University, USA. He previously served as Vice Provost for Educational Equity and Director of the Black studies Program at Penn State, as President of the National Council for Black Studies, as President of the Association for the Study of African American Life and History, and as Editor of The Review of Black Political Economy. He has published numerous articles and books, including the field-defining Introduction to Black Studies: Transdisciplinary Approaches and Implications (1992) and Flight in Search of Vision (2004).

Zed Books
ISBN-13 978-1350380295

Racial Domination - REVIEW

by Loïc Wacquant

Race is arguably the single most troublesome and volatile concept of the social sciences in the early 21st century. It is invoked to explain all manner of historical phenomena and current issues, from slavery to police brutality to acute poverty, and it is also used as a term of civic denunciation and moral condemnation. In this erudite and incisive book based on a panoramic mining of comparative and historical research from around the globe, Loïc Wacquant pours cold analytical water on this hot topic and infuses it with epistemological clarity, conceptual precision, and empirical breadth.

Drawing on Gaston Bachelard, Max Weber, and Pierre Bourdieu, Wacquant first articulates a series of reframings, starting with dislodging the United States from its Archimedean position, in order to capture race-making as a form of symbolic violence. He then forges a set of novel concepts to rethink the nexus of racial classification and stratification: the continuum of ethnicity and race as disguised ethnicity, the diagonal of racialization and the pentad of ethnoracial domination, the checkerboard of violence and the dialectic of salience and consequentiality. This enables him to elaborate a meticulous critique of such fashionable notions as “structural racism” and “racial capitalism” that promise much but deliver little due to their semantic ambiguity and rhetorical malleability-notions that may even hamper the urgent fight against racial inequality.

Wacquant turns to deploying this conceptual framework to dissect two formidable institutions of ethnoracial rule in America: Jim Crow and the prison. He draws on ethnographies and historiographies of white domination in the postbellum South to construct a robust analytical concept of Jim Crow as caste terrorism erected in the late 19th century. He unravels the deadly symbiosis between the black hyperghetto and the carceral archipelago that has coproduced and entrenched the material and symbolic marginality of the African-American precariat in the metropolis of the late 20th century. Wacquant concludes with reflections on the politics of knowledge and pointers on the vexed question of the relationship between social epistemology and racial justice.

Both sharply focused and wide ranging, synthetic yet controversial, Racial Domination will be of interest to students and scholars of race and ethnicity, power and inequality, and epistemology and theory across the social sciences and humanities.

Loïc Wacquant is Professor of Sociology at the University of California, Berkeley, and Research Associate at the Centre de sociologie européenne, Paris.

Polity
ISBN-13: 978-1509563029

Allow Me to Retort: A Black Guy’s Guide to the Constitution - REVIEW

by Elie Mystal

Allow Me to Retort is an easily digestible argument about what rights we have, what rights Republicans are trying to take away, and how to stop them. Mystal explains how to protect the rights of women and people of color instead of cowering to the absolutism of gun owners and bigots. He explains the legal way to stop everything from police brutality to political gerrymandering, just by changing a few judges and justices. He strips out all of the fancy jargon conservatives like to hide behind and lays bare the truth of their project to keep America forever tethered to its slaveholding past.

Mystal brings his trademark humor, expertise, and rhetorical flair to explain concepts like substantive due process and the right for the LGBTQ community to buy a cake, and to arm readers with the knowledge to defend themselves against conservatives who want everybody to live under the yoke of eighteenth-century white men. The same tactics Mystal uses to defend the idea of a fair and equal society on MSNBC and CNN are in this book, for anybody who wants to deploy them on social media.

You don’t need to be a legal scholar to understand your own rights. You don’t need to accept the “whites only” theory of equality pushed by conservative judges. You can read this book to understand that the Constitution is trash, but doesn’t have to be.

Elie Mystal is The Nation’s legal analyst and justice correspondent, an Alfred Knobler Fellow at the Type Media Center, and the legal editor of the More Perfect podcast on the Supreme Court for Radiolab. He is a graduate of Harvard College and Harvard Law School, the former executive editor of Above the Law, a former associate at Debevoise & Plimpton, and a frequent guest on MSNBC and Sirius XM. The author of Allow Me to Retort (The New Press), he lives in New York.

The New Press
ISBN-13: 978-1620976814

Brooklynites: The Remarkable Story of the Free Black Communities that Shaped a Borough - REVIEW

by Prithi Kanakamedala

Meet the Black Brooklynites who defined New York City’s most populous borough through their search for social justice.

Before it was a borough, Brooklyn was our nation’s third largest city. Its free Black community attracted people from all walks of life-businesswomen, church leaders, laborers, and writers-who sought to grow their city in a radical anti-slavery vision. The residents of neighborhoods like DUMBO, Fort Greene, and Williamsburg organized and agitated for social justice. They did so even as their own freedom was threatened by systemic and structural racism, risking their safety for the sake of their city. Brooklynites recovers the lives of these remarkable citizens and considers their lasting impact on New York City’s most populous borough.

This cultural and social history is told through four ordinary families from Brooklyn’s nineteenth-century free Black community: the Crogers, the Hodges, the Wilsons, and the Gloucesters. The book illustrates the depth and scope of their activism, cementing Brooklyn’s place in the history of social justice movements. Their lives offer valuable lessons on freedom, democracy, and family-both the ones we’re born with and the ones we choose. Their powerful stories continue to resonate today, as borough residents fill the streets in search of a more just city.

This is a story of land, home, labor, of New Yorkers past, and the legacy they left us. This is the story of Brooklyn.

Prithi Kanakamedala is Professor of History at Bronx Community College, City University of New York.

Washington Mews Books/NYU Press
ISBN-13: 978-1479833092

On a Move: Philadelphia's Notorious Bombing and a Native Son's Lifelong Battle for Justice - REVIEW

by Mike Africa Jr.

The incredible story of MOVE, the revolutionary Black civil liberties group that Philadelphia police bombed in 1985, killing 11 civilians—by one of the few people born into the organization, raised during the bombing's tumultuous aftermath, and entrusted with repairing what was left of his family.

"As necessary and powerful as it is captivating." – Michael Harriot, New York Times bestselling author of Black AF History

"Searing and urgent." – Bakari Sellers, New York Times bestselling author of My Vanishing Country and The Moment

Before police dropped a bomb on a residential neighborhood on May 13, 1985, few people outside Philadelphia were aware that a Black-led civil liberties organization had taken root there. Founded in 1972 by a charismatic ideologue called John Africa, MOVE’s mission was to protect all forms of life from systemic oppression. They drew their ideology from the Black Panther Party and pre-dated animal and environmental rights groups like PETA and Earth First. MOVE emerged in an era when Black Philadelphians suffered under devastating policies brought by the long, doomed war in Vietnam, Mayor Frank Rizzo’s overtly racist police surveillance, and, eventually, President Ronald Reagan's War on Drugs. MOVE members lived together in a collection of West Philadelphia row houses and took the surname Africa out of admiration for the group's founder.

But in MOVE's lifestyle, city officials saw threats to their status quo. Their bombing of MOVE homes shocked the nation and made international news. Eleven people were killed, including five children. And the City of Brotherly Love became known as the City That Bombed Itself.

Among the children most affected by the bombing was Mike Africa Jr. Born in jail following a police attack on MOVE that led to his parents’ decades-long incarcerations, Mike was six years old and living with his grandmother when MOVE was bombed. In the ensuing years, Mike sought purpose in the ashes left behind. He began learning about the law as a teenager and became adept at speaking and inspiring public support with the help of other MOVE members. In 2018, at age 40, he finally succeeded in getting his parents released from prison.

On a Move is one of the most unimaginable stories of injustice and resilience in recent American history. But it is not only one of tragedy. It is about coming-of-age for a young activist, the strong ties of family, and, against all odds, learning how to take indignities on the chin and to work within the very system that created them. At once a harrowing personal account and an impassioned examination of racism and police violence, On a Move testifies to the power of love and hope, in the face of astonishing wrongdoing.

Mike Africa Jr. is a sought-after speaker and writer who has been featured in The New York Times, The Washington Post, The Guardian and on NPR. He starred in the HBO documentary 40 Years a Prisoner and was featured in the Audible original docu-series about the MOVE bombing, Summer of ’85, produced by Kevin Hart and Charlamagne tha God, and narrated by Hart. As a keynote speaker, Mike has been invited to speak everywhere from the Smithsonian and the University of Pennsylvania to the 55 Year Anniversary of the Black Panther Party.

D. Watkins is the New York Times bestselling and award-winning author of The Beast Side, The Cook Up, and Black Boy Smile, as well as coauthor of Where Tomorrows Aren’t Promised. He is also editor at large for Salon and a college lecturer at the University of Baltimore. 

Mariner Books
ISBN-13: 978-0063318878

Black Feminist Writing: A Practical Guide to Publishing Academic Books - REVIEW

by Stephanie Y Evans

Writing scholarly books is stressful, and academic publishing can be intimidating--especially for women, queer folks, and scholars of color. Black Feminist Writing shows scholars how to prioritize their mental health while completing a book in race and gender studies. Drawing on Black women's writing traditions, as well as her own experience as the author and editor of nine university press books, Stephanie Y. Evans gives scholars tools to sustain the important work of academic writing, particularly in fields routinely under attack by anti-democratic forces. Evans identifies five major areas of stress: personal, professional, publishing-related, public, and political. Each chapter includes targeted discussion questions and tasks to help authors identify their unique stressors, create priorities, get organized, and breathe. Whether working on your first scholarly book or your tenth, this robust, heartfelt guide will help you approach writing as an ongoing practice of learning, creating, and teaching in ways that center wellness and collective self-care.

Stephanie Y. Evans is Professor of Black Women's Studies in the Institute for Women's, Gender, and Sexuality Studies and Affiliate Faculty in the Department of African American Studies at Georgia State University. Her many books include Black Women's Yoga History: Memoirs of Inner Peace; Black Women and Social Justice Education: Legacies and Lessons (coedited with Andrea D. Domingue and Tania D. Mitchell); and Black Women's Mental Health: Balancing Strength and Vulnerability (coedited with Kanika Bell and Nsenga K. Burton), all published by SUNY Press.

State University of New York Press
ISBN-13 978-1438499277

Happy Dreams of Liberty: An American Family in Slavery and Freedom - REVIEW

by R. Isabela Morales

A poignant, multi-generational saga of a mixed-race family in the US West and South from the antebellum period through the rise of Jim Crow.

When Samuel Townsend died at his home in Madison County, Alabama, in November 1856, the fifty-two-year-old white planter left behind hundreds of slaves, thousands of acres of rich cotton land, and a net worth of approximately $200,000. In life, Samuel had done little to distinguish himself from other members of the South's elite slaveholding class. But he made a name for himself in death by leaving almost the entirety of his fortune to his five sons, four daughters, and two nieces: all of them his slaves.

In this deeply researched, movingly narrated portrait of the extended Townsend family, R. Isabela Morales reconstructs the migration of this mixed-race family across the American West and South over the second half of the nineteenth century. Searching for communities where they could exercise their newfound freedom and wealth to the fullest, members of the family homesteaded and attended college in Ohio and Kansas; fought for the Union Army in Mississippi; mined for silver in the Colorado Rockies; and, in the case of one son, returned to Alabama to purchase part of the old plantation where he had once been held as a slave. In Morales's telling, the Townsends' story maps a new landscape of opportunity and oppression, where the meanings of race and freedom--as well as opportunities for social and economic mobility--were dictated by highly local circumstances.

During the turbulent period between the Civil War and the rise of Jim Crow at the turn of the twentieth century, the Townsends carved out spaces where they were able to benefit from their money and mixed-race ancestry, pass down generational wealth, and realize some of their happy dreams of liberty.

Oxford University Press
ISBN-13 978-0197786574

American Dark Age: Racial Feudalism and the Rise of Black Liberalism - REVIEW

by Keidrick Roy

Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. American Dark Age reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.

Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism.

American Dark Age reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.

Keidrick Roy is a Junior Fellow at the Harvard Society of Fellows. In 2025, he will be Assistant Professor of Government at Dartmouth College. He has received national attention through media outlets such as CBS News Sunday Morning and the Chicago Review of Books and appears in the HBO documentary Frederick Douglass: In Five Speeches. He has curated two major exhibitions at the American Writers Museum in Chicago on Black American figures, including Frederick Douglass, Ida B. Wells, and Ralph Ellison.

Princeton University Press
ISBN-13 978-0691252360

The Truths We Hold: An American Journey - REVIEW

by Kamala Harris 

The daughter of immigrants and civil rights activists, Vice President Kamala Harris was raised in an Oakland, California, community that cared deeply about social justice. As she rose to prominence as one of the political leaders of our time, her experiences would become her guiding light as she grappled with an array of complex issues and learned to bring a voice to the voiceless. 

In The Truths We Hold, she reckons with the big challenges we face together. Drawing on the hard-won wisdom and insight from her own career and the work of those who have most inspired her, she communicates a vision of shared struggle, shared purpose, and shared values as we confront the great work of our day.

Kamala D. Harris is the Vice President of the United States of America. She began her career in the Alameda County District Attorney's Office, then was elected district attorney of San Francisco. As California's attorney general, Harris prosecuted transnational gangs, big banks, Big Oil, and for-profit colleges, and fought against attacks on the Affordable Care Act. She also fought to reduce elementary school truancy, pioneered the nation's first open data initiative to expose racial disparities in the criminal justice system, and implemented implicit bias training for police officers. The second Black woman ever elected to the U.S. Senate and the first female, first Black, and first Indian-American Vice President, Harris has worked to reform our criminal justice system, raise the minimum wage, make higher education tuition-free for the majority of Americans, and protect the legal rights of refugees and immigrants.

Penguin Publishing Group
ISBN-13 978-0525560739

The Age of Reconstruction: How Lincoln’s New Birth of Freedom Remade the World - REVIEW

by Don H. Doyle

A sweeping history of how Union victory in the American Civil War inspired democratic reforms, revolutions, and emancipation movements in Europe and the Americas

The Age of Reconstruction looks beyond post–Civil War America to tell the story of how Union victory and Lincoln’s assassination set off a dramatic international reaction that drove European empires out of the Americas, hastened the end of slavery in Latin America, and ignited a host of democratic reforms in Europe.

In this international history of Reconstruction, Don Doyle chronicles the world events inspired by the Civil War. Between 1865 and 1870, France withdrew from Mexico, Russia sold Alaska to the United States, and Britain proclaimed the new state of Canada. British workers demanded more voting rights, Spain toppled Queen Isabella II and ended slavery in its Caribbean colonies, Cubans rose against Spanish rule, France overthrew Napoleon III, and the kingdom of Pope Pius IX fell before the Italian Risorgimento. Some European liberals, including Victor Hugo and Giuseppe Mazzini, even called for a “United States of Europe.” Yet for all its achievements and optimism, this “new birth of freedom” was short-lived. By the 1890s, Reconstruction had been undone in the United States and abroad and America had become an exclusionary democracy based on white supremacy—and a very different kind of model to the world.

At home and abroad, America’s Reconstruction was, as W.E.B. Du Bois wrote, “the greatest and most important step toward world democracy of all men of all races ever taken in the modern world.” The Age of Reconstruction is a bracing history of a remarkable period when democracy, having survived the great test of the Civil War, was ascendant around the Atlantic world.

Don H. Doyle, is McCausland Professor of History emeritus at the University of South Carolina. He grew up near Berkley, California, graduated from the University of California, Davis, and earned his PhD in history at Northwestern University. He was a Fulbright professor in Rome, Genoa, and Rio de Janeiro and taught at Leeds University in England. He is retired from teaching and lives in Folly Beach, South Carolina. 

"My fascination with the past began one summer in California when my mother brought home a shoebox full of letters from my great-great grandfather, a drummer boy from Vermont who served in the Civil War and wrote home to his parents. Without quite realizing it, I became a historian that summer." 

His new book, The Age of Reconstruction: How Lincoln's New Birth of Freedom Remade the World (Princeton, 2024) breaks out of the usual focus on American events to examine the Reconstruction era within a larger international context. This book is a sequel to his acclaimed The Cause of All Nations: An International History of the American Civil War (Basic, 2015), which offered a bold new interpretation of what America's Civil War meant to the wider world.

Princeton University Press
ISBN-13 978-0691256092

A Southern Underground Railroad: Black Georgians and the Promise of Spanish Florida and Indian Country - REVIEW

by Paul M. Pressly

Despite its apparent isolation as an older region of the country, the Southeast provided a vital connecting link between the Black self-emancipation that occurred during the American Revolution and the growth of the Underground Railroad in the final years of the antebellum period. From the beginning of the revolutionary war to the eve of the First Seminole War in 1817, hundreds and eventually several thousand Africans and African Americans in Georgia, and to a lesser extent South Carolina, crossed the borders and boundaries that separated the Lowcountry from the British and Spanish in coastal Florida and from the Seminole and Creek people in the vast interior of the Southeast. Even in times of peace, there remained a steady flow of individuals moving south and southwest, reflecting the aspirations of a captive people.

A Southern Underground Railroad constitutes a powerful counter-narrative in American history, a tale of how enslaved men and women found freedom and human dignity not in Jefferson’s “Empire of Liberty” but outside the expanding boundaries of the United States. It is a potent reminder of the strength of Black resistance in the post-revolutionary South and the ability of this community to influence the balance of power in a contested region. Paul M. Pressly’s research shows that their movement across borders was an integral part of the sustained struggle for dominance in the Southeast not only among the Great Powers but also among the many different racial, ethnic, and religious groups that inhabited the region and contended for control.

University of Georgia Press
ISBN-13 978-0820366852

Bringing Ben Home: A Murder, a Conviction, and the Fight to Redeem American Justice - REVIEW

by Barbara Bradley Hagerty

How states are making their legal systems more equitable, seen through the story of a Black man falsely imprisoned for thirty years for murder.

In 1987, Ben Spencer, a twenty-two-year-old Black man from Dallas, was convicted of murdering white businessman Jeffrey Young—a crime he didn’t commit. From the day of his arrest, Spencer insisted that it was “an awful mistake.” The Texas legal system didn’t see it that way. It allowed shoddy police work, paid witnesses, and prosecutorial misconduct to convict Spencer of murder, and it ignored later efforts to correct this error. The state’s bureaucratic intransigence caused Spencer to spend more than half his life in prison.

Eventually independent investigators, new witness testimony, the foreman of the jury that convicted him, and a new Dallas DA convinced a Texas judge that Spencer had nothing to do with the killing, and in 2021 he was released from prison.

As Spencer’s fight to clear himself demonstrates, our legal systems are broken: expedience is more important than the truth. That is starting to change as states across the country implement new efforts to reduce wrongful convictions, and one of the states leading the way is Texas.

Award-winning journalist Barbara Bradley Hagerty has spent years digging into this issue, and she has immersed herself in Spencer’s case. She has combed police files and court records, interviewed dozens of witnesses, and had extensive conversations with Spencer, and in Bringing Ben Home she threads together two narratives: how an innocent Black man got caught up in and couldn’t escape a legal system that refused to admit its mistakes; and what Texas and other states are doing to address wrongful convictions to make the legal process more equitable for everyone.

By turns fascinating and enraging, personal and provocative, Bringing Ben Home is the powerful story of one innocent man who refused to admit that he was guilty of murder, and how his plight became part of a paradigm shift in how the legal system thinks about innocence as it institutes new methods to overturn wrongful convictions to better protect people like Ben Spencer.

Barbara Bradley Hagerty is an award-winning journalist at The Atlantic and formerly of National Public Radio. She is the author of the New York Times–bestselling Fingerprints of God and Life Reimagined, and her work has also appeared in The Washington Post, Los Angeles Times, Vogue, and The Christian Science Monitor. She has received the Templeton-Cambridge Journalism Fellowship in Science and Religion and a Knight Fellowship at Yale Law School. She lives with her husband in Washington, D.C.

Riverhead Books
ISBN-13 978-0593420089

The Mothers: A Novel - REVIEW

by Brit Bennett

From the New York-Times bestselling author of The Vanishing Half, the beloved novel about young love and a big secret in a small community. 

Set within a contemporary black community in Southern California, Brit Bennett's mesmerizing first novel is an emotionally perceptive story about community, love, and ambition. It begins with a secret.

"All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season."

It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance—and the subsequent cover-up—will have an impact that goes far beyond their youth. As Nadia hides her secret from everyone, including Aubrey, her God-fearing best friend, the years move quickly. Soon, Nadia, Luke, and Aubrey are full-fledged adults and still living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently? The possibilities of the road not taken are a relentless haunt.

In entrancing, lyrical prose, The Mothers asks whether a "what if" can be more powerful than an experience itself. If, as time passes, we must always live in servitude to the decisions of our younger selves, to the communities that have parented us, and to the decisions we make that shape our lives forever.

Riverhead Books
ISBN-13 978-0399184529

The United States Governed by Six Hundred Thousand Despots: A True Story of Slavery; A Rediscovered Narrative, with a Full Biography - REVIEW

by John Swanson Jacobs, edited by Jonathan D. S. Schroeder

Lost on the other side of the world since 1855, the story of John Swanson Jacobs finally returns to America.

For one hundred and sixty-nine years, a first-person slave narrative written by John Swanson Jacobs—brother of Harriet Jacobs—was buried in a pile of newspapers in Australia. Jacobs’s long-lost narrative, The United States Governed by Six Hundred Thousand Despots, is a startling and revolutionary discovery. A document like this—written by an ex-slave and ex-American, in language charged with all that can be said about America outside America, untampered with and unedited by white abolitionists—has never been seen before. A radical abolitionist, sailor, and miner, John Jacobs has a life story that is as global as it is American. Born into slavery, by 1855, he had fled both the South and the United States altogether, becoming a stateless citizen of the world and its waters. That year, he published his life story in an Australian newspaper, far from American power and its threats. Unsentimental and unapologetic, Jacobs radically denounced slavery and the state, calling out politicians and slaveowners by their names, critiquing America’s founding documents, and indicting all citizens who maintained the racist and intolerable status quo.

Reproduced in full, this narrative—which entwines with that of his sister and with the life of their friend Frederick Douglass—here opens new horizons for how we understand slavery, race, and migration, and all that they entailed in nineteenth-century America and the world at large. The second half of the book contains a full-length, nine-generation biography of Jacobs and his family by literary historian Jonathan Schroeder. This new guide to the world of John Jacobs will transform our sense of it—and of the forces and prejudices built into the American project. To truly reckon with the lives of John Jacobs is to see with new clarity that in 1776, America embarked on two experiments at once: one in democracy, the other in tyranny.

"The rediscovery of a long-forgotten slave narrative would be notable enough. But this one, scholars who have seen it say, is unique for its global perspective and its uncensored fury, from a man living far outside the trans-Atlantic network of white abolitionists who often limited what the formerly enslaved could write about their experiences." -- Jennifer Schuessler - New York Times

About the author, John Swanson Jacobs was an abolitionist, miner, sailor, and citizen of the world.

Jonathan D. S. Schroeder is a literary historian and lecturer at the Rhode Island School of Design.

University of Chicago Press
ISBN-13 978-0226684307

Fifteen Cents on the Dollar: How Americans Made the Black-White Wealth Gap - REVIEW

by Louise Story and Ebony Reed

A sweeping, narrative history of Black wealth and the economic discrimination embedded in America’s financial system. 

The early 2020s will long be known as a period of racial reflection. In the wake of the police killing of George Floyd, Americans of all backgrounds joined together in historic demonstrations in the streets, discussions in the workplace, and conversations at home about the financial gaps that remain between white and Black Americans. This deeply investigated book shows the scores of setbacks that have held the Black-white wealth gap in place—from enslavement to redlining to banking discrimination—and, ultimately, the reversals that occurred in the mid-2020s as the push for racial equity became a polarized political debate.

Fifteen Cents on the Dollar follows the lives of four Black Millennial professionals and a banking company founded with the stated mission of closing the Black-white wealth gap. That company, known as Greenwood, a reference to the historic Black Wall Street district in Tulsa, Oklahoma, generated immense excitement and hope among people looking for new ways of business that might lead to greater equity. But the twists and turns of Greenwood’s journey also raise tough questions about what equality really means.

Seasoned journalist-academics Louise Story and Ebony Reed present a nuanced portrait of Greenwood’s founders—the entertainment executive Ryan Glover; the Grammy-winning rapper Michael Render, better known as Killer Mike; and the Civil Rights leader and two-term Atlanta mayor, Andrew Young—along with new revelations about their lives, careers, and families going back to the Civil War. Equally engaging are the stories of the lesser-known individuals—a female tech employee from rural North Carolina trying to make it in a big city; a rising leader at the NAACP whose father is in prison; an owner of a BBQ stand in Atlanta fighting to keep his home; and a Black man in a biracial marriage grappling with his roots when his father is shot by the police.

In chronicling these staggering injustices, Fifteen Cents on the Dollar shows why so little progress has been made on the wealth gap and provides insights Americans should consider if they want lasting change.

Louise Story is a prize-winning investigative journalist who spent more than 15 years at the New York Times and the Wall Street Journal, where she was the top masthead editor running coverage strategy. Her work investigating corruption led to the largest kleptocracy case in U.S. history, a case known as the 1MDB case. Her work investigating Wall Street and the derivatives market led to a multi-billion dollar settlement. And her work investigating Goldman Sachs during the 2008 financial crisis led to that bank’s S.E.C. settlement. Projects she led received industry honors including Emmy Awards, and Pulitzer Prize finalist citations, and Online News Association awards. Louise’s film The Kleptocrats aired on the BBC, Apple and Amazon. She teaches at The Yale School of Management.

Ebony Reed began her career as a reporter at The Plain Dealer, covering Cleveland public schools, documenting public education’s inequities. The Investigative Reporters & Editors organization recognized her examination of how social promotion impacted the district’s majority Black and brown students. At the Detroit News, she managed the local coverage during the 2008 economic crisis. Now the Chief Strategy Officer at The Marshall Project, she has held other senior roles at the Associated Press, Boston Business Journal, and the Wall Street Journal. She’s taught at more than a half dozen institutions, including The Yale School of Management.

Harper
ISBN-13 978-0063234727

Fifteen cents on the dollar. Fifteen cents - the data virtually stuck where it was generations ago - is the amount of wealth that typical Black families have compared to one dollar of the typical white family's wealth. This Black-white wealth ratio remains almost as stark as it was in the years after the Civil War, when it stood at 1.8 cents on the dollar. The gap initially narrowed quickly in the late 1800s, but then its progress was slowed. Further improvements in the later 1900s were reversed in the 2000s. Hundreds of years into our national history, and despite the recent racial reckoning, Black Americans continue to encounter structural barriers that were long ago designed to restrict their economic success. Most Black Americans are still born into comparative economic disadvantage and face near-impossible odds to achieve equality. But why has this number been stuck in place so long, and how can Americans better understand the role racial wealth gaps play in the world around them?

Now, in FIFTEEN CENTS ON THE DOLLAR: How Americans Made the Black-White Wealth Gap, seasoned journalist-academics Louise Story and Ebony Reed offer a comprehensive, deeply human narrative history of Black wealth and the economic discrimination embedded in America's financial system through public and private policies that created today's Black-white wealth gap. Following the lives of seven Black Americans-some famous and some not well-known- of different economic levels, ages, and professions during the three years following the police killing of George Floyd, the authors bring data, research, and history to life. The trail of these families connects events after the Civil War and throughout the twentieth century to the lives of individual s today. FIFTEEN CENTS ON THE DOLLAR explains the scores of setbacks that have held the Black-white wealth gap in place - from enslavement, redlining , and banking discrimination to, ultimately, failures that occurred in the mid-2020s as the push for racial equity became a polarized political debate. 

"America, and Americans, made the Black-white wealth gap," write Story and Reed. "And our society continues to hold it in place." Signs of incremental progress have been hollow victories against generations-old systemic injustice. FIFTEEN CENTS ON THE DOLLAR provides crucial insight into American economic equity, Black business ownership, and political and busine ss practices that leave Black Americans behind. In chronicling these staggering injustices, the authors also reveal some pathways to lasting change.

SUGGESTIONS FOR CHANGE

The authors also can offer suggestions that they believe will help close the Black-white wealth gap. These suggestions are predicated on accepting two things: (1) That it's important to lift more Black families on the ladder of wealth and (2) That we do not want wealth gaps that are racialized or specific to demographics.

First, support more transparency into the wealth distribution in our country. The Department of Labor regularly reports on employment levels and the Department of Commerce reports on GDP. To help close the wealth gap, the United States would also benefit from a regular "wealth report" examining where the wealth is accruing and where it is not.

Second, ask who benefits from new government or company policies. Push policymakers to ensure that benefits are reaching the people who they are intended to reach and that benefits are inclusive of the neediest people. To create inclusive policies, it is important to have people of different backgrounds in all levels of leadership in the government and in education, companies, and nonprofits. And because of historic injustices, Black Americans and other minorities need extra follow-up reviews to see whether they are receiving benefits as intended. Think about how Black Americans did not receive full access to New Deal and GI benefits.

Third, pay attention to conversations around risk and pricing. In business and in government, practices were developed more than one hundred years ago that supported charging higher prices to "riskier" people, which makes economic sense, particularly for businesses. But as a society we need to ask are we trying to hold less advantaged people back or help them move forward? Are there instances where we can find room for the government or a third party to help defray the cost of that risk.

Fourth, when someone says they want to close a wealth gap, ask "For which people?" Depending on which measures you look at, you could close some gaps without helping lots of people. With the Black-white wealth gap, for instance, if you measure all dollars in the hands of white Americans versus all dollars in the hands of Black Americans, concentrating more money in the hands of the wealthiest Black Americans appears to be a valid way to close the gap. But would that be right? Ask about the who as well as the how. Ask yourself whose opportunity you' re fighting for.

Fifth, be open to change. If you want a more equitable, it may mean that more affordable housing is built near your home; it may change the way your company decides who gets promoted; it may mean that the way your children's school handles grading is reevaluated. Have discussions with the goal of finding a path forward that opens doors for more people. Listen out for money-over-morals arguments, where people say they are in favor of something that is more inclusive but then back away for fear it will cost them money.

Sixth, partner with someone different from you. The authors are themselves an example of partnering across racial lines. They believe that if more people took on large projects partnered with someone with very different backgrounds from their own, that could spread greater societal understanding and empathy for others.

Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History - REVIEW

by Laura Helton

During the first half of the twentieth century, a group of collectors and creators dedicated themselves to documenting the history of African American life. At a time when dominant institutions cast doubt on the value or even the idea of Black history, these bibliophiles, scrapbookers, and librarians created an enduring set of African diasporic archives. In building these institutions and amassing abundant archival material, they also reshaped Black public culture, animating inquiry into the nature and meaning of Black history.

Scattered and Fugitive Things tells the stories of these Black collectors, traveling from the parlors of the urban north to HBCU reading rooms and branch libraries in the Jim Crow south. Laura E. Helton chronicles the work of six key figures: bibliophile Arturo Schomburg, scrapbook maker Alexander Gumby, librarians Virginia Lee and Vivian Harsh, curator Dorothy Porter, and historian L. D. Reddick. Drawing on overlooked sources such as book lists and card catalogs, she reveals the risks collectors took to create Black archives. This book also explores the social life of collecting, highlighting the communities that used these collections from the South Side of Chicago to Roanoke, Virginia. In each case, Helton argues, archiving was alive in the present, a site of intellectual experiment, creative abundance, and political possibility. Offering new ways to understand Black intellectual and literary history, Scattered and Fugitive Things reveals Black collecting as a radical critical tradition that reimagines past, present, and future.

Laura E. Helton is an assistant professor of English and history at the University of Delaware. She is a coeditor of the digital humanities project “Remaking the World of Arturo Schomburg.”

Columbia University Press
ISBN-13 978-0231212748

Glad to the Brink of Fear: A Portrait of Ralph Waldo Emerson - REVIEW

by James Marcus

More than two centuries after his birth, Ralph Waldo Emerson remains one of the presiding spirits in American culture. Yet his reputation as the starry-eyed prophet of self-reliance has obscured a much more complicated figure who spent a lifetime wrestling with injustice, philosophy, art, desire, and suffering. James Marcus introduces readers to this Emerson, a writer of self-interrogating genius whose visionary flights are always grounded in Yankee shrewdness.

This Emerson is a rebel. He is also a lover, a friend, a husband, and a father. Having declared his great topic to be “the infinitude of the private man,” he is nonetheless an intensely social being who develops Transcendentalism in the company of Henry David Thoreau, Margaret Fuller, Bronson Alcott, and Theodore Parker. And although he resists political activism early on—hoping instead for a revolution in consciousness—the burning issue of slavery ultimately transforms him from cloistered metaphysician to fiery abolitionist.

Drawing on telling episodes from Emerson’s life alongside landmark essays like “Self-Reliance,” “Experience,” and “Circles,” Glad to the Brink of Fear reveals how Emerson shares our preoccupations with fate and freedom, race and inequality, love and grief. It shows, too, how his desire to see the world afresh, rather than accepting the consensus view, is a lesson that never grows old.

James Marcus was born in the literary hotbed of Paterson, NJ, and grew up in the New York area. He is the author of "Amazonia: Five Years at the Epicenter of the Dot-Com Juggernaut" and a half-dozen translations from the Italian, the most recent being Giacomo Casanova's "The Duel." His work has appeared many publications, including the Atlantic, the Los Angeles Times Book Review, Salon, the Nation, Raritan, the Paris Review, and the Village Voice, and his essay "Faint Music" was selected for "Best American Essays 2009."

He is Deputy Editor at Harper's Magazine, after a three-year tenure at the Columbia Journalism Review. He blogs about books, music, and miscellaneous stuff at House of Mirth. A collection of essays from CJR called "Second Read," which he edited and introduced, will be published by Columbia University Press in November.

Princeton University Press
ISBN-13 978-0691254333

The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America - REVIEW

by Larry Tye

From the New York Times bestselling author of Satchel and Bobby Kennedy, a sweeping and spellbinding portrait of the longtime kings of jazz—Duke Ellington, Louis Armstrong, and Count Basie—who, born within a few years of one another, overcame racist exclusion and violence to become the most popular entertainers on the planet.

This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America.

Duke Ellington, the grandson of slaves who was christened Edward Kennedy Ellington, was a man whose story is as layered and nuanced as his name suggests and whose music transcended category.

Louis Daniel Armstrong was born in a New Orleans slum so tough it was called The Battlefield and, at age seven, got his first musical instrument, a ten-cent tin horn that drew buyers to his rag-peddling wagon and set him on the road to elevating jazz into a pulsating force for spontaneity and freedom.

William James Basie, too, grew up in a world unfamiliar to white fans—the son of a coachman and laundress who dreamed of escaping every time the traveling carnival swept into town, and who finally engineered his getaway with help from Fats Waller.

What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like nearly all Black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries by opening America’s eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement.

Based on more than 250 interviews, this exhaustively researched book brings alive the history of Black America in the early-to-mid 1900s through the singular lens of the country’s most gifted, engaging, and enduring African-American musicians.

Larry Tye is the New York Times bestselling author of Bobby Kennedy and Satchel, as well as Demagogue, Superman, The Father of Spin, Home Lands, and Rising from the Rails, and coauthor, with Kitty Dukakis, of Shock. Previously an award-winning reporter at the Boston Globe and a Nieman fellow at Harvard University, he now runs the Boston-based Health Coverage Fellowship. He lives on Cape Cod.

Mariner Books
ISBN-13 978-0358380436

Proverb Masters: Shaping the Civil Rights Movement - REVIEW

by Raymond Summerville

In Proverb Masters: Shaping the Civil Rights Movement, author Raymond Summerville explores how proverbs and proverbial language played a significant role in the long civil rights era. Proverbs have been used throughout history to share and disseminate brief, powerful statements of truth and philosophical insight. Oftentimes, these sayings have helped unite people in struggles for social justice, serving as rallying cries for just causes. During the civil rights era, proverbs allowed leaders to craft powerful and evocative messages. These statements needed to be made implicitly, as explicit messages were often met with retaliation and even violence.

Looking at the autobiographies, biographies, speeches, diaries, letters, and critical texts of Charles W. Chesnutt, Ida B. Wells, A. Philip Randolph, Bob Dylan, Malcom X, Stokely Carmichael, and Septima Clark, the volume analyzes how these figures employed proverbs in support of social justice causes and in civil rights struggles. Summerville argues that these individuals generated enough print material embedded with proverbs and proverbial language that they should be considered proverb masters. With chapters dedicated to each figure, Summerville reveals their adept uses of this powerful linguistic tool.

Raymond Summerville is professor of English at Fayetteville State University. He has published in Proverbium, the Journal of Folklore and Education, and other publications.

University Press of Mississippi
ISBN-13 978-1496852557

Without Sanctuary: Lynching Photography in America - REVIEW

by James Allen

“Many people today, despite the evidence, will not believe-don't want to believe-that such atrocities happened in America not so very long ago. These photographs bear witness to . . . an American holocaust." –John Lewis, US Congressman

The Tuskegee Institute records the lynching of 3,436 Black Americans between 1882 and 1950. Many times, a photographer was present to capture these events. Without Sanctuary preserves these harrowing, death-marked depictions, saving them so that we may recognize the terrorism unleashed on America’s African American community. Editor James Allen, an American antique collector, includes nearly 100 images of lynchings in America from his own collection, including battleground cases such as the 1911 murders of Laura and Lawrence Nelson in Okemah, Oklahoma the lynching of Rubin Stacy in Fort Lauderdale, Florida in 1935, and the infamous 1915 execution of Jewish factory manager Leo Frank in Marietta, Georgia. These images are accompanied by Allen’s own notes, as well as texts from the late US congressman and civil rights leader John Lewis, the late slavery and Reconstruction historian Leon Litwack, and writer and theater critic Hilton Als, professor at University of California in Berkeley and Columbia University. Now in its 17th printing, Without Sanctuary remains a singular testament to the camera’s ability to make us remember what we often choose to forget.

James Allen (born 1954) is an American collector best known for his vast collection of photographs of lynchings in America. Some of his collected items are now located in the Smithsonian and the High Museum of Art.

Leon Litwack (1929–2021) was a professor of American History at the University of California in Berkeley from 1964 to 2007. He specialized in the Reconstruction Era and the aftermath of slavery in the late 19th and early 20th centuries. His 1979 book Been in the Storm So Long won the Pulitzer Prize for History, the Francis Parkman Prize and the National Book Award.

Hilton Als (born 1960) is a writer and theater critic. He holds professorial positions at the University of California in Berkeley and Columbia University, and serves as a staff writer and theater critic for the New Yorker. In 2017 he won the Pulitzer Prize for criticism. Als has also curated several group art exhibitions including Forces in Nature at Victoria Miro Gallery and Alice Neel: Uptown at David Zwirner Gallery.

John Lewis (1940–2020) became involved in the Civil Rights movement when he was still a teenager. He was introduced to both Rosa Parks and Martin Luther King Jr., and participated in the 1960 Nashville sit-ins as well as the 1961 Freedom Rides. As chairman of the Student Nonviolent Coordinating Committee (SNCC) from 1963 to 1966, he was one of the “Big Six” civil rights leaders who coordinated the March on Washington. He represented Georgia’s 5th District in the U.S. House of Representatives from 1987 until his death in 2020.

Twin Palms Publishers
Fifteenth Edition, 2021 (November 1, 1999)
2021 edition includes foreword by John Lewis
ISBN-13 978-0944092699

An Unholy Traffic: Slave Trading in the Civil War South - REVIEW

by Robert K.D. Colby

The Confederate States of America was born in defense of slavery and, after a four-year struggle to become an independent slaveholding republic, died as emancipation dawned. Between Fort Sumter to Appomattox, Confederates bought and sold thousands African American men, women, and children. These transactions in humanity made the internal slave trade a cornerstone of Confederate society, a bulwark of the Rebel economy, and a central part of the experience of the Civil War for all inhabiting the American South.

As An Unholy Traffic shows, slave trading helped Southerners survive and fight the Civil War, as well as to build the future for which they fought. They mitigated the crises the war spawned by buying and selling enslaved people, using this commerce to navigate food shortages, unsettled gender roles, the demands of military service, and other hardships on the homefront. Some Rebels speculated wildly in human property, investing in slaves to ward off inflation and to buy shares in the slaveholding nation they hoped to create. Others traded people to counter the advance of emancipation. Given its centrality to their nationhood, Confederates went to great lengths to prolong the slave trade, which, in turn, supported the Confederacy. For those held in slavery, the surviving slave trade dramatically shaped their pursuit of freedom, inserting a retrograde movement into some people's journeys toward liberty while inspiring others to make the risky decision to escape.

Offering an original perspective on the intersections of slavery, capitalism, the Civil War, and emancipation, Robert K.D. Colby illuminates the place of the peculiar institution within the Confederate mind, the ways in which it underpinned the CSA's war effort, and its impact on those attempting to seize their freedom.

Robert K.D. Colby is an Assistant Professor of History at the University of Mississippi. His research on the domestic slave trade has won multiple awards, including the Allan Nevins Prize of the Society of American Historians.

Oxford University Press
ISBN-13 978-0197578261

Influence, New and Expanded: The Psychology of Persuasion Hardcover – REVIEW

by Robert B Cialdini

In the new edition of this highly acclaimed bestseller, Robert Cialdini—New York Times bestselling author of Pre-Suasion and the seminal expert in the fields of influence and persuasion—explains the psychology of why people say yes and how to apply these insights ethically in business and everyday settings. Using memorable stories and relatable examples, Cialdini makes this crucially important subject surprisingly easy. With Cialdini as a guide, you don’t have to be a scientist to learn how to use this science.

You’ll learn Cialdini’s Universal Principles of Influence, including new research and new uses so you can become an even more skilled persuader—and just as importantly, you’ll learn how to defend yourself against unethical influence attempts. You may think you know these principles, but without understanding their intricacies, you may be ceding their power to someone else.

Cialdini’s Principles of Persuasion:

• Reciprocation
• Commitment and Consistency
• Social Proof 
• Liking 
• Authority
• Scarcity
• Unity, the newest principle for this edition

Understanding and applying the principles ethically is cost-free and deceptively easy. Backed by Dr. Cialdini’s 35 years of evidence-based, peer-reviewed scientific research—including a three-year field study on what leads people to change—Influence is a comprehensive guide to using these principles to move others in your direction.

Harper Business
ISBN-13 978-0062937650

James: A Novel - REVIEW

by Percival Everett 

A brilliant, action-packed reimagining of Adventures of Huckleberry Finn, both harrowing and darkly humorous, told from the enslaved Jim's point of view. From the “literary icon” (Oprah Daily) and Pulitzer Prize Finalist whose novel Erasure is the basis for Cord Jefferson’s critically acclaimed film American Fiction.

When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.

While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.

Brimming with the electrifying humor and lacerating observations that have made Everett a “literary icon” (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a major publishing event and a cornerstone of twenty-first century American literature.

Percival Everett is a Distinguished Professor of English at USC. His most recent books include Dr. No (finalist for the NBCC Award for Fiction and winner of the PEN/ Jean Stein Book Award), The Trees (finalist for the Booker Prize and the PEN/Faulkner Award for Fiction), Telephone (finalist for the Pulitzer Prize), So Much Blue, Erasure, and I Am Not Sidney Poitier. He has received the NBCC Ivan Sandrof Life Achievement Award and The Windham Campbell Prize from Yale University. American Fiction, the feature film based on his novel Erasure, was released in 2023 and was awarded the Academy Award for Best Adapted Screenplay. He lives in Los Angeles with his wife, the writer Danzy Senna, and their children

Doubleday
ISBN-13 978-0385550369

The Grift: The Downward Spiral of Black Republicans from the Party of Lincoln to the Cult of Trump - REVIEW

by Clay Cane

Part history and part cultural analysis, The Grift chronicles the nuanced history of Black Republicans. Clay Cane lays out how Black Republicanism has been mangled by opportunists who are apologists for racism.

After the Civil War, the pillars of Black Republicanism were a balanced critique of both political parties, civil rights for all Americans, reinventing an economy based on exploitation, and, most importantly, building thriving Black communities. How did Black Republicanism devolve from revolutionaries like Frederick Douglass to the puppets in the Trump era?

Whether it's radical conservatives like South Carolina Senator Tim Scott or Supreme Court Justice Clarence Thomas, they are consistently viral news and continuously upholding egregious laws at the expense of their Black brethren. Black faces in high places providing cover for explicit bigotry is one of the greatest threats to the liberation of Black and brown people. By studying these figures and their tactics, Cane exposes the grift and lays out a plan to emancipate our future.

Clay Cane is an award-winning journalist, writer, radio host, and political commentator. A graduate of Rutgers University with a degree in African-American Studies, his work on race, culture, and politics have appeared in national publications, including the Washington Post, CNN, and The Grio. He is the director of the original BET documentary Holler If You Hear Me: Black and Gay in the Church, which was screened at the Obama White House. In 2017, The Clay Cane Show launched on SiriusXM Urban View channel 126. Clay is a regular political commentator on MSNBC. The Grift is his second book, his first being Live Through This: Surviving the Intersections of Sexuality, God, and Race. ClayCane.net, @claycane

Sourcebooks
ISBN-13 978-1728290225